ASYLUM / WEA LP SD-5068-Q: Eagles - Desperado - 1973 Canada NM
$
30
$ 30
Sold For
Feb 5, 2021
Sold Date
Jan 15, 2020
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
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Background -
If Don Henley was the sole member of the Eagles underrepresented on their debut album, Eagles, with only two lead vocals and one co-songwriting credit, he made up for it on their follow-up, the "concept" album Desperado. The concept had to do with Old West outlaws, but it had no specific narrative. On Eagles, the group had already begun to marry itself to a Southwest sound and lyrical references, from the Indian-style introduction of "Witchy Woman" to the Winslow, AZ, address in "Take It Easy." All of this became more overt on Desperado, and it may be that Henley, who hailed from Northeast Texas, had the greatest affinity for the subject matter. In any case, he had co-writing credits on eight of the 11 selections and sang such key tracks as "Doolin-Dalton" and the title song. What would become recognizable as Henley's lyrical touch was apparent on those songs, which bore a serious, world-weary tone. Henley had begun co-writing with Glenn Frey, and they contributed the album's strongest material, which included the first single, "Tequila Sunrise," and "Desperado" (strangely never released as a single). But where Eagles seemed deliberately to balance the band's many musical styles and the talents of the band's members, Desperado, despite its overarching theme, often seemed a collection of disparate tracks -- "Out of Control" was a raucous rocker, while "Desperado" was a painfully slow ballad backed by strings -- with other band members' contributions tacked on rather than integrated. Randy Meisner was down to two co-writing credits and one lead vocal ("Certain Kind of Fool"), while Bernie Leadon's two songs, "Twenty-One" and "Bitter Creek," seemed to come from a different record entirely. The result was an album that was simultaneously more ambitious and serious-minded than its predecessor and also slighter and less consistent. - William RuhlmannWith five number one singles, 14 Top 40 hits, and four number one albums, the Eagles were among the most successful recording artists of the 1970s. At the end of the 20th century, two of those albums -- Their Greatest Hits (1971-1975) and Hotel California -- ranked among the ten best-selling albums ever, and the popularity of 2007's Long Road Out of Eden proved the Eagles' staying power in the new millennium. Though most of its members came from outside California, the group was closely identified with a country- and folk-tinged sound that initially found favor in Los Angeles during the late '60s, as championed by such bands as the Flying Burrito Brothers and Poco (both of which contributed members to the Eagles). But the band also drew upon traditional rock & roll styles and, in its later work, helped define the broadly popular rock sound that became known as classic rock. As a result, the Eagles achieved a perennial appeal among generations of music fans who continued to buy their records many years after they had split up and helped inspire the first of the Eagles' reunions in the mid-‘90s.
The band was formed by four Los Angeles-based musicians who had migrated to the West Coast from other parts of the country. Singer/bassist Randy Meisner (born in Scottsbluff, Nebraska, on March 8, 1946) moved to L.A. in 1964 as part of a band originally called the Soul Survivors (not to be confused with the East Coast-based Soul Survivors, who scored a Top Five hit with "Expressway to Your Heart" in 1967) and later renamed the Poor. He became a founding member of Poco in 1968, but left the band prior to the release of its debut album in order to join the Stone Canyon Band, the backup group for Rick Nelson. Meanwhile, singer/guitarist/banjoist/mandolinist Bernie Leadon (born in Minneapolis, Minnesota, on July 19, 1947) arrived in L.A. in 1967 as a member of Hearts and Flowers, later joining Dillard & Clark and then the Flying Burrito Brothers. Singer/drummer Don Henley (born in Gilmer, Texas, on July 22, 1947) moved to L.A. in June 1970 with his band Shiloh, which made one self-titled album for Amos Records before breaking up. Finally, Glenn Frey (born in Detroit, Michigan, on November 6, 1948) performed in his hometown and served as a backup musician for Bob Seger before moving to L.A. in the summer of 1968. He formed the duo Longbranch Pennywhistle with J.D. Souther, and the two musicians signed to Amos Records, which released their self-titled album in 1969.
In the spring of 1971, Frey and Henley were hired to play in Linda Ronstadt's backup band. Meisner and Leadon also played backup for Ronstadt during her summer tour, though the four only did one gig together: a July show at Disneyland. They did, however, all appear on Ronstadt's next album, Linda Ronstadt. In September 1971, Frey, Henley, Leadon, and Meisner signed with manager David Geffen, agreeing to record for his soon-to-be-launched label, Asylum Records; soon after, they adopted the name the Eagles. In February 1972, they flew to England and spent two weeks recording their debut album, Eagles, with producer Glyn Johns. It was released in June, reaching the Top 20 and going gold in a little over a year and a half on the strength of two Top Ten hits -- "Take It Easy" and "Witchy Woman" -- and one Top 20 hit, "Peaceful Easy Feeling.”
