ANNA KING w/JAMES BROWN BACK TO SOUL ULTRA-RARE ORIGINAL 1964 SMASH STEREO LP NM

$

127

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·       ANNA KING – BACK TO SOUL -  ORIGINAL 1963 SMASH RECORDS STEREO LP SRS-67059

·       ORIGINAL U.S. PRESSING

·       PRODUCED, ARRANGED AND (PARETIALLY) WRITTEN BY JAMES BROWN

·       MONSTROUSLY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO (THIS IS THE FIRST, THE ONE AND THE ONLY STEREO COPY WE HAVE EVER HELD IN OUR HANDS)

·       ORIGINAL BRIGHT-RED (ALMOST DAY-GLO), NON-GLOSSY SMASH LABEL

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Anna King's only album is notable not so much for her vocals (though they're good) as the involvement of James Brown as producer; Brown (usually under pseudonyms) also wrote some of the material. King was a part of Brown's touring show at the time these tracks were recorded in 1963 and 1964, and unsurprisingly the sound is very similar to the kind of stuff her producer was doing in the early '60s before his leap into funk: hard, bluesy R&B-proto-soul, with tight band arrangements including horns and organ. A few covers of outside material are thrown in (Martha & the Vandellas' "Come and Get These Memories," Chuck Jackson's "I Don't Want to Cry"), but overall it sounds a little like a James Brown session with a different singer. Unkindly, some might listen to this and wonder how much better it could have sounded if Brown had done the singing, and it's also evident that while the songs are sturdy enough, J.B. was holding onto the real killers for himself. That would be doing the record a bit of a disservice, however, because King's vocals are acceptably gritty and powerful. The songs are solid, if not on the killer level of something like "Out of Sight," with Brown's up-tempo "If You Don't Think" being a particular standout owing to its sharp bluesy guitar lines and dramatic horn punctuations. Also on the record is her hit duet with Bobby Byrd, "Baby Baby Baby." It's unfortunate King wasn't able to record much more material to speak of with Brown or anyone else, but this is a good one-shot early soul LP, and recommended to general James Brown fans for its accurate reflection of his instrumental sound circa 1963-1964.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 10:1.

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split top seam (between 2 and 4 inches  / 5 to 10 centimeters)

-        Cover has a partially split bottom seam (between 2 and 4 inches  / 5 to 10 centimeters)

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has a small cutout hole punched IN THE LABEL AREA. This affects the record, which also has a small cutout hole in the label area.

-         Cover has a few tiny wrinkles along the spine and the bottom seam (nothing significant)

-         The cover has a few tiny scratch marks on the front side (barely visible)

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1 (front side) and 3 (back side)

-         Cover has two corners slightly worn / dinged (nothing significant)

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.  (nothing significant)

-         Cover has a small quality control (inspection) pressure stamp on the back panel

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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