1908 Carlo ALBANI tenor ANDREA CHENIER Improvviso/ Lucrezia Borgia 78
  $   27

 


$ 27 Sold For
Nov 12, 2018 Sold Date
Nov 5, 2018 Start Date
$   4 Start price
8   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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A series of great early Opera performances: From 1902 G&Ts to 40s wartime German records:



Famous Tenor Carlo Albani of La Scala 

Albani' s name is associated, yet as he was of that lonely group of tenors who" knew how to sing," he makes the Donizetti aria sound perhaps a little better than it actually is. Albani was not Caruso or Marconi, but he was of the elect. 

C4898 Andrea Chénier: Improvviso
C4887 Lucrezia Borgia: Di pescator     " 78 rpm Original Grand Prize record

Condition:

EXCELLENT close to pristine, plays very quiet faintest hiss

A SUPERB COPY

Born: 1872

Died: 1938

Nationality: Of Italian/French ancestry

Voice: Spinto tenor

Teacher(s): Enrico Delle Sedie (Paris)

Debut: 1901

Recordings: Victor (1907-1908); Pathe (1907-08); G&T Milan (c. 1907); Edison (Unk.); Odeon (Unk.); Fonotipia (Unk.)

Other Facts: Carlo Albani was engaged with the San Carlo Opera in Boston while still under contract with Hammerstein's Manhattan Opera. During a Boston performance of "Il Trovatore", the tenor was placed under arrest in full view of the audience.

Review in THE GRAMOPHONE

Carlo Albani (tenor) with Orchestra : Di Pescatori Ignobile from Lucrezia Borgia ; sung in Italian. Mario Ancona (baritone) and Marcel Journet (bass) with Orchestra : Suoni La Tromba from I Puritani ; sung in Italian. Historic Record Society 1003 (12 in.). Both of these records were made in 1907, and for that time or any other time the recording is excellent, the duet being an especial triumph of the early engineers. Ancona is heard to good advantage, but as he did not have the expansiveness of voice, especially in the top notes, so characteristic of Amato, he comes out second best in comparison with Amato who made a later version of the duet with Journet. The great bass always seemed to be around when assistance was needed—fortunately. Albani's voice was of a most agreeable quality, with just a trace of tremolo. It is with the more heroic arias that Albani's name is associated, yet as he was of that lonely group of tenors who" knew how to sing," he makes the Donizetti aria sound perhaps a little better than it actually is. Albani was not Caruso or Marconi, but he was of the elect.


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The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
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