1935 MAHLER Symphony 2 Resurrection Ormandy Minneapolis Z SHELLAC 78
  $   50

 


$ 50 Sold For
Mar 13, 2017 Sold Date
Mar 8, 2017 Start Date
2   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

Please wait for me to send you an invoice. DO NOT USE EBAY CHECKOUT if you want the lowest possible postage.

 

Welcome to my auctions of great records

This is my FINAL WEEK of 2 weeks of great auctions – I WILL PACK AND BILL YOUR RECORDS after the close of these auctions on MARCH 12. KINDLY ALLOW UP TO 48hrs for packing and billing to get you the exact postage.

PLEASE DO NOT PAY before I send you an invoice. It will take me up to 48 hours to pack your records, but this is the ONLY WAY to get you the LOWEST POSTAGE. If you pay before I sent you an invoice, the EBAY system will charge you a HIGHER POSTAGE for shipping.

 

 

A series of great early Opera performances: From 1902 G&Ts to 40s wartime German records:

 

FIRST COMPLETE ELECTRIC RECORDING of Mahler's Famed

SYMPHONY NO 2 RESURRECTION (after the 1924 Oskar Fried recording)

Great issue ON SUPERB pre war gold label pressing

  

 

Mahler, Gustav. Symphony No. 2 in C-Minor, "Resurrection."

The Minneapolis Symphony Orchestra, Eugene Ormandy, Conductor.

with Corinne Frank, Soprano & Ann O'Malley Gallogly, Contralto.

Twin City Symphony Chorus, Rupert Sircom, Chorusmaster.

Originally issue Victor Red Seal M-256 (Mono/12 Discs/78 r.p.m.).

Recorded live in concert 1 June 1935 at Cyprus Northrup Memorial Auditorium

 

Z SHELLACK (litte z under oval VE)12x 12" 78 rpm record w originalalbum M 256 and booklet

 

Condition:

EXCELLENT rare scuffs, hint of greying on 1, plays exceptionally quiet, some buzzing on loud passages on 1.  Plays exceptionally quiet . Album like new

 

Here is some appreciation of  this recording:

The sound is state-of-the-art (for 1935), the microphone picking up solo instrumentalists just as readily as various sections or the entire orchestra itself. The dynamic range of the varied instrumentalists and soloists attests to the great care Ormandy himself chose in rendering this piece. There is also a minimum of surface noise from the original discs, although I can't detect that this is a result of radical filtering. The only drawback to this disc is that it was recorded pre-hi-fi, but I wasn't expecting a full frequency range, anyhow.

But, most important of all is Ormandy's performance, which is strikingly similar to his 1970 release with the Philadelphia Orchestra (RCA Victor Red Seal LSC-7066, out of print): He opens the first movement with a fiercely driven tempo that recalls some of his great Columbia recordings to mind (Franck's Symphony, Sibelius' Fifth Symphony, Saint-Saens' "Organ" Symphony with E. Power Biggs, among others). Despite the lightning-quick tempi, the orchestra has a well-polished, "warm," tone, and the strings have a strong, unified sound, stringendo at times, austerely dampened at others (this in contradistinction to the 1970 release, in which the strings have more of that characteristically lush "Philadelphia Sound.").

Ann O'Malley Gallogly's contralto sets an achingly beautiful yet desolate to the tone of the fourth movement (Urlicht). Here, the orchestra is held back, as they are in the opening to the finale, in tempo and in dynamics. The movement opens tragically, sadly, the horns tolling a haunting funeral dirge. From these depths, a rousing and triumphant finale wells up, trumpets sending forth a piercing, audible light. Ormandy employs church bells from Minneapolis which, though slightly out of tune, ring joyously above the music. The chorus comes across as solemn and impassioned. One senses the exaltation of Christ's resurrection and defeat of evil.

This recording of Mahler's 2nd is a welcome addition to any lover of great music, for after over 60 years, it still has the power to excite and inspire. If you haven't heard this sterling recording, then what better one to go to than one which introduced this masterwork to so many?

 

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As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS.

If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING.

Quick note on grading:

The Grade (Excellent to Fair, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

When I listen to a record, I may also give it an aural grade (again E to F), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"SUPERQUIET" is basically noiseless, like a vinyl pressing.
"VERY QUIET" is an quiet record for a given pressing.
"Quiet" is a record that is a great example without undue noise for a give pressing.

These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment.

 

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Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment.

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US Domestic Shipping:

Here is a guideline for US Media Mail Shipping:

Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Albums from Album Sets count as 1 record. Above that and for international shipments, it will be actual weight plus a small packing charge (1-3$ depending on size of shipment)

1 record: 4.50 – 5.00$

2 records: 5.75$

5 records: 7.50$

10 records: 9.50$

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Please use the EBAY shipping cost only as a guideline. My actual charges are usually lower

International shipping: approx postage 1x10"=$25: 1x12"=$35: 10"Album 4 Rec=50$: 12" Album 2 Rec=50$
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About 30% less to Canada.

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