BEATLES REVOLVER UK PRESS Y/B LABEL MiNt AuDiO ArChIvE Dr ROBERT MISSPRESS RARE
  £   369
  $   489

 


£ 369 Sold For
Nov 22, 2012 Sold Date
Nov 12, 2012 Start Date
£   3 Start price
19   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

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The Beatles Revolver Original UK pressing.

((MONO)) CAT No. PMC 7009 1966

Awesome Near Mint Audio Quality! No Loud Clicks Or Pops & No Distortion! Barely Ever Played Vinyl! Absolutely Stunning Garrod & Lofthouse Flipback Cover Near Mint!   'DR. Robert' Miss Spelt on side 2.

Rare in this condition!




Another from my personal collection of UK Beatles records that I have accumilated over a period of more than 45 years! I have more than 1000 UK Beatles albums alone in my collection, (I rarely ever purchased foreign pressings) I have always been fascinated even to this day, by the differences in the audio mixes from one vinyl to another which is why I have so many variations in my collection. Here on offer is a totaly original 1966 copy of The Beatles Revolver featureing -2 -2 Matrix endings very early pressing featuring ''1'' mother stampers on side 2 and miss spelt DR.Robert on label side 2 (later press was corrected to Doctor Robert')! The rarety and collectability about this album is that this has obviously barely ever been played, which is quite rare on a 45 year old Beatles record, which are normally found played to death! The 1st issue Garrod & Lofthouse flipback cover is in exceptional condition, unusually super glossy in appearance and white, (often seen yellowed with age) also the spine is perfect without the normal crushing! The vinyl has also very minimal signs of use compared to many that I have seen! Play tested at very loud volume prior to listing, importantly using a dedicated mono cartridge, the audio is very clear and vibrant throughout without signs of any distortion what so ever! I have graded the audio at least excellent plus to near mint in my opinion!


  

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Revolver is the seventh album by English rock group The Beatles, released on 5 August 1966. Many of the tracks on Revolver are marked by an electric guitar-rock sound, in contrast with their previous, folk rock inspired Rubber Soul. It reached number one on both the British chart and American chart and stayed at the top spot for seven weeks and six weeks, respectively!


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The cover illustration was created by German-born bassist and artist Klaus Voormann, one of the Beatles' oldest friends from their days at the Star Club in Hamburg. Voormann's illustration, part line drawing and part collage, included photographs by Robert Whitaker, who also took the back cover photographs and many other images of the group between 1964 and 1966, such as the infamous "butcher cover" for Yesterday and Today. Voormann's own photo as well as his name (Klaus O. W. Voormann) is worked into Harrison's hair on the right-hand side of the cover!. The title "Revolver", like "Rubber Soul" before it, is a pun, referring both to a kind of handgun as well as the "revolving" motion of the record as it is played on a turntable. The Beatles had a difficult time coming up with this title. According to Barry Miles in his book Paul McCartney: Many Years from Now, the title that the four had originally wanted was Abracadabra, until they discovered that another band had already used it. After that, opinion split: Lennon wanted to call it Four Sides of the Eternal Triangle and Starr jokingly suggested After Geography, playing on The Rolling Stones' recently released Aftermath LP. Other suggestions included Magical Circles, Beatles on Safari, Pendulum, and, finally, Revolver, whose wordplay was the one that all four agreed upon. The title was chosen while the band were on tour in Japan in JuneñJuly 1966. Due to security measures, they spent much of their time in their Tokyo Hilton hotel room; the name Revolver was selected as all four collaborated on a large psychedelic painting!

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The Beatles' unfolding innovation in the recording studio reaches its apex with the album's final track. Lennon's "Tomorrow Never Knows" was one of the first songs in the emerging genre of psychedelic music, and included such groundbreaking techniques as reverse guitar, processed vocals and looped tape effects. Musically, it is drone-like, with a strongly syncopated, repetitive drum-beat!. The lyrics were inspired by Timothy Leary's book, The Psychedelic Experience: A Manual Based on The Tibetan Book of the Dead, although the title itself was inspired by a Ringo Starr malapropism. Much of the backing track consists of a series of prepared tape loops, stemming from Lennon's and McCartney's interest in and experiments with magnetic tape and musique concrËte techniques at that time.

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Lennon and McCartney prepared a series of loops at home, and these then were added to the pre-recorded backing track. This was reportedly done live in a single take, with multiple tape recorders running simultaneously, some of the longer loops extending out of the control room and down the corridor. Lennon's processed lead vocal was another innovation. Always in search of ways to enhance or alter the sound of his voice, he gave a directive to EMI engineer Geoff Emerick that he wanted to sound like he was singing from the top of a high mountain. Emerick solved the problem by routing a signal from the recording console into the studio's Leslie speaker, giving Lennon's vocal its ethereal, filtered quality (he was later reprimanded by the studio's management for doing this). A key production technique used for the first time on this album was automatic double tracking (ADT), invented by EMI engineer Ken Townsend on 6 April 1966!!. This technique used two linked tape recorders to automatically create a doubled vocal track. The standard method was to double the vocal by singing the same piece twice onto a multitrack tape, a task Lennon particