Annette Peacock ?– I'm The One Vinyl LP USA 1972 VG+ Copy
£
50
$
66
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Description
Annette Peacock – I'm The One
Label: RCA Victor – SF 8255 (LSP-4578) Format: Vinyl, LP, Album Country: US Released: 1972 Genre: Electronic, Rock, Blues Style: Blues Rock, Avantgarde, ExperimentalTracklist
A1 I'm The One 6:45 A2 7 Days 3:54 A3 Pony 6:15 A4 Been & Gone 2:20 B1 Blood 2:00 B2 One Way 6:12 B3 Love Me Tender 3:45 B4 Gesture Without Plot 3:29 B5 Did You Hear Me Mommy? 1:44Companies, etc.
- Copyright © – RCA Records
- Published By – Vicious Music (4)
- Recorded At – RCA Recording Studios
Credits
- Arranged By, Vocals [Singer, Electric Vocals], Vibraphone [Electric], Directed By, Liner Notes, Piano, Electric Piano, Synthesizer, Producer – Annette Peacock
- Artwork [Cover Image Materialized By], Photography By – Richard Davis (13)
- Bass – Glen Moore (tracks: B1), Stu Woods
- Drums – Laurence Cook (tracks: B4), Rick Morotta*
- Engineer [Recording] – Gus Mossler
- Guitar – Tom Cosgrove
- Organ – Michael Garson* (tracks: A1, B2)
- Percussion – Airto Moreira, Barry Altschul, Domun Romao*, Orestes Vilato
- Piano – Apache Bley (tracks: B5), Michael Garson* (tracks: A1), Paul Bley (tracks: B1, B4)
- Producer – Bob Ringe
- Synthesizer – Paul Bley (tracks: B1, B4)
- Technician [Recording] – Dick Baxter, Mike Hartry, Pat Martin
- Tenor Saxophone – Michael Moss (2)
- Written-By – Annette Peacock (tracks: A1 to B2, B4, B5), Elvis Presley (tracks: B3), Vera Matson (tracks: B3)
Notes
Recorded at RCA Studios B, C, D, New York City.Printed inner sleeve with lyrics, notes, and credits not included.
Other Identifiers
- Matrix / Runout (Label A): APRS-4972 1C
- Matrix / Runout (Label B): APRS-4973 1C
VG cover and VG+ vinyl.
Slight marks on side 2 only audible as surface noise between tracks.
Liner notes not included.
Otherwise an excellent copy!
Wikipedia - Annette Peacock was writing music by the time she was four years old. She is self-taught except for her time as a student at The Juilliard School in the early 1970s.[1] She grew up in California.[2]
She moved to New York to marry jazz bassist Gary Peacock in 1960.[2] During the early 1960s, she was an associate and guest of Timothy Leary.[1] Peacock toured Europe with avant-garde jazz saxophonist Albert Ayler[1][2] while she was married to Gary Peacock, then pianist Paul Bley.[3][4] Her compositions appeared on his album Ballads and influenced the style of ECM Records.[2] She was a pioneer in synthesizing electronic vocals after having been given an early model of the Moog synthesizer by its inventor, Robert Moog. Much admired by David Bowie!
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