1963 OSCAR PETERSON & HERBIE HANCOCK "OSCAR PETERSON & N.RIDDLE" AUTOGRAPH ALBUM

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Rare Verve Records Vintage 1963 "Oscar Peterson & Nelson Riddle" album autographed by Oscar Peterson and Herbie Hancock.  They signed with blue ballpoint pen. 

The album by Oscar Peterson with orchestra arranged and conducted by Nelson Riddle.  The album was produced by Norman Granz and released on Verve Records.  The album was also reissued in 1984 as Oscar Peterson: The Silver Collection with four tracks added that were recorded by his Trio in 1964, "Con Alma", "Maids of Cadiz", "My Heart Stood Still" and "Woody 'n' You", but omitting track two of the recording with Riddle ("Judy").  Riddle was nominated at the 7th Annual Grammy Awards for the Grammy Award for Best Jazz Performance – Large Group (Instrumental) for his work on this album.

Peterson(d07)was a Canadian virtuoso jazz pianist and composer. He released over 200 recordings, won seven Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community as "the King of inside swing”. According to an interview with Granz in the 2021 documentary Oscar Peterson: Black + White, in a cab on the way to the Montreal airport, Norman Granz heard a radio program broadcasting from a local club. He was so impressed that he told the driver to take him to the club so he could meet the pianist. Granz had seen Peterson before this but was underwhelmed. In 1949 he introduced Peterson in New York City at a Jazz at the Philharmonic concert at Carnegie Hall.[6] He remained Peterson's manager for most of his career. This was more than a managerial relationship; Peterson praised Granz for standing up for him and other black jazz musicians in the segregationist south US of the 1950s and 1960s. In the documentary video Music in the Key of Oscar, Peterson tells how Granz stood up to a gun-toting Southern policeman who wanted to stop the trio from using "whites-only" taxis.  In 1950, Peterson worked in a duo with double bassist Ray Brown. Two years later they added guitarist Barney Kessel. Then Herb Ellis stepped in after Kessel grew weary of touring. The trio remained together from 1953 to 1958, often touring with Jazz at the Philharmonic.  Peterson also worked in duos with Sam Jones, Niels-Henning Ørsted Pedersen, Joe Pass, Irving Ashby, Count Basie, and Herbie Hancock.  He considered the trio with Brown and Ellis "the most stimulating" and productive setting for public performances and studio recordings. In the early 1950s, he began performing with Brown and drummer Charlie Smith as the Oscar Peterson Trio. Shortly afterward Smith was replaced by guitarist Irving Ashby, who had been a member of the Nat King Cole Trio. Ashby, who was a swing guitarist, was soon replaced by Kessel.  Their last recording, On the Town with the Oscar Peterson Trio, recorded live at the Town Tavern in Toronto, captured a remarkable degree of emotional as well as musical understanding between three players.  When Ellis departed in 1958, they hired drummer Ed Thigpen because they felt no guitarist could compare to Ellis.[8] Brown and Thigpen worked with Peterson on his albums Night Train and Canadiana Suite. Both left in 1965 and were replaced by bassist Sam Jones and drummer Louis Hayes (and later, drummer Bobby Durham). The trio performed together until 1970. In 1969 Peterson recorded Motions and Emotions with orchestral arrangements of "Yesterday" and "Eleanor Rigby" by The Beatles. In the fall of 1970, Peterson's trio released the album Tristeza on Piano. Jones and Durham left in 1970.  When Ellis departed in 1958, they hired drummer Ed Thigpen because they felt no guitarist could compare to Ellis.[8] Brown and Thigpen worked with Peterson on his albums Night Train and Canadiana Suite. Both left in 1965 and were replaced by bassist Sam Jones and drummer Louis Hayes (and later, drummer Bobby Durham). The trio performed together until 1970. In 1969 Peterson recorded Motions and Emotions with orchestral arrangements of "Yesterday" and "Eleanor Rigby" by The Beatles. In the fall of 1970, Peterson's trio released the album Tristeza on Piano. Jones and Durham left in 1970.". In the 1970s Peterson formed a trio with guitarist Joe Pass and bassist Niels-Henning Ørsted Pedersen. This trio emulated the success of the 1950s trio with Brown and Ellis and gave acclaimed performances at festivals. Their album The Trio won the 1974 Grammy Award for Best Jazz Performance by a Group. On April 22, 1978, Peterson performed in the interval act for the Eurovision Song Contest 1978 that was broadcast live from the Palais des congrès de Paris. In 1974 he added British drummer Martin Drew. This quartet toured and recorded extensively worldwide. Pass said in a 1976 interview, "The only guys I've heard who come close to total mastery of their instruments are Art Tatum and Peterson".  Peterson was open to experimental collaborations with jazz musicians such as saxophonist Ben Webster, trumpeter Clark Terry, and vibraphonist Milt Jackson. In 1961, the Peterson trio with Jackson recorded the album Very Tall. His solo recordings were rare until Exclusively for My Friends (MPS), a series of albums that were his response to pianists such as Bill Evans and McCoy Tyner. He recorded for Pablo, led by Norman Granz, after the label was founded in 1973, including the soundtrack for the 1978 thriller The Silent Partner.  In the 1980s he played in a duo with pianist Herbie Hancock. In the late 1980s and 1990s, after a stroke, he made performances and recordings with his protégé Benny Green. In the 1990s and 2000s he recorded several albums accompanied by a combo for Telarc.

Hancock is an American jazz pianist, keyboardist, bandleader, and composer.  Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, Head Hunters.  Hancock's best-known compositions include "Cantaloupe Island", "Watermelon Man", "Maiden Voyage", and "Chameleon", all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental "Rockit", a collaboration with bassist/producer Bill Laswell. His 2007 Joni Mitchell tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album to win the award after Getz/Gilberto in 1965.  Since 2012, Hancock has served as a professor at the University of California, Los Angeles, where he teaches at the UCLA Herb Alpert School of Music. He is also the chairman of the Herbie Hancock Institute of Jazz.   (formerly known as the Thelonious Monk Institute of Jazz until 2019).

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