Art Blakey's Jazz Messengers/ Barney Wilen : Les Liaisons Dangereuses 1960 LP
$
75
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Description
Art Blakey's Jazz Messengers Avec Barney Wilen ?–
Les Liaisons Dangereuses 1960
Label:
Fontana ?– 680.203 ML
Format:
Vinyl, LP, Album, 12", Mono
Country:
France
Released:
1960
Genre:
Jazz, Stage & Screen
Style:
Hard Bop, Soul-Jazz, Soundtrack
Tracklist
A1 No Problem (1ère Version) 7:18
A2 No Hay Problema 4:32
A3 Prelude In Blue 6:53
A4 Valmontana (1ère Version) 5:42
B1 Miguel´s Party 4:18
B2 Prelude In Blue (Chez Miguel) 5:49
B3 No Problem (2e Version) 5:55
B4 Weehawken Mad Pad 5:00
B5 Valmontana (2e Version) 3:26
Companies, etc.
Printed By – Imprimerie J. Marx et Cie
Pressed By – Société Phonographique Philips
Credits
Bass – Jimmy Merritt
Drums – Art Blakey
Music By – J. Marray
Piano – Bobby Timmons (tracks: A1, A2, A4, B1 to B5), Duke Jordan (tracks: A3)
Soprano Saxophone – Barney Wilen (tracks: A3)
Tenor Saxophone – Barney Wilen (tracks: A1, A4, B1 to B5)
Trumpet – Lee Morgan (tracks: A1, A4, B1 to B5)
Notes
Soundtrack from movie "Les liaisons Dangereuses" by Roger Vadim.
- Les liaisons dangereuses (Dangerous Liaisons) is a 1959 French-language film, loosely based on the 1782 novel by Pierre Choderlos de Laclos, though is set in present-day France.
It was directed by Roger Vadim, and stars Jeanne Moreau, Gerard Phillipe, and Annette Vadim. It was a French/Italian co-production.
- The film's score was composed and performed by Thelonious Monk, with additional music for the extended party scene by Jack Marray (an alias for Duke Jordan) which was performed Art Blakey and the Jazz Messengers with Barney Wilen. The soundtrack, featuring only those tracks recorded by Art Blakey and The Jazz Messengers with Barney Wilen, was originally released on the French Fontana label. The tracks by Thelonious Monk have never been released commercially.
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If the record does not live up to our grading upon receipt, please email
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General standards For Record Grading
(M) Mint Record still shrink wrapped, new copy of a record.
(NM) Near Mint Almost perfect record that has usually only been played
1-3 times, in "like new" condition, no visual defects.
(NM-/ EX+) Almost near mint, maybe a few very light marks, nearly
perfect.
(VG+/ EX) Very Good Plus / Excellent Record
- will show minor signs that it was played but otherwise handled by a
previous owner who took good care of it. Record surface may show
light scuffs or very light scratches that don't affect one's listening
experiences. Slight warps that do not affect the sound are "OK".
The label may have some ring wear or discoloration, but it should
be barely noticeable. The center hole will not have been misshapen
by repeated play. Picture sleeves will have some slight wear, lightly
turned up corners, or a slight seam split.
An LP cover may have slight signs of wear also and may be marred by a
cut-out hole, indentation or corner indicating it was taken out of print
and sold at a discount. In general, if not for a couple things wrong with
it, this would be Near Mint.
All but the most mint-crazy collectors will find a Very Good Plus (VG+)
record highly acceptable.
(VG) Very Good Record has more wear than VG+ with some
more surface noise, light pops, scuffs or light scratches. Generally
still a great playing copy, no skips. Jacket may have more shelf wear,
a little writing, sticker residue, punch out/cut out holes or corners.
(VG-) Very Good- Record has noticeable groove wear, discoloration,
surface noise, louder pops, marks & scratches/ scuffs but still a decent
playing copy, no skips. Cover may has heavier shelf wear, more
discoloration and split seams.
(G/ G+) Good/ Good Plus Record still plays without skipping
but has considerable amounts of groove wear, discoloration, surface noise,
scuffs, and/or scratches. Sleeve has a lot of wear and some defects such
as split seams, heavy creasing, writing, marks, sticker residue, etc...
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