ART BLAKEY Messengers INDESTRUCTIBLE! BLUE NOTE 84193 NY USA Van Gelder NM

ARTIST: ART BLAKEY AND THE JAZZ MESSENGERS

TITLE: INDESTRUCTIBLE!

LABEL: BLUE NOTE BST 84193

PRESSING INFO: 1966, VAN GELDER stamp on both sides of dead wax

COUNTRY OF MANUFACTURE: USA

CONDITION OF VINYL:  NEAR MINT, CLEAN, SHINY, sounds fantastic

CONDITION OF LABELS: Excellent, with only a couple of light spindle marks

CONDITION OF COVER:  NEAR MINT MINUS, STRONG COLOURS AND GRAPHICS, very light corner wear, neat 1.25” marker stroke on back.

STEREO/MONO: STEREO

ANALOG/DIGITAL:  ANALOG

MATRIX NUMBERS (SIDE A/SIDE B): 

BNST-84193-A VAN GELDER / BNST-84193-B VAN GELDER

Weight of record (includes record, record cover, inner sleeve, outer sleeve): 280g

DESCRIPTION or information on this record

43 West 61st St., New York 23 address on back cover

From allmusic.com:

Lee Morgan once again became part of the Jazz Messengers after replacing Freddie Hubbard, who left after replacing Morgan originally. The band is rounded out by pianist Cedar Walton, a steaming Wayne Shorter on tenor, Curtis Fuller on trombone, and bassist Reggie Workman with Art Blakey on the skins, of course. Indestructible is a hard-blowing blues 'n' bop date with Shorter taking his own solos to the outside a bit, and with Blakey allowing some of Fuller's longer, suite-like modal compositional work into the mix as well ("The Egyptian" and "Sortie"). There are plenty of hard swinging grooves-- an off-Latin funk à la Morgan's "Calling Miss Kadija," Shorter's killer "Mr. Jin," and Walton's ballad-cum-post-bop sprint "When Love Is New" -- and the Blakey drive is in full effect, making this album comes closest in feel to the Moanin' sessions with Bobby Timmons. Here the balance of soul groove and innovative tough bop are about equal. Morgan lends great intensity to this date by being such a perfect foil for Shorter, and their trading of fours and eights in "Sortie" is one of the disc's many high points. 

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