Alice Coltrane, Pharoah Sanders: Ptah, The El Daoud, 1970 LP, G+ Vinyl, Sleeve
$
148
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Description
(Visually graded) Vinyl looks G+ and Sleeve looks G+. See pics.
We grade records conservatively.
** Rare, Hard-To-Find **
Alice Coltrane Featuring Pharoah Sanders And Joe Henderson – Ptah, The El Daoud
Label: Impulse! – AS-9196, ABC Records – AS-9196
Format: Vinyl, LP, Album, Gatefold, 12", 33rpm
Country: US
Released: 1970
Genre: Jazz
Style: Post-Bop, Modal, Free Jazz
Tracklist
A1 Ptah, The El Daoud 13:58
A2 Turiya & Ramakrishna 8:19
B1 Blue Nile 6:58
B2 Mantra 16:33
Credits
Bass – Ron Carter
Drums – Ben Riley
Piano, Harp – Alice Coltrane
Tenor Saxophone, Alto Flute – Joe Henderson
Tenor Saxophone, Alto Flute, Bells – Pharoah Sanders
Notes
BIO - Ptah, the El Daoud, recorded and released in 1970, is the third solo album by Alice Coltrane. The album was recorded in the basement of her house in Dix Hills on Long Island, New York.[4]
This was Coltrane's first album with horns (aside from one track on A Monastic Trio (1968), on which Pharoah Sanders played bass clarinet). Sanders is recorded on the right channel and Joe Henderson on the left channel throughout. Coltrane noted: "Joe Henderson is more on the intellectual side, while Pharoah is more abstract, more transcendental."
All the compositions were written by Alice Coltrane. The title track is named for an Egyptian god, Ptah, "the El Daoud" meaning "the beloved". "Turiya", according to the liner notes, "was defined by Coltrane as "a state of consciousness — the high state of Nirvana, the goal of human life", while "Ramakrishna" was a 19th-century Bengali religious figure and also denotes a movement founded by his disciples. On "Blue Nile", Coltrane switches from piano to harp, and Sanders and Henderson from tenor saxophones to alto flutes.
The album's cover design was by Jim Evans. -wikipedia
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- General Standards For Record Grading
VG
(VERY GOOD) Vinyl will have noticeable scratches or scuffs that cause minor surface noise, but do not overpower the music. There will be no skips. Vinyl may appear somewhat dull and grayish. Labels may have small tears, tape marks, larger writing, etc. but still easily legible.
G
(GOOD) Well-played, dull, grayish vinyl with deeper scratches and wear causing distracting surface noise (hisses, pops, cracks and other nasties). The record will still play through without any skips. Labels may be significantly defaced or damaged.
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