BEATLES EARLY BEATLES VERY RARE STILL SEALED 1965 CAPITOL PROMO STEREO LP
  $   35

 


$ 35 Sold For
Feb 23, 2013 Sold Date
Feb 13, 2013 Start Date
$   25 Start price
3   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

    
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·       THE BEATLES - THE EARLY BEATLES - CAPITOL RECORDS 1965 STEREO LP ST-2309

 

·       GENUINE U.S. PRESSING

 

 

·       *** STILL SEALED LP, BELIEVED TO BE THE VERY EARLY PRESSING CIRCA 1969 ON LIME-GREEN CAPITOL LABEL (SORRY, WE ARE NOT SURE AND WE CANNOT GUARANTEE; THIS MAY ALSO BE AN APPLE PRESSING CIRCA 1971) ***

 

 

·       BELIEVED TO BE THE PROMOTIONAL PRESSING (BASED ON THE CUTOUT PROMO HOLE); NAMELY, ON CAPITOL AND AFFILIATED LABELS, A NEAT CUTOUT HOLE IN THE UPPER RIGHT-HAND CORNER SIGNIFIES PROMO PRESSINGS, NOT, REPEAT, NOT A CUTOUT ITEM.

 

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       TWO “AIR HOLES” NOTED ON THE SHRINK WRAP ON THE FRONT COVER

 

·       THICK, HEAVY VINYL PRESSING

 

 (PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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The Early Beatles does not represent its songs in the sequence -- or in their exact content -- that its makers intended; not by a long shot. That said, this is also the way that tens of millions of listeners in the U.S. did hear this material between 1965 and 1983. And of course, any means by which one gets to hear 11 1963-vintage tracks by the Beatles is OK. Whatever particular order or specifics of the songs, the listening experience will stack up well against any other 11 songs by anybody else who was walking around back then. So this record still rates high, though not as high as it might, because it isn't the ideal format for the music. By way of explanation, when the Beatles' earliest recordings for EMI's Parlophone Records in England were originally offered to Capitol Records -- EMI's American outlet -- in 1963, there was no interest, based on the poor performance of virtually any British rock & roll on the American charts up to that time. Instead, EMI signed licensing agreements for those early singles with the Chicago-based VeeJay Records, who were willing to take a chance and ended up doing very well with these songs, once the group broke through in America at the end of 1963 and the beginning of 1964. Capitol Records found the 13 early sides in question out of reach legally, thanks to those licenses. Cut to early 1965 and the end of those licensing agreements -- Capitol was now entitled to release them in the U.S. and assembled The Early Beatles, which proclaimed: "11 of their hit 1964 recordings NOW ON CAPITOL" on the front cover, overlooking the fact that everything here was from 1963 (or, in the case of "Love Me Do" and "P.S. I Love You," from 1962), and using a group shot from 1965, which showed the four bandmembers looking surprisingly serious (especially Ringo) -- or is it just some weariness in their eyes?

 

There was no weariness on the record, however, which -- capturing moments from two years earlier -- encompasses 11 of the most unabashedly joyous examples of music-making that anyone had ever heard. Any similarity between The Early Beatles and Parlophone's Please Please Me album or VeeJay's Introducing...The Beatles is not only understandable but unavoidable, as all three albums were constructed from essentially the same core body of songs -- The Early Beatles, however, has only 11 tracks, while Please Please Me boasted 14 and Introducing...The Beatles had 12. What is here, however, is as beautiful as one remembers it from 1964, if you were lucky enough to be around for it, and still makes a great discovery process 45 years later, though there are differences. Instead of Please Please Me's shattering rendition of "Twist and Shout," this album finishes with "Do You Want to Know a Secret," a John Lennon-Paul McCartney song given to George Harrison to sing, on which he acquits himself in a raw, honest performance, not as smooth as the Billy J. Kramer hit rendition but more memorable in the long run, precisely for its vocal flaws. It might not be as effective a closer, but it is a finale that works, and "Twist and Shout" doesn't come off badly -- if not given maximum impact -- sandwiched between "Love Me Do" and "Anna."

 

Indeed, listening to this material anew as part of the 2006 Capitol Albums, Vol. 2, it becomes clear that any way one slices this material up, it works, as it represents the Beatles at a point when they not only loved the sheer act of making music, but confronted the nightly reality that they had to win over listeners each time out, or lose their livelihood. As to the "lost" tracks (two of which were missing in action in the U.S. until the 1980s), they were "I Saw Her Standing There," which had been rescued by Capitol in early 1964 for use on the U.S. album Meet the Beatles! and the B-side of "I Want to Hold Your Hand," "There's a Place," and "Misery." "There's a Place" was a jewel of a beat ballad, and "Misery" was an odd, downbeat lament with beautiful harmonies and some of George Martin's most prominent contribution on piano to any Beatles record. In the end, it's best to go to the U.K. version of this material, Please Please Me, but The Early Beatles is a decent substitute, this despite some excess reverb added by American compiler Dave Dexter, Jr. In fact, its most useful function, beyond just listening to it with delight, might be to pair it with Please Please Me and see the differences in how Americans and Britons discovered these songs

 

For additional historical or discography information on this album, including track listing ►click here

 

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► click here

 

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·                               CONDITION:

 

·                               RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID)

 

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP

 

The following flaws or imperfections are noted on the cover:

 

-        Cover has a neat, round PROMO cutout hole in one of the corners

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         Cover has a light "wrinkle" (crease)  in one of the corners and a few tiny wrinkles along the spine  (VISIBLE ON BACK SIDE ONLY)

-         Cover has one corner slightly dinged (nothing significant)

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No ring wear

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy

 

 

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