The Eagles toured as an opening act throughout 1972 and into early 1973, when they returned to England to record their second LP, Desperado, a concept album about outlaws. Produced by Glyn Johns and released in April 1973, it reached the Top 40 and went gold in a little less than a year and a half, spawning the Top 40 single "Tequila Sunrise" in the process. The title track, though never released as a single, became one of the band's better-known songs and was included on the Eagles' first hits collection.
After touring to support Desperado's release, the Eagles again convened a recording session with Glyn Johns for their third album. Their desire to make harder rock music clashed with Johns' sense of them as a country-rock band, however, and they split from the producer after recording two tracks, "You Never Cry Like a Lover" and "The Best of My Love." After an early 1974 tour opened by singer / guitarist Joe Walsh, the band decided to hire Walsh's producer, Bill Szymczyk, who handled the rest of the sessions for On the Border. Szymczyk brought in a session guitarist, Don Felder (born in Gainesville, Florida, on September 21, 1947), an old friend of Bernie Leadon's who so impressed the rest of the band that he was recruited to join the group.
On the Border was released in March 1974. It went gold and reached the Top Ten in June, the Eagles' fastest-selling album yet. The first single, "Already Gone," reached the Top 20 the same month. But the most successful song on the LP -- the one that broke them through to a much larger audience -- was "The Best of My Love," which was released as a single in November. It hit number one on the easy listening charts in February 1975 and topped the pop charts a month later.
The Eagles' fourth album, One of These Nights, was an out-of-the-box smash. Released in June 1975, it went gold the same month and hit number one in July. Moreover, it featured three singles that hit the Top Five: the chart-topping title song, "Lyin' Eyes," and "Take It to the Limit." "Lyin' Eyes" won the 1975 Grammy Award for Best Pop Vocal Performance by a Duo, Group, or Chorus, and the Eagles also earned Grammy nominations for Album of the Year (One of These Nights) and Record of the Year ("Lyin' Eyes"). The group went on a headlining world tour, beginning with the U.S. and expanding into Europe. But on December 20, 1975, it was announced that Bernie Leadon had quit the band, and Joe Walsh (born in Wichita, Kansas, on November 20, 1947) was brought in as his replacement. He immediately joined the tour, which continued to the Far East in early 1976.
The Eagles' extensive touring kept them out of the studio, and with no immediate plans for a new album; they agreed to release a compilation, Their Greatest Hits (1971-1975), in February 1976. The album's success proved to be surprisingly meteoric. It topped the charts and became a phenomenal success, eventually selling upwards of 25,000,000 copies and dueling with Michael Jackson's Thriller for the title of the best-selling album of all time in the U.S.
It took the Eagles 18 months to follow One of These Nights with their fifth album, Hotel California. Released in December 1976, the record was certified platinum in one week, hit number one in January 1977, and eventually sold over 10,000,000 copies. The singles "New Kid in Town" and "Hotel California" hit number one, and "Life in the Fast Lane" made the Top 20. Meanwhile, "Hotel California" won the 1977 Grammy for Record of the Year and was nominated for Song of the Year; the album itself was nominated for Album of the Year and for Best Pop Vocal Performance by a Duo, Group, or Chorus. The Eagles embarked on a world tour in March 1977 that began with a month in the U.S., followed by a month in Europe and the Far East, then returned to the U.S. in May for stadium dates. At the end of the tour in September, Randy Meisner left the band; he was replaced by Timothy B. Schmit (born in Sacramento, California, November 20, 1947), formerly of Poco, in which he had also replaced Meisner.
The Eagles began working on a new album in March 1978 and took nearly a year and a half to complete it. The Long Run was released in September 1979. It hit number one and was certified platinum after four months, eventually earning multi-platinum certifications. "Heartache Tonight," its leadoff single, hit number one, and "I Can't Tell You Why" and "The Long Run" became Top Ten hits. "Heartache Tonight" won the 1979 Grammy for Best Rock Performance by a Duo or Group with Vocal. The Eagles toured the U.S. in 1980, and at a weeklong series of shows at the Santa Monica Civic Auditorium, they recorded Eagles Live. (Also included were some tracks recorded in 1976.) Released in November 1980, the double LP (since reissued as a single CD) reached the Top Five and went multi-platinum, with the single "Seven Bridges Road" reaching the Top 40.
The Eagles were inactive after the end of their 1980 tour, but their breakup was not officially announced until May 1982. All five released solo recordings. (Walsh, of course, maintained a solo career before, during, and after the Eagles.) During the rest of the '80s, the bandmembers received several lucrative offers to reunite, but they declined. In 1990, Frey and Henley began writing together again, and they performed along with Schmit and Walsh at benefit concerts that spring. A full-scale reunion was rumored, but did not take place. Four years later, however, the Eagles did reunite. In the spring of 1994, they taped an MTV concert special and then launched a tour that ended up running through August 1996. The MTV show aired in October, followed in November by an audio version of it, the album Hell Freezes Over, which topped the charts and became a multi-million seller, spawning the Top 40 pop hit "Get Over It" and the number one adult contemporary hit "Love Will Keep Us Alive.”
