1938 Gustav MAHLER Symph 9 LIVE Bruno Walter Vienna Philharmonic 98
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Description
WEEK 1 of 3 weeks of great auctions, until Dec 18.
Some great collectible HOLIDAY GIFTS for yourself your friends and family.
IMPORTANT:
Per US Postal Service, the following dates for Christmas shipping have been posted:
Parcel Post - Media Mail - December 15 2011
Priority Mail - December 21 2011.
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PLS READ BELOW for INCREASED SHIPPING CHARGES due to Ebay Policy
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Great German conductor and student of Gustav Mahler
One of the great Walter Vienna recordings between his Nazi dismissal from Berlin (he was of Jewish ancestry) and the Austrian Anschluss in 1938. In these last days pre-Anschluss, Walter recorded live Mahler's Lied von der Erde and the 9th Symphony
BRUNO WALTER here in one of the definitive recordings of Gustav Mahler's Symphony No 9
Recorded live from the Golden Hall of the Vienna Philharmonic in Vienna on
January 16 1938
Recorded live in Vienna in January 1938, the playing is deeply committed if not entirely perfect, and if all the lines of Mahler's complex, multi-thematic counterpoint are not always clear, one must remember that if he had heard or conducted the work, he might, as always, have made emendations. The performance is historically significant: two months later, Hitler invaded Austria and Walter, Mahler's foremost champion, as well as concertmaster Arnold Rosé, who plays the violin solos, and many other orchestra members, had to flee for their lives.
10x 12" Victor 78 rpm records w original album DM726 and notes
Condition: EXCELLENT Minus unworn, and quiet but records have some rubbed spots, lightest scratch on 19. Album in good shape, spine has some light fraying.
Death-obsessed and superstitious, Mahler tried to outwit Fate by composing an unnumbered "song symphony" after the Eighth, but when he wrote the Ninth in 1907, he had been crushed by several devastating blows and knew he was fatally ill. It remained his last completed symphony, and was not premiered during his lifetime. The symphony is a heart-breaking mixture of holding on and letting go, of joy and beauty remembered and distorted by the anguish of loss, of doomed hope, protest, defiance, and resignation. Its extreme changes of mood and emotion are indicated by Mahler's instructions, such as: "with inmost feeling," "very tender and expressive," "like a heavy funeral march," "with fury," "with utmost force," "without expression." The third movement, called "Burleske," is marked "very stubborn"; the second, a three-part dance called "A comfortable Ländler," is subtitled "somewhat clumsy and very uncouth." Changes of tempo and dynamics are often sudden and violent; climaxes build up, collapse, rise again, scale the heights. The orchestral colors are exploited to their maximum. The last movement is a leave-taking reminiscent of the "Farewell" from the "Song of the Earth," and, like it, dies away into nothingness.
Recorded live in Vienna in January 1938, the playing is deeply committed if not entirely perfect, and if all the lines of Mahler's complex, multi-thematic counterpoint are not always clear, one must remember that if he had heard or conducted the work, he might, as always, have made emendations. The performance is historically significant: two months later, Hitler invaded Austria and Walter, Mahler's foremost champion, as well as concertmaster Arnold Rosé, who plays the violin solos, and many other orchestra members, had to flee for their lives.
Bruno Walter, Wien 1912
Bruno Walter (September 15, 1876 – February 17, 1962) was a German-born conductor. He is considered one of the best known conductors of the 20th century. Walter was born in Berlin, but is known to have lived in several countries between 1933 and 1939, before finally settling in the United States in 1939. Though he was born Bruno Schlesinger, he began using Walter as his surname in 1896, and officially changed his surname to Walter upon becoming a naturalised Austrian in 1911. Walter was for many years active as a composer, but his works have not entered the repertoire.
