ATR Mastercut LP 004: Antiphone Blues - Domnérus & Sjökvist - 1982 GERMANY NM
  $   100

 


$ 100 Sold For
Mar 1, 2020 Sold Date
Feb 2, 2020 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

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Background -

Swedish-born saxophonist Arne Domnérus looms large in the annals of European jazz -- his breakthrough performance at the Paris Jazz Fair of 1949 is widely cited as the tipping point of the Scandinavian bop movement. Born in Stockholm on December 20, 1924, Domnérus studied clarinet as a child and made his professional debut during the early '40s, playing alto sax in popular dance bands led by Lulle Ellboj and Simon Brehm. By 1942 he led his own group and made his recorded debut in 1945, honing an urbane, sophisticated style that nevertheless possessed an urgency often absent from the cool, remote tone often associated with Swedish jazz. American icons Charlie Parker and Dizzy Gillespie were both in attendance for Domnérus 1949 Paris festival gig, a performance which served notice that players of European descent could offer their own authoritative interpretations of music largely considered an African-American phenomenon -- Parker was so impressed that he signed Domnérus for the Scandinavian tour he mounted a year later. Throughout the '50s Domnérus headlined the Stockholm jazz club Nalen, often appearing alongside trumpeter Rolf Ericson and baritone saxophonist Lars Gullin (who both turn up in the 1952 short film Arne Domnérus Spelar). Domnérus also joined Stockholm locals including pianist Bengt Hallberg for a landmark 1953 Swedish tour in support of American trumpeters Clifford Brown and Quincy Jones. From 1956 to 1965 Domnérus served as a member of Harry Arnold's Swedish Radio Big Band, continuing on with its successor Radiojazzgruppen through 1978 -- concurrently he wrote for television and films, most notably scoring 1966's Nattlek, a film produced by Mai Zetterling and based on her own novel. Domnérus' 1977 LP Jazz at the Pawnshop proved an unprecedented hit, selling more than half a million copies upon its original release -- a year later, he returned with Duets for Duke, a collaboration with Hallberg that captures both men at the zenith of their artistry. While remaining true to his bop roots, Domnérus cited traditional Scandinavian folk music as a growing influence throughout the later chapters of his career, and from the '70s on he regularly performed live in churches, inspired by Duke Ellington's own sacred concerts. He also toured the U.S. and Japan, and recorded with American notables including Clark Terry, James Moody and Jimmy Rowles. After several years in poor health, Domnérus died in Stockholm on September 2, 2008 at the age of 83. - Jason Ankeny
  • LP made by ATR Mastercut / Proprius Records, in GERMANY

  • LP released in 1982 (original recordings from 1974)

  • LP is recorded in STEREO

  • Record Catalog Number: ATR 004

  • Limited Edition audiophile LP

This listing is for a super rare, out of print LP title - an OPENED and in near mint minus condition LP PRESSED and ISSUED by ATR Mastercut / Proprius Records of a highly collectible title from their catalog - a superb title featuring -

Arne Domnerus / Gustaf Sjokvist

LP Title -

Antiphone Blues

Tracks -

A1. Almighty God - Written-By – Duke Ellington - 3:10         
A2. Nobody Knows The Trouble I've Seen - 3:05         
A3. Sometimes I Feel Like A Motherless Child - 2:20         
A4. Antiphone Blues - 3:15         
A5. Ich Kenn' Ein Schönes Mädchen ….! - 2:40         
A6. Träumerei - Arranged By – Bengt Hallberg Written-By – Robert Schumann - 4:30         
B1. Come Sunday - Arranged By – Bengt Hallberg Written-By – Duke Ellington - 4:35         
B2. Heaven - Written-By – Duke Ellington - 3:09         
B3. Eintönig Hell Klingt Das Glöckchen - 3:35         
B4. Der Gesegnete Tag - 3:45         
B5. Largo - Written-By – Antonio Vivaldi - 3:05

Performers / Credits / Other Information -
• Cover – Robert Turner
• Organ – Gustaf Sjökvist
• Producer – Jacob Boëthius
• Saxophone – Arne Domnérus
Recorded 26 August 1974 in Spånga church, Sweden.
Sleeve has black background. 
On front of the sleeve, the artist-names & the title is in gold print 
Logo in top right corner, ATR. Mastercut Recording. Proprius logo on bottom.
Sleeve notes in German
on rear cover:
(P)1974 & (C)1975, Proprius Musik AB, Stockholm
Alle Rechte dieser Ausgabe: ATR-Audio Trade GmbH (explanation: means all rights of this issue)
ATR.Audiotrade . Arndstrasse 51
D-4330 Mühlheim/Ruhr . Tel. 0208/454647
(propably versions with different addresses exist. Audiotrade used adresses in Düsseldorf, Duisburg and Mühlheim during the company's history)
on spine: ATR LP 004
on labels:
Atr (R) Mastercut Recording
1982 ATR 004
Made in W. Germany
F 667.402 A / F 667.402 B
Sonderfertigung der EMI Electrola GmbH
GEMA STEREO 33
(P)1974 & (C)1975 Proprius Musik AB, Stockholm 
Label says 1982 ATR 004 Made in W Germany F667 402A/B
• Rights Society: GEMA

CONDITION Details:

The LP jacket is in near mint minus condition. The jacket is tight and clean, with NO seam splits. The corners are solid. The colors on the jacket are sharp and clean with just some mild shelf wear evident. The corners and seams show slight shelf wear. 

The LP is in near mint minus overall condition! There are no serious marks on the vinyl. There may be some very light spider marks on the LP which are caused by sliding the LP in and out of the inner sleeve. Most of the time, these types of marks are not audible, but it really depends on the sensitivity of your audio gear. Considering the vintage of this LP, the vinyl looks absolutely terrific - has most of it's original gloss and sheen! However, this is not a new audiophile LP....some extraneous sound is inevitable and should be expected for a vintage LP. There are NO serious spindle marks on the record labels either. LP has some dust on the surfaces so please clean the LP before auditioning it.

A Short Note About LP GRADING -

  • Mint = Only used for sealed items.
  • Near Mint = Virtually flawless in every way.
  • Near Mint Minus = Item has some minor imperfections, some audible.
  • Excellent = Item obviously played and enjoyed with some noise.
  • Very Good Plus = Many more imperfections which are noticeable and obtrusive.

For best results, always thoroughly clean your LPs before playing them.

LPs can be audiophile quality pressings (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).

Don't let this rarity slip by!!!


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