The Eagles next appeared together in January 1998 for their induction into the Rock & Roll Hall of Fame, when the five present members performed alongside past members Leadon and Meisner. On December 31, 1999, they played a millennium concert at the Staples Center in Los Angeles that was recorded and included on the box set retrospective Selected Works: 1972-1999 in November 2000. All was not well within the band, however, and Felder was expelled from the lineup in February 2001. A protracted legal battle ensued as the Eagles soldiered on as a quartet, releasing The Very Best of the Eagles in 2003 and achieving minor success with the single "Hole in the World." Felder's case was settled out of court in 2007; that same year, the Eagles returned with the band's seventh studio album, Long Road Out of Eden, a double-disc album that quickly went multi-platinum. In 2013, the band made the documentary History of the Eagles, and toured behind it until mid-2015. Six months later, Glenn Frey became ill and passed away on January 18, 2016. He was 67. Just over a year after Frey's death, the Eagles were revived with Glenn's son Deacon taking his place; Vince Gill also joined on guitars and vocals. The group played the Classic West and Classic East festivals in July of 2017, then set out on the road in 2018. At the end of the year, the group's entire discography was boxed up as the Legacy set. - William Ruhlmann
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LP made by ASYLUM / WEA Records, in CANADA
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LP released in 1973
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LP is recorded in STEREO
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Record Catalog Number: SD 5068 Q
The Eagles
LP Title -
Desperado
Tracks -A1. Doolin-Dalton - 3:26
A2. Twenty-One - 2:11
A3. Out Of Control - 3:04
A4. Tequila Sunrise - 2:52
A5. Desperado - 3:33
B1. Certain Kind Of Fool - 3:02
B2. Doolin-Dalton (Instrumental) - 0:48
B3. Outlaw Man - 3:34
B4. Saturday Night - 3:20
B5. Bitter Creek - 5:00
B6. Doolin-Dalton/Desperado (Reprise) - 4:50
Performers / Credits / Other Information -
• Distributed & Manufactured By – WEA Music Of Canada, Ltd.
• Phonographic Copyright (p) – Asylum Records
• Copyright (c) – Asylum Records
• Published By – Kicking Bear Music, Benchmark Music, Good Friends Music
• Mastered At – The Mastering Lab
• Recorded At – Island Studios
• Lacquer Cut At – The Lacquer Channel Limited
• Pressed By – Quality Records Limited
• Arranged By [String Arrangements] – Jim Ed Norman
• Engineer – Glyn Johns
• Engineer [Assistant] – Howard Kilgour
• Producer – Glyn Johns
Label Reads "Manufactured and Distributed By/Fabrique Par - WEA Music of Canada, Ltd. 1810 Birchmount Rd. Scarborough, Ont. a Warner Communications Company" [Warner 'W' Logo]
SC 5068 Q on Label both sides
Black maple leaf on back cvr, top left corner.
Recorded at Island Studios, London.
Mastered at: The Mastering Lab, Hollywood.
All songs published by Kicking Bear/Benchmark Music, ASCAP excepting of "Outlaw Man" which is published by Good Friends Music / Benchmark Music ASCAP.
Our Thanks to: Leslie Morris, John Hartmann, Rico & The Mudsharks and Charles Blocker
• Matrix / Runout (Side One, Etched): SD 5068-A TLC-A Q
• Matrix / Runout (Side Two, Etched): SD 5068-B TLC-A Q
• Rights Society: ASCAP
• Pressing Plant ID (On printed label for both Side One and Side Two): Q
CONDITION Details:
The LP jacket is in near mint minus overall condition. The jacket is tight and clean, with NO seam splits, cut out marks or hand writing. The corners are solid. The colors on the jacket are sharp and clean with just some very light shelf wear. Most of the original shrink wrap is still on the jacket - exceptionally clean.
The LP is in near mint minus overall condition! There are no serious marks on the vinyl - it retains virtually all of the original gloss and sheen. There may be some very light spider marks on the LP which are caused by sliding the LP in and out of the inner sleeve. Most of the time, these types of marks are not audible, but it really depends on the sensitivity of your audio gear. However, this is not a new audiophile LP....some extraneous sound is inevitable and should be expected for a vintage LP. There are NO serious spindle marks on the record labels either - a fine collector's grade LP.A Short Note About LP GRADING -
- Mint = Only used for sealed items.
- Near Mint = Virtually flawless in every way.
- Near Mint Minus = Item has some minor imperfections, some audible.
- Excellent = Item obviously played and enjoyed with some noise.
- Very Good Plus = Many more imperfections which are noticeable and obtrusive.
For best results, always thoroughly clean your LPs before playing them.
LPs can be audiophile quality pressings (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).
Don't let this rarity slip by!!!price rating
