ALFREDITO LINARES "BOOGALOO EN AMBIENTE"- ADRIA.. HEAR
$
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Description
REMARKS: WOW! GREAAAATTTT! ......UNDER LICENSE FROM PERU's MAG LABEL, THE CUBAN LABEL PUCHITO/ADRIA PRESSED THIS VERY HARD TO FIND LP RECORDED BY THE SOUTH AMERICAN BOOGALOO KING...MR. ALFREDITO LINARES!
Su primer LP "El Pito" ya es de todos conocido...Su segunda producción fue, Yo Traigo Boogaloo (MAG - LPN-2316, Año 1969), e incluyó: “Boogaloo en Ambiente”, “ La Sonora Llegó ”, “Como Yo No Hay Dos”, “Peruvian Guaguancó”, “Congalenque”, “Probándolo se Sabe”, “Linares Blues”, “Sabor Tropical” y “Yo Traigo Boogaloo” . El disco, producido con indudable calidad y buen gusto, tuvo arreglos muy cercanos en la nueva onda salsera, logrando el reconocimiento del melómano. Mucho tuvo que ver el cantante, que para este disco no fue otro que Víctor ‘Kiko' Fuentes, un sonero peruano de los mejores, con un estilo oportuno, realmente salsero y caribeño. Ha grabado varias producciones que demuestran su sabroso e insuperable estilo. Integraron también la banda: Tomás Oliva (Trompeta), Oswaldo Díaz (trompeta), Beto Villena (Trompeta), Alberto Castillo (Flauta), Mario Allison (Timbales), Coco Lagos (Congas), Joe Di Roma (Bajo), Charlie Palomares (Vibráfono), César Gonzáles (Coro), Carlos Muños (Coro), Benny del Solar (Coro) y Melcochita (Coro).
Como era de suponerse, sus discos en MAG, grabados con tecnología de punta para la época, lograron un éxito impresionante, también fueron distribuidos en Estados Unidos (bajo el sello Adria under MAG license...ESTE LP), Ecuador, Colombia (Bajo el Sello Fuentes under MAG license), Venezuela y Panamá, lo cual permitió fuera considerado entre los mejores exponentes de la música tropical y la salsa peruana. Participó en diferentes producciones como arreglista y productor musical. Colaboró en el primer disco de José ‘Pepe' Hernández, El Combo de Pepe (IEMPSA - LPN-1823, 1968), como pianista, compositor y arreglista. También estuvo con Coco Lagos en sus discos, Descargas (MAG - LPN-2018, Enero 1968) y Ritmo Caliente (MAG - LPN-2338, Diciembre 1968). Fue parte fundamental de la banda de Papo y su Combo Sabroso “ La Trombanda ”, la primera orquesta a base de trombones que tuvo el Perú, la cual se encargó de formar y estructurar. Y entre otras, participó en espectáculos de jazz organizados por Jaime Delgado-Aparicio. “En esos momentos nos juntamos, porque había que acompañar a un cantante canadiense, y estuvo Nilo Espinoza, saxo tenor, Mario Escobar, buenísimo saxofonista chileno, Cocho Arbe, magnífico baterista, Jaime, que le dio por tocar el bajo, y yo el piano….tocamos para la Feria del Pacífico”.
TRACKS SIDE A: 1- Boogaloo en ambiente
2- La sonora llego
3- Como yo no hay dos
4- Peruvian Guaguanco
5- Congalanque
TRACKS SIDE B: 1- Yo Traigo Boogaloo
2- Probando se sabe
3- Linares Blues
4- Sabor Tropical
5- Tutu Tata
WEB REMARKS: "A killer LP of boogaloo material -- but not from the usual sources! Although boogaloo is a genre normally associated with the New York scene at the end of the 60s, the music here all hails from Peru (and Alfredito Linares was the King Of The Boogaloo) and represents a great new sound -- music inspired by the Nuyorican originals, but which often take things into whole new directions! The Peruvian approach to boogaloo is a bit looser than the New York one -- a bit more open and free, and often heavily touched by jazz music as well, resulting in a sound that's also got plenty of hard-jamming descarga elements too!"
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Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other) and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!
RECORD OR COVER GRADED VG or LESS WILL BE "SOLD AS IS"
MINT: Unplayed, still sealed.
NM RECORDS: are shiny, with no visible defects, they might have one or 2 minor superficial scuff and they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM COVERS:
have no creases, ring wear or seam splits of any kind.
Picture Sleeves: should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.
VG++ (Excellent) RECORDS:
Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, flaws noted.
VG++ COVERS:
Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.
VG+ RECORDS:
may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.
VG+ COVERS:
should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.
VG+ PICTURE SLEEVES:
might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location.
VG RECORDS:
They have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.
VG COVERS and PICTURE SLEEVES:
will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or stamped a price tag on it, too.
RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS"
Items are to be paid within 7 days (if not paid by that time it will be subject for relisting) of auction close and will be shipped within 48 hours of receipt of payment. Paypal is the preferred method of payment.
Carlos A. Flores 25830 Crippen Dr. Land O' Lakes, FL 34639
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