ANN PEEBLES Tellin' It FROM 75-HARD EDGED SOULFUL GROOVE TO FILL THE DANCEFLOOR
$
20
$ 20
Sold For
Jan 25, 2021
Sold Date
Jan 18, 2021
Start Date
2
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
ANN PEEBLES Tellin' It FROM 75-HARD EDGED SOULFUL GROOVE TO FILL THE DANCEFLOOR
A MINT MINUS/VG++ LP ON HI SHL 32091DEEP SOUTHERN SOUL FROM 1975
PRODUCED & RECORDED BY WILLIE MITCHELL AT ROYAL RECORDING STUDIOS IN MEMPHIS
WITH THE MEMPHIS HORNS AND THE HODGE BROTHERS ON RHYTHM
VOCALS BACKGROUND BY RHODES CHALMERS & RHODES
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM ALLMUSIC
Ann Peebles was at the height of her fame in 1975 when she cut the album Tellin' It -- she had scored her biggest chart hit the year before with "I Can't Stand the Rain," and Tellin' It reflected the kind of hard-edged but soulful groove that had taken Peebles to the upper reaches of the charts (and was producer Willie Mitchell's stock in trade). The album's opening cut, "Come to Mama," even features the same sort of fractured rhythmic undercurrent that had hooked "I Can't Stand the Rain," but Peebles and Mitchell had the good sense not to deliver ten remakes of her hit; instead, Tellin' It merges polished production with tough, sinewy grooves (the strings on "Stand By Woman" and "It Was Jealousy" add a touch of class, but don't clutter up the funk of Howard Grimes' superb drumming and the punch of the Memphis Horns), and Peebles here reaffirms her status as one of the best female voices in R&B, cutting to the heart and soul of each lyric whether she's looking for a new man ("Doctor Love Power") or breaking up someone's previously happy home ("Stand By Woman"). And while the disco explosion would make soul sets like this obsolete in a few years, Tellin' It features plenty of cuts that can fill the dancefloor without robbing Peebles of her soulful passion and sassy spirit. Fine stuff.
COVER STOCK WITH LIGHT RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. LARGE PUNCH CUT HOLE TOP RIGHT CORNER. BOTTOM LEFT CORNER WITH CRUSH MARK, RIGHT BOTTOM CORNER WITH TINY BEND MARK. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
SPINDLE HOLE WITH SOME FAINT RUB MARKS. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS.
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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856 (GS 7.0.20 (856))
price rating