Born near Alexanderplatz in Berlin to a middle-class Jewish family as Bruno Schlesinger, he began his musical education at the Stern Conservatory at the age of eight, making his first public appearance as a pianist when he was nine. However, following visits to one of Hans von Bülow's concerts in 1889 and to Bayreuth in 1891, he changed his mind and decided upon a conducting career. He made his conducting début at the Cologne Opera with Albert Lortzing's Der Waffenschmied in 1894. Later that year he left for the Hamburg Opera to work as a chorus director. There he first met and worked with Gustav Mahler, whom he idolized and with whose music he later became strongly identified.[1]
[edit] Conducting
In 1896, Schlesinger took a conducting position at the opera house in Breslau – a job found for him by Mahler. The conductor recorded that the director of this theater, Theodor Löwe, required that before taking up this position he change his name of Schlesinger, which literally means Silesian, "because of its frequent occurrence in the capital of Silesia",[2] although other sources attribute the change to a desire to make his name sound less Jewish.[3] (Note: It is often stated that Walter was his middle name and he merely dropped the surname Schlesinger. This is not true; he had no middle name and "Walter" had never been one of his names.)[citation needed] In 1897, he took an opera-conducting position at Pressburg, and in 1898 he took one at the Riga Opera, Latvia. Then Walter returned in 1900 to Berlin, where he assumed the post of Royal Prussian Conductor at the Staatsoper Unter den Linden, succeeding Franz Schalk; his colleagues there included Richard Strauss and Karl Muck. While in Berlin he also conducted the premiere of Der arme Heinrich by Hans Pfitzner, who became a lifelong friend.
In 1901, Walter accepted Mahler's invitation to be his assistant at the Court Opera in Vienna. Walter led Verdi's Aida at his debut. In the following years Walter's conducting reputation soared as he was invited to conduct across Europe – in Prague, in London where in 1910 he conducted Tristan und Isolde and Ethel Smyth's The Wreckers at Covent Garden, and in Rome. A few months after Mahler's death in 1911, Walter led the first performance of Das Lied von der Erde in Munich, as well as Mahler's Symphony No. 9 in Vienna the next year.
[edit] Munich
Although Walter became an Austrian citizen in 1911, he left Vienna to become the Royal Bavarian Music Director in Munich in 1913. In January of the following year Walter conducted his first concert in Moscow. During the First World War he remained actively involved in conducting, giving premieres to Erich Wolfgang Korngold's Violanta and Der Ring des Polykrates as well as Hans Pfitzner's Palestrina. In 1920 he conducted the premiere of Walter Braunfels' Die Vögel.
In Munich, Walter was good friends with Cardinal Eugenio Pacelli (later Pope Pius XII).[4]
[edit] United States
Walter ended his Munich appointment in 1922 and left for New York in 1923, working with the New York Symphony Orchestra in Carnegie Hall; he later conducted in Detroit, Minnesota and Boston.
[edit] Berlin
Back in Europe Walter was re-engaged for several appointments, including Berlin in 1925 as musical director at the Städtische Opera, Charlottenburg, and in Leipzig in 1929. He made his debut at La Scala in 1926. In London, Walter was chief conductor of the German seasons at Covent Garden from 1924 to 1931.
In his speeches in the late 1920s, Nazi leader Adolf Hitler complained bitterly about the presence of Jewish conductors at the Berlin opera, and mentioned Walter a number of times, adding to Walter's name the phrase, "alias Schlesinger." [5] In 1933, when the Nazis took power, they undertook a systematic process of barring Jews from artistic life. Walter left for Austria, which became his main center of activity for the next several years, although he was also a frequent guest conductor of the Amsterdam Concertgebouw Orchestra from 1934 to 1939, and made guest appearances such as in annual concerts with the New York Philharmonic from 1932 to 1936. At the time of the Anschluss in 1938, Walter was at a recording session in Paris; France offered Walter citizenship, which he accepted. (His daughter was in Vienna at the time, and was arrested by the Nazis; Walter was able to use his influence to free her. He also used his influence to find safe quarters for his brother and sister in Scandinavia during the war.)
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Here a quick breakdown of my costs, you see that due to the new Ebay policy you will pay anywhere from $.50 to $.80 in additional Ebay fees on the first record
10" record 12" record 12" Album of 4 records Total Weight 1.5 lbs 1.9 lbs 5.5 lbs Box 1.17 1.21 1.37 Cardboard Squares 3 0.97 3 1.00 4 1.33 Media Mail 2.82 2.82 4.46 Sum 4.96 5.03 7.16 Ebay Fee on Shipping 9% 0.45 0.45 0.64 Paypal Fee 2.9% 0.14 0.15 0.21 Total 5.55 5.62 8.01US Domestic Shipping:
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Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Albums from Album Sets count as 1 record. Above that and for international shipments, it will be actual weight plus a small packing charge (1-3$ depending on size of shipment)
1 record: 4.75$
2 records: 5.75$
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Due to rare problems with delivery in ITALY, I will NOT GUARANTEE delivery of parcels sent by US Postal Service First Class and Priority Mail. If you prefer secure delivery, I will be happy to quote you either Registered Mail or shipment by FEDEX
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1 record = 2 lbs $25 - $28
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1 record = 2 lbs $ 11 - $13
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