BEATLES ANTHOLOGY 3 RARE USA CAPITOL RECORDS RELEASE + WHITE ALBUM 180 GRAM 5 LP

$

110

BEATLES WHITE ALBUM & THE RARE USA PRESSED ANTHOLOGY 3 – ANTHOLOGY 3  ESTABLISHES ALOT OF INSIDE UNIQUE TAKES THE LEAD TO THE COMPLETED WHITE ABLUM RELEASE.  This CAPITOL/APPLE RECORDS ANTHOLOGY 3 WITH IT'S Collage Gatefold Cover (that captures the late Beatles era) 3-LP 50 Track Set. Only Time ever on Vinyl and out of print forever IN THE USA RELEASE. THIS IS THE TREMENDOUSLY RARE USA PRESSED CAPITOL/APPLE PRESSED COPY.

THE BIG DISTINCTION FOR COLLECTORS TO RECEIVING THIS USA PRESSED ANTHOLOGY 3 OUT OF PRINT CAPITOL/APPLE RECORDS LIMITED RELEASE IS  AND HAS THESE 3 COMPONENTS.

FIRST THE LP HAS THE YELLOW STICKER ATTACHED TO THE PLASTIC WRAP

SECOND THIS ITEM IS FACTORY SEALED WITH THE PLASTIC WRAP

THIRD IS ON THE BACK JACKET THE LP HAS BOTH THE CAPITOL & APPLE LOGO'S AND IT SAYS MADE IN THE USA. UK VERSION ONLY HAS THE APPLE LOGO

ALL THIS ADDS UP TO THE ORIGINAL USA ORIGINAL LIMITED USA 1996 RELEASE.

NOTE: BOTH THE UK & USA VERSIONS HAVE THE SAME BARCODE SO ONLY IF THE LATTER 3 FACTORS EXIST DO YOU OWN THE ORIGINAL USA OUT OF PRINT COLLECTORS RELEASE. THE UK VERSION IS STILL IN PRINT AND HAS NONE OF THESE ORIGINAL RELEASE FEATURES EXCEPT THE BARCODE.

COLLECTORS WANT ORIGINAL FEATURES TO THEIR BEATLES PRODUCTS AND IT'S ALL WITHIN THIS LISTING. FACTORY SEALED - PINK MARKETING STICKER & BOTH LOGOS ON THE BACK.

AS A BONUS TO THIS ANTHOLOGY 3 SOURCE WE ARE ADDING THE NEW RELEASE OF THE WHITE ALBUM IN IT'S FIRST 180 GRAM RELEASE EVER TO HELP THE COLLECTOR UNDERSTAND HOW THE LP WAS PUT TOGETHER.

THE TWO TITLES ADD UP TO 5 SIDES OF VINYL.

Mymusicfix is offering some of the rarest BEATLES collectible Limited Editions ever released. Each of these titles are very rare with most gone forever for fans & collectors of classic McCartney Editions. You will be one of the last people in the world to own these Mccartney masterpieces. So Don't Miss Out. Beacause what is "here today will be gone tomorrow forever".

E-BAY STORE.  FOR YOUR INDIVIDUAL  SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN THEBEATLES OR FOR HIT COLLECTIONS USE THE CODE BIGHITS INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL  TITLES + INFORMATION WILL APPEAR

Check out my other Beatles and Rare Vinyl items!

 There have been so few vinyl LPs produced over the last 5 years that you should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.

ANTHOLOGY 3 - This masterpiece has, as its real discoveries, AND FEATURES RARE OUT TAKES FROM THE WHITE LP - LET IT BE & ABBEY ROAD AND MORE -  George Harrison’s 8 solo demos including the electric-guitar and-vocal performances of SOMETHING and ALL THINGS MUST PASS plus PIGGIES, MY GUITAR GENTLY WEEPS, NOT GUILTY, FOR YOU BLUE, OLD BROWN SHOE, I ME MINE. They nearly ache with beauty, and Harrison sings them as if discovering his voice for the first time. The finished versions couldn’t possibly stand up to these demos which are among the highlights of the BEATLES ANTHOLOGY Series and the only time ever on Vinyl.

If BEATLES ANTHOLOGY 2 was a study of how a Beatles song came together, ANTHOLOGY 3 is a study of how The Beatles themselves came apart. Mc Cartney was now an unabashed Pop Balladeer, Lennon a sneering Pop Humorist and Experimenter, and Harrison a separate song-writing force aching to be unleashed. This is a stunning example of Harrison coming into his own and his eventual release of ALL THINGS MUST PASS.

The End

Enjoy being one of the last in the world to own this 3-LP Vinyl Masterpiece that simply blows away the CD Collection.

 THE WHITE LP - NEW STEREO LIMITED EDITION 180 GRAM PRESSING JUST RELEASED IN NOVEMBER 2012 AND THIS PRESSING IS FROM THE 1ST PRESS ON THIS NOVEMBER RELEASE DATE FOR THESE 180 GRAM 1ST EDITIONS; INFORMATION ABOUT THESE NEW 180 GRAM PRESSINGS -

 REMASTERING THE BEATLES’ ORIGINAL STUDIO ALBUMS FOR VINYL:
There has always been demand for The Beatles’ albums on vinyl. Indeed, 2011’s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles’ acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI’s Abbey Road Studios should create new versions of The Beatles’ vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the idea was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

A ‘blind’ listening test was arranged to choose between a ‘lacquer’ or ‘copper’ cut. Using both methods, A Hard Day’s Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having ‘blank’ discs of a consistent quality when cutting lacquers.

The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the 24-bit Digital Masters Sourced from the Original Analog Master Tapes rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone ‘limiting’ - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any ‘sibilant episodes’ - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of ‘inner-groove distortion’ was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a ‘mushy’ sound particularly noticeable on vocals. Using what Magee has described as ‘surgical EQ,’ problem frequencies were identified and reduced in level to compensate for this.

The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the ‘lock-groove’ at the end of side two of Sgt. Pepper’s Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

Features:
• Available for the First Time on 180 Gram Vinyl
• Cut at Abbey Road Studios using the Non-Limited 24-bit Digital Masters Sourced from the Original Analog Master Tapes!

Selections:
1. Back in the U.S.S.R
2. Dear Prudence
3. Glass Onion
4. Ob-La-Di, Ob-La-Da
5. Wild Honey Pie
6. The Continuing Story of Bungalow Bill
7. While My Guitar Gently Weeps
8. Happiness Is A Warm Gun
9. Martha My Dear
10. I'm So Tired
11. Blackbird
12. Piggies
13. Rocky Raccoon
14. Don't Pass Me By
15. Why Don't We Do It In The Road
16. I Will
17. Julia
18. Birthday
19. Yer Blues
20. Mother Nature's Son
21. Everybody's Got Something to Hide Except Me and My Monkey
22. Sexy Sadie
23. Helter Skelter
24. Long Long Long
25. Revolution 1
26. Honey Pie
27. Savoy Truffle
28. Cry Baby Cry

For other Beatles titles, or hundreds of additional Rare, Out of Print, Factory-Sealed Audiophile Recordings visit the mymusicfix E-Bay Store by hitting “STORES” tab on this title’s Home Page.

 What a tremendous GIFT these Rare demos of George Harrison, Paul McCartney, John Lennon , and Ringo Starr The Beatles will make any true fan!!!

International Buyers – Please Note:
Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "gift" in order to avoid customs fees

INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES.

OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE.

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