AC/DC, Who Made Who ROBERT LUDWIG USA 1st pressing Excellent- LP FREE SHIPPING
$
66
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Description
AC/DC – Who Made Who Label: Atlantic – 7 81650-1-E, Atlantic – 81650-1-E Format: Vinyl, LP, Compilation, Album, SP - Specialty Pressing Country: US Released: 1986 Genre: Rock, Stage & Screen Style: Hard Rock, Soundtrack Tracklist A1 Who Made Who 3:26 A2 You Shook Me All Night Long 3:30 A3 D.T. 2:55 A4 Sink The Pink 4:11 A5 Ride On 5:48 B1 Hells Bells 5:11 B2 Shake Your Foundations 4:50 B3 Chase The Ace 2:59 B4 For Those About To Rock (We Salute You) 5:43 Companies, etc. Manufactured By – Atlantic Recording Corporation Phonographic Copyright ℗ – Leidseplein Presse B.V. Copyright © – WEA Records Ltd. Published By – J. Albert & Son (USA) Inc. Published By – J. Albert & Son Pty. Ltd. Published By – Edward B. Marks Music Corporation Mastered At – Masterdisk Pressed By – Specialty Records Corporation Credits Mastered By – RL* Photography By – George Bodnar Producer – Angus Young (tracks: A4), Malcolm Young (tracks: A4), Robert John "Mutt" Lange* (tracks: A2, B1, B4), Harry Vanda & George Young* (tracks: A1, A3, A4, B2, B3) Written-By – Angus Young, Bon Scott (tracks: A5), Brian Johnson (tracks: A1, A2, A4, B1, B2, B4), Malcolm Young Notes Catalog number is shown as 7 81650-1-E on spine, 81650-1-E appears on jacket and disc labels. "SP" in label matrix denotes a Specialty Records Corporation pressing.
USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL COMPANY INNER SLEEVE.
MATRIX: SIDE A: ST-A-865983-D MASTERDISK RL 1-1 SRC / SIDE B: ST-A-865984-C MASTERDISK 1-1 S1-1 SRC.
SLEEVE: VERY GOOD+, SOME SCUFFING, SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.
DISC: EXCELLENT MINUS. NO SCRATCHES, BUT A FEW LIGHT PLAY SCUFFS. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
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