ALEXANDER SKIP SPENCE Oar LP EDSEL 1969 UK reissue ED 282 MOBY GRAPE
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Description

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ALEXANDER 'SKIP' SPENCE

Former Moby Grape and Jefferson Airplane member 

who released one solo work, Oar, a watershed work of hallucinogenic country blues.

Like a rough, more obscure counterpart to Syd Barrett, Skip Spence was one of the late '60s' 

most colorful acid casualties. The original Jefferson Airplane drummer 

(although he was a guitarist who had never played drums before joining the group), 

Spence left after their first album to join Moby Grape.

"OAR"

<reissue, originally published in 1969>

LP    EDSEL RECORDS   ED 282

MADE IN ENGLAND    1988 REPRESSING

SINGLE COVER

Barcode and Other Identifiers

Barcode: 5 014757132827

LABEL: EDSEL - LILAC LABEL w/LOGO on TOP - BLACK TEXT

Catalog on cover: ED 282

 Catalog on labels: ED 282  (ED 282-A) / ED 282  (ED 282-B)

Matrix / Runout (Side A, Stamped): 31 000282 1A1  TY1

Matrix / Runout (Side B, Stamped): ED 282 B2  TY1

On labels: rim text reads "All Rights Reserved............Manufactured in the UK"

All track written by A. Spence

Produced by Alexander Spence

SBK Songs Ltd

CBS Records are the exclusive licensees for the UK

? 1969 Original sound recordings made by CBS Inc

© 1988 Demon Records Ltd

On Front Cover: sticker reads "FILE UNDER MOBY GRAPE  ED 282"

On Back Cover: Notes by Brian Hogg March 1988

Dedication: Olga

Date Recorded: December 16, 1968

Engineering: Charlie Bradley, Mike Figlio and Don Meehan

Produced by Alexander Spence

Recorded in Columbia Studios, Nashville, Tennessee

Issues under license from CBS Records

Edsel Records A division of Demon Records Ltd. Brentford, Middlesex

Manufactured in England

tracklisting

Side A: LITTLE HANDS - CRIPPLE CREEK - DIANA

MARGARET--TIGER RUG - WEIGHTED DOWN - WAR IN PEACE

Side B: BROKEN HEART - ALL COME TO MEET HER - BOOKS OF MOSES
DIXIE PEACH PROMENADE - LAWRENCE OF EUPHORIA - GREY/AFRO
grading

RECORD EX but (please, read above description)

SLEEVE EX but (please, see pictures and read above description)

No one except psychedelic Renaissance man Alexander "Skip" Spence could have created an album such as Oar. 

Alternately heralded as a "soundtrack to schizophrenia" and a "visionary solo effort," Oar became delegated 

to cut out and bargain bins shortly after its release in the spring of 1969. 

However those who did hear it were instantly drawn into Spence's inimitable sonic surrealism. 

As his illustrious past in the Jefferson Airplane, Quicksilver Messenger Service, and Moby Grape would suggest, 

this album is a pastiche of folk and rock. In reality, however, while these original compositions may draw from those genres, 

each song has the individuality of a fingerprint. As a solo recording, Oar is paramount as Spence performed 

and produced every sound on the album himself at Columbia Records studios in Nashville in the space of less than two weeks. 

This burst of creativity was directly preceded by a six month incarceration in New York City's Bellevue Hospital 

after chopping down a door at the Albert Hotel en route to do the same to fellow Moby Grape members 

Jerry Miller and Don Stevenson. A common motif to this album is the presence of saints and demons....(AllMusic)




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