1930 SAINT SAENS SYM 3 ORGAN Collier HERBRECHT Petijean
  $   38

 


$ 38 Sold For
Mar 28, 2011 Sold Date
Mar 23, 2011 Start Date
$   25 Start price
6   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

 

I will be running 3 weeks of great auctions, and would be happy to hold your items and bill you at the end of the cycle (April 10) for one combined shipment.

I AM HAPPY COMBINE MULTIPLE ITEMS in one shipment for a low postage rate.

IMPORTANT: IF YOU WIN MULTIPLE ITEMS DO NOT USE EBAY CHECK OUT.
Send me an invoice request instead to get the low combined postage rate.

 

 

A series of great Violin, Piano and Orchestra records on rare labels, from 1902 Monarch to 1940 War Germany recordings.

Great FIRST REDCORDING of Camille Saint-Saens Symphony No. 3 with Organ Op. 78 in C minor (recorded 1930)
Denise Herbrecht & Lucien PEtitjean Piano, Alexander Cellier at the Cavaille Coll organ of the Salle Pleyel

with a French Orchestra cond by Piero Coppolla,

Original issue orthophonic album M-100 with patterened sleeves and booklet complete on 4x12" records

Condition: EXCELLENT, light short scratch start of 7, light surface noise. Album close to new condition.

Coppola conducting Saint Saens timeless Organ Symphony. The recording dates  from 1930 and was made with the "Gramophone Symphony Orchestra- La Voix De Son Maitre" in Paris. Coppola was the artistic director of the French arm of HMV - The Gramophone Company for the better part of the 1920's and 1930's.

I'm really glad that I transferred this record. You will not believe that this record was set down in 1930. It's so vivid, the balancing is superb and details jump out of the speakers. Combine great sonics with a superb performance and you have an absolute winner. This was probably the finest recording of the Saint Saens on the market until the stunning stereo spectacular of Munch in Boston, nearly 30 years later!

Featured performers for this symphony are Alex Cellier on organ, Lucien Petitjean on piano and Denise Herbrecht on piano. I cannot help but wonder if the Gramophone Symphony Orchestra is indeed the Paris Conservatory, Lamoureux or Pasdeloup in recording disguise.

 

Alexandre Eugène Cellier (Molières-sur-Cèze, June 17, 1883 – March 4, 1968 in Paris) was a French organist and composer.

Cellier studied organ with Alexandre Guilmant until 1908. In 1908 he won the first prize for organ at the Conservatoire de Paris. Before that he also studied with Henri Dallier and Charles-Marie Widor. He was the organist/Titulaire of the Temple de l'Étoile in Paris from 1910 until his death in 1968. The organ he used was a 3-manual Cavaillé-Coll organ with 32 stops, which was extended by Mutin in 1914.

In Louis Vierne's biography Mes Souvenirs, he describes Alexandre Cellier as a highly "cultivated musician" with perfect skills in improvisation. He must have been very virtuous on the organ, as he also made a career as concert organist in France but also abroad. His music is typical modern French style (in the view of Vierne) and "highly aesthetic".

He wrote a book about organ registration and is known as the French translator of the texts of the Bach Chorales.

Piero Coppola (October 11, 1888 – March 17, 1971), was an Italian conductor, pianist and composer.

 Life and careerEditCoppola was born in Milan; his parents were both singers.[1] He studied at the Milan Conservatory, graduating in piano and composition in 1910.[1] By 1911 he was already conducting opera at La Scala opera house in Milan.[1] That year he heard Debussy conduct his own compositions Ibéria and Prélude à l'après-midi d'un faune in Turin, an experience that "had a decisive influence on his career".[2] He then worked in Brussels, Belgium before spending the duration of World War I in Scandinavia.[1]

In 1921 Coppola resided in London[3] and he later later moved to France. Between 1923 and 1934 he was the artistic director of La Voix de son Maître, the French branch of The Gramophone Company. In 1924 he was asked by Sylvia Beach to make a recording of James Joyce reading from Ulysses: Coppola replied that the recording would have to be made at Beach's expense, would not have the HMV label on it and would not be listed in the catalog.[4] In the late 1920s and 1930s Coppola conducted recordings of many works of Debussy and Ravel, including the first recordings of Debussy's La mer and Ravel's Boléro. Coppola's conducting enjoyed the admiration of Debussy, although the composer never actually heard Coppola perform any of his works.[2] His work in French repertoire has been widely praised. His recordings of Debussy have been described as "without rival for the period", with his 1938 recording of Nocturnes eulogized as a "masterpiece"[5] and among the early recordings "closest to Debussy's thought".[6] His recording of Ravel's Le Tombeau de Couperin won the Grand Prix du Disque in 1932.[5] Coppola also conducted the first recording of Prokofiev's Third Piano Concerto, with Prokofiev himself as soloist, in June 1932.

From 1939 onwards Coppola worked in Lausanne, Switzerland, where he died.

 CompositionsEditCoppola composed two operas, a symphony, and some shorter works.[1] According to a 1921 article in the Musical Times, his music "is all nerves, and always has a decisive rhythmic character". The article went on to describe Coppola as "[a] very strong musician, [who] loves to translate musically certain grotesque and gruesome poses which he succeeds in making very impressive."[3]

 FamilyEditDespite many unsubstantiated claims, there is no known family relationship between Piero Coppola and Carmine Coppola or Carmine's son Francis Ford Coppola.[7]

 Recording premieresEditDebussy, La mer, orchestra, 1928[8]
Ravel, Shéhérazade, Marcelle Gerar (soprano), orchestra, The Gramophone Company, November 1928, Paris
Ravel, Boléro, orchestra, The Gramophone Company, January 8 1930, Paris[9]
Prokofiev, Third Piano Concerto, Sergei Prokofiev (piano), London Symphony Orchestra, HMV, June 27-28 1932, London
Ravel, Daphnis et Chloé suite number 1, Orchestre de la Société des Concerts du Conservatoire, The Gramophone Company, 1934, Paris

Pls check my other auctions for more great records and phonograph items:

** Note: some items may come on-line Thursday March 24 **

http://shop.ebay.com/carsten_sf/m.html

 

http://shop.ebay.com/carsten_sf/m.html

 

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I am having three consecutive weeks of auctions.

I am happy to hold your items and bill you at the end of the auction cycle (April 10).

Pls send me a note if you would like me to hold records

Multiple item shipping: I am happy to combine items for shipment in one parcel.

If you win multiple items, pls send me an INVOICE REQUEST to calculate the correct postage. Ebay check out will not give you the multiple item discount!

Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment.

Shipment is usually Media Mail, unless another service is requested. Shipping is at your risk, I will be happy to insure items at your cost.

I charge actual postage plus a small fee for packing materials

As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price.

If you are in the San Francisco area, I encourage pick-up in person.

 

US Domestic Shipping:

Here is a rough guideline for US Media Mail Shipping:

Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Above that and for international shipments, it will be actual weight plus a small packing charge (1-2$)

1 record: 4$

2 records: 5$

5 records: 6$

10 records: 8$

 

International Buyers:

I am very happy to ship records worldwide.

 

Prices below are for regular 78 rpm records. For Edison Discs in  international shipments, it will charge for the actual weight plus a small packing charge (1-2$) - for small quantities, it will not be much different from the charge for regular 78s.

Pls contact me for a shipping estimate, or send me an invoice request after close of auction.

 

Be aware that US Postal Rates can be high. Here are some examples.

Your best bet is the Large Priority box, everything that fits into a 12"x12"x5 1/2" box up to 20 pounds ships for 60$ (35$ Canada) worldwide.

However, I can get competitive rates from FedEx and the US Postal service for any kind of parcel weight

Germany (is pretty much the same for most countries, incl Japan and Western Europe)

1 record = 2 lbs 20$
4 lbs = 35$
20 lbs in 12x12" box 60$

Canada

1 record = 2 lbs 10$
4 lbs = 18$
20 lbs in 12x12" box ((12" albums won't fit)= 35$
I may be able to get some slightly better FedEx rates.
Pls email with your address for an estimate.

To estimate your shipment, pls go to

http://www.usps.com/tools/calculatepostage/welcome.htm?from=home_header&page=calculatepostage

My zip code is 94107.

Assume 1 pound per record plus 1 pound for packing.

 

Pls contact me with your country, home town and postal code before bidding for an estimate.

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As always, I would appreciate any suggestions and corrections from you, pls contact me with any question.


Thank you very much, and good luck bidding !!!




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