ALICE COLTRANE "Universal Consciousness" LP, Gatefold, 1971, NM/EX, IMPULSE 9210
$
25
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
Alice Coltrane ?– Universal Consciousness
Label: Impulse! ?– AS-9210, Impulse! ?– AS 9210, ABC Records ?– AS-9210, ABC Records ?– AS 9210 Format: Vinyl, LP, Album, StereoCountry: US Released: 1971 Genre: Jazz Style: Free Jazz
TracklistHide Credits
A1 Universal Consciousness 5:05 A2 Battle At Armageddon Drums – Rashied Ali 7:22 A3 Oh Allah 4:54 B1 Hare Krishna Drums – Clifford JarvisTambura – Tulsi 8:16 B2 Sita Ram Bells – Clifford JarvisDrums – Clifford JarvisPercussion – Clifford JarvisTambura – Tulsi 6:12 B3 The Ankh Of Amen-Ra Drums – Rashied AliWind Chimes – Rashied Ali 4:48Credits
- Bass – Jimmy Garrison (tracks: A1, A3, B1, B2)
- Design, Photography By – Philip Melnick
- Drums – Jack DeJohnette (tracks: A1, A3, B1)
- Engineer – Roy Musgnug, Tony May, W. Barneke*
- Engineer [Mixing Engineering By] – Tony May
- Harp, Organ, Producer – Alice Coltrane
- Liner Notes – Turiya Aparna
- Photography By [Liner Photo Insert] – Shanthi
- Producer, Engineer [Mixing Engineering By] – Ed Michel
- Violin – Joan Kalisch (tracks: A1, A3, B1), John Blair (tracks: A1, A3, B1), Julius Brand (tracks: A1, A3, B1), Leroy Jenkins (tracks: A1, A3, B1)
Notes
Gatefold coverEngineering at Coltrane Studios, Dix Hills, N.Y and A&R Recording, New York City
Barcode and Other Identifiers
- Matrix / Runout (Side A): AS 9210 -A
- Matrix / Runout (Side B): AS 9210-B
- Matrix / Runout (Run-out Side A): AS 92I0 A
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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