ANNIE ANXIETY-SOUL POSSESSION 1983.CRASS FLUX ADRIAN SHERWOOD ON U SOUND
  £   17
  $   22

 


£ 17 Sold For
Jun 21, 2015 Sold Date
Jun 11, 2015 Start Date
£   5 Start price
8   Number Of Bids
  Great Britain Country Of Seller
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Description

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Annie Anxiety* ?– Soul Possession

Label:

Corpus Christi ?– Christ It's 10

Format:

Vinyl, LP, Album 

Country:

UK

Released:

Feb 1984

Genre:

Electronic

Style:

Dub, Industrial, Experimental

Tracklist

A1 Closet Love A2 Third Gear A3 Turkey Girl A4 Burnt Offerings B1 To Know Evil B2 Sad Shadows B3 Viet Not Mine, El Salvador Yours B4 Waiting For The Fun

Credits

  • Bass – Derek Birkett (tracks: A2, B1)
  • Drums – Penny Rimbaud (tracks: A3), Prisoner (3) (tracks: A2, A4, B1, B3, B4)
  • Electronic Drums [Linn Drums] – Kishi* (tracks: A1, A4, B2)
  • Guitar – Martin Frederix (tracks: B1, B3)
  • Harp [Chinese Harp], Piano, Synthesizer [Oberheim OBX, Sequential Circuits Prophet] – Kishi*
  • Percussion – Bonjo* (tracks: A2, B4)
  • Producer – Adrian Sherwood
  • Vocals – Annie Anxiety* (tracks: A1 to B1, B3, B4), Eve Libertine (tracks: B2)

Notes

This record was never released on On-U Sound. Although all copies have the On-U catalogue number (ON-U LP29) on the back of the sleeve it is clearly officially only a Corpus Christi release.

Chanteuse/lyricist, multimedia artist and post-modern cabaret queen with a long, illustrious and eclectic recording career. Born in New York with no intention of a career in the arts, she pursued numerous jobs, crisscrossed the continent, and generally earned her poetic license until she found herself on stage at the legendary ‘Max’s Kansas City’, fronting the atonal, savage dance-rhythmed Asexuals at the sneak-in-the-back-door age of 16. After meeting Steve Ignorant from the band Crass on her doorstep a year later, she visited the United Kingdom for 2 weeks and stayed for over a decade. Through the years and numerous collaborations (Wolfgang Press, Crass, the ON-U Sound stable, Kid Congo Powers, Current 93, Nurse With Wound, the late Bim Sherman, Coil, Fini Tribe, Collapsed Lung, and many fine others) she refused to be restricted by labels and genres and continues to span the spectrum from jazz, reggae & hip-hop to torch and avant-garde.

(DISCOGS.COM)


      • I USE THE RECORD COLLECTORS GRADING SYSTEM:
        THIS RECORD IS VG and THE cover IS VG. (NO SCRATCHES)


      Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint. Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable Good (G) Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc Fair (F) The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. Poor (P) The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing Bad (B) The record is unplayable or might even be broken, and is only of use as a collection-filler CD’s and CASSETTES As a general rule CD’s and Cassettes either play perfectly – inwhich case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaces if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves. ALL RECORDS WILL BE CAREFULLY PACKAGED WITH LOVE AND HARD CARDBOARD. 
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