1967 GOLD ELEKTRA ORIG ? (ELECTRIC FLAG) ? HARVEY BROOKS ? BASS + BOOKLET psych
  $   49

 


$ 49 Sold For
Jul 16, 2017 Sold Date
Jul 11, 2017 Start Date
$   10 Start price
7   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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                           RARE!!!!  ORIGINAL 1967 FIRST PRESS   

                               

                                  

    HARVEY BROOKS     

     ((Electric Flag))

      "Electric Bass"
. 
      USA - (GOLD) ELEKTRA - 7312

 Really RARE ...

Original 1967 first and only print...always been super hard to find ... on the GOLD Elektra label ...

thee LP CONTAINS a 20 page instruction book ...

HARVEY BROOKS OCCUPIES A UNIQUE PLACE in the history of electrified music.

As a “Fender” bassist coming up during the 1960s, the New York native played on several recordings that defined the decade’s tumultuous transition from folk to folk/rock, blues to blues/rock, and jazz to jazz/rock fusion. Invited by keyboardist Al Kooper to take part in the landmark sessions that produced Bob Dylan’s Highway 61 Revisited [Columbia, 1965], Brooks went on to tour with Dylan’s first electric band, sometimes to riotous crowds of enraged folkies. At one gig in Forest Hills, New York, “They charged the stage,” Brooks remembers. “Guards were tackling people, Al Kooper had his stool pulled out from under him. We didn’t know if they wanted to kill us or not!” Later in his career, while working as a producer for CBS Records, Brooks was tapped by Teo Macero to play on Miles Davis’ watershed electric jazz album Bitches Brew [Columbia, 1970]. “We just played in the studio for four days,” Harvey says. “The composition aspect all took place during the editing. Here I was, an R&B, folk/rock bass player—I didn’t know what I was supposed to do. There were no chord changes. Talk about epiphanies. I had one every minute!” Harvey’s big sound, confident pulse, and sense of swing supplied the underpinning for many classic moments with artists like the Doors, Electric Flag, Stephen Stills, and many others, to name a few.


So this listing is offering a very rare LP showcasing the stellar BASS work and instructions overviewing Harvey’s stint with the Electric Flag, a prototypical blues/rock band that featured Mike Bloomfield’s cutting-edge guitar work, Buddy Miles on drums, Nick Gravenites on vocals, and Barry Goldberg on keys. The Electric Flag were unique in that they were prone to psychedelic explorations and blasts of soul music. On 1968’s Long Time Comin’, the band recorded the ubiquitous “Killing Floor” with an upbeat rock approach that preceded Led Zeppelin’s up-tempo raves in their version—a.k.a. “The Lemon Song” [Led Zeppelin II, Atlantic], but Harvey Brooks and Buddy Miles are way funkier than those British guys. The track opens with a political statement, using audio of President Lyndon Johnson speaking to highlight the connection between the grisly lyrics and the ongoing Vietnam War. Harvey says, “The bass line came from me locking in with Buddy Miles’ drum pattern, which was different from Howlin’ Wolf’s version. Michael Bloomfield’s arrangement was a little quicker, and we added some turnarounds using the horns to make it more interesting.”

This LP showcases the Harvey Brooks bass lines technique


      Tuning: E, A, D, G    
    Simple Bass Line
     Hang On Sloopy
    Changes
     You Won't See Me
     Lately I've Been Alone    
     Danger Sign    
     In My Heart    
    Advanced Bass Line
     Changes    
    Lately I've Been Alone    
     Hang On Sloopy 

  
B:

    In My Heart    
     You Won't See Me
     Danger Sign    
    No Bass Line
     Hang On Sloopy
     Changes
     You Won't See Me    
     Lately I've Been Alone    
     Danger Sign    
     In My Heart

              

 



CONDITION: The cover: rated: near M- After 50 years in great shape, sure it has a delete drill having gone virtually straight to deletion with little sales at the time, but otherwise the dark cover isn't worn like one would expect remaining a clean archive of the times ... There are no split seams, no bends, and no writing  ... VERY collection worthy ...

The vinyl: Rated: "EX" (excellent) clean ... plays with very enjoyable CLEAN audio and  both Elektra gold labels are clean

      

      A cool addition to anyone's music library!








 

SEE: SELLERS OTher items for similar cool sounds for "head" people...

 

EFFICIENT/CAREFUL GRADING

All imperfections are noted both cover & record

  NOTE: All Items backed by  money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks!   GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks M-   Carefully used, looks clean, plays clean, shiny gloss, no marks EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!

 

                                    

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