60s DETROIT NORTHERN SOUL ED CROOK ORIG TRI-SOUND 601/2
  £   67
  $   89

 


£ 67 Sold For
Feb 8, 2009 Sold Date
Jan 29, 2009 Start Date
£   10 Start price
6   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

 

I've made the decision to sell some of my very large collection of 7", 12" and LPs.

ALL THE ITEMS I AM SELLING COME FROM OVER THIRTY YEARS OF COLLECTING.

I AM NOT A DEALER.

There will be some real gems, so make sure you keep your eyes open.

SOME OF MY LISTINGS NOW CARRY 'BORROWED' SOUND CLIPS BENEATH THE TITLE.

I AREN'T QUITE ADVANCED ENOUGH YET TO PROVIDE MY OWN!

60s DETROIT NORTHERN SOUL

SOLID GOLD DOUBLE-SIDED CLASSIC

ED CROOK

"THAT'S ALRIGHT"

http://uk.youtube.com/watch?v=ljF30Fd0zOk

b/w

"YOU'LL SEE"

(US: Tri-Sound  TS 601/TS 602, 1966; Detroit address; 'Nashville Matrix' stamp)

Vinyl

Record conditon: Excellent - (A); Excellent (B) (both sides play plays Excellent +++)

Labels condition: Excellent ++ (A); Excellent (B)

Here's a Detroit classic that shouldn't need any introduction - except, perhaps, to Kev Roberts. I can't believe it isn't listed anywhere in his Northern Soul Top 500 (it's not even in the runners-up). Surely that's an oversight. It's an outstanding one-off, that I've just played again to confirm. I've no idea why Ed Crook only recorded this one single, but I'm certainly happy he did.

Detroit's Tri-Sound label had a short-lived run of just two releases, both in 1966 (the other was by The Devotions). The label was owned by Robert Eaton and Benjamin Knight, who were later two-thirds of The Brothers Of Soul (along with Fred Bridges). The Soulful Detroit site, however, states that Major Reynolds was proprietor.

A. Perfect Detroit soul #1; exceptional uptempo dancer; crashing cymbals; honking sax; clever use of pizzicato strings in the break; femme backing; simply sensational.

B. Perfect Detroit soul #2; not as well-known, but another awesome uptempo Motor City dancer; more of that honking sax; memorable femme refrain; magic.

While this is an original copy (NOT the 70s count?!feit), and does have a Nashville matrix stamped in the deadwax of both sides, there is an even scarcer design, with *** in between the 'Tri' and 'Sound', and no address around the bottom rim of the label.

As usual, I'm starting my bidding at a tenth of the current asking price.

The vinyl has a few light stylus drag marks on the A-side, plus some play signs around the edge. The sound quality, however, is close to perfect. The B-side only has one similar "spiders web", and again plays like new.

The A-side label has a small dirt smudge (see first scan, 4 o'clock). The B-side label has a smattering of very light dirt in places (probably ring-wear) (see second scan).

The edges are completely chip-free.

This record has been played on both sides to verify condition, but there's a full money-back guarantee on all my sales, and I'll refund anyone who isn't totally captivated.

New postal rates:

One 7" single: £1.70; 30p per 7" afterwards.

One 12" single/LP: £2.70; 50p per 12"/LP afterwards.


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