1935 MAX LORENZ Wagner TANNHAUSER Rom Narrative Ernst Viebig 78
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Please wait for me to send you an invoice. DO NOT USE EBAY CHECKOUT if you want the lowest possible postage.
Welcome to my auctions of great records
This is my FINAL WEEK. Auctions will end on June 9 – I WILL PACK AND BILL YOUR RECORDS after the close on JUNE 9, due to the very high number of records, pls allow 48 HOUR for me to send you an invoice.
PLEASE DO NOT PAY before I send you an invoice, otherwise the Ebay system will charge you a higher shipping charge.
International shipping: approx postage 1x10"=$25: 1x12"=$25 to $35: 10"Album 4 Rec=50$: 12" Album 2 Rec=50$
HOWEVER in most cases I can get you SIGNIFICANT savings by using other services. Pls contact me for a quote.
About 30% less to Canada. Pls ignore international postage displayed in Ebay, rates are too high
Please wait for me to send you an invoice. DO NOT USE EBAY CHECKOUT if you want the lowest possible postage.
I am currently selling a series of great Richard Wagner and classic European 78 rpm orchestral recordings on all the great European labels:
Max Lorenz (supposedly Hitler's favority Wagner tenor ) was THE leading Siegmund, Siegfried and the ideal Walter von Stolzing in Berlin and Bayreuth in the 1930s
From TANNHAUSER: Rom Narrative 1&2
Bruno Seidler Winkler cond the Berlin State Opera orchestra
12" 78 rpm record:
Condition: EXCELLENT close to pristine, interior crack 1cm into last grooves NAP. Plays very very quiet faintest crackle
A SUPERB COPY
Max Lorenz (born Max Sülzenfuß; 10 May 1901 – 11 January 1975) was a German heroic tenor famous for Wagner roles.
Lorenz was born in Düsseldorf, and studied with Ernst Grenzebach in Berlin in the 1920s. He made his debut at the Semperoper in Dresden in 1927, becoming a principal tenor. From 1929 to 1944 he was a member of the ensemble at the Berlin State Opera, appearing also at the New York Metropolitan Opera (1931–34), the Bayreuth Festspielhaus (1933–39, 1952, 1954) and the Royal Opera House, Covent Garden (1934 and 1937). He sang, too, at the Vienna State Opera (1929–33, 1936–44, 1954).
Audiences at the Salzburg Festival also heard him, and he created roles in such post-World War II works as Gottfried von Einem’s Der Prozess (Josef K, 1953), Rolf Liebermann’s Penelope (1954) and Rudolf Wagner-Régeny’s Das Bergwerk zu Falun (1961).
Lorenz's operatic and recital career lasted almost three decades. He became known as one of the world's leading heldentenors, renowned for his performances as Tristan, Siegfried and Walther in particular. He was also a notable Otello, Bacchus and Herod.
At his best in the 1920s and 1930s, Lorenz possessed a powerful, ringing voice which he used in an impassioned manner. Some of his recordings of operatic arias have been issued on CD. Notably, he was recorded live in a performance of Die Meistersinger at the Bayreuth Festival, under the baton of the celebrated conductor Wilhelm Furtwängler.
Personal lifeLorenz was homosexual, but from 1932 he was married to Charlotte (Lotte) Appel, who was Jewish and was aware of his homosexuality. His homosexuality was almost tolerated by the Nazis as a well-known secret. When Lorenz had to appear in court because of an affair with a young man, Hitler advised Winifred Wagner, the director of the Bayreuth Festival, that Lorenz would not be suitable for the Festival. Wagner answered that in that case she might close the Festival because, without Lorenz, "Bayreuth can't be done."[1]
As for his Jewish wife, Lorenz insisted on being open about his marriage, which was taken as a provocation by the Nazis. When Lorenz was away from his house, the SS burst in and tried to take his wife and mother-in-law away. At the last moment they were prevented from doing so when Lotte Lorenz was able to make a phone call to the sister of Hermann Göring. The SS was ordered to leave their residence and not to bother the two women. Göring stated in a letter of 21 March 1943 that Lorenz was under his personal protection and that no action should be taken against him, his wife, or her mother.[1]
Max Lorenz died in Salzburg and is buried at the Zentralfriedhof in Vienna (group 40, grave 37).[2][3]
A series of great Records about Dixie, the Civil War, early One Step, Cakewalk and Blackface performers
issued first in 1901 Record No 485 on rare COLUMBIA CONDITIONS RECORD
NO 485
Here take 4 without performers named
ANNOUNCED Edward Favor What do you of Think O'HOOLIHAN
Edward Favor singing w piano, a second person shouting comments
10" 78 rpm record
Condition:
VERY GOOD PLUS, plays w hissy swish, light fuzziness on top
More Great Records on sale right now:
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http://shop.ebay.com/carsten_sf/m.html
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A Quick NOTE ON GRADING AND SHIPPING:
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Quick note on grading:
The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately
When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"SUPERQUIET" is basically noiseless, like a vinyl pressing.
"VERY QUIET" is an exceptionally quiet record for a given pressing.
"Quiet" is a record that is a great example without undue noise for a give pressing.
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Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment.
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US Domestic Shipping:
Here is a guideline for US Media Mail Shipping:
Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Albums from Album Sets count as 1 record. Above that and for international shipments, it will be actual weight plus a small packing charge (1-3$ depending on size of shipment)
1 record: 4.75 – 5.50$
2 records: 6.50$
5 records: 8.00$
10 records: 12.00$
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One record usually ships for 25$ for 10" 25-35$ for most 12" records (Less for Canada).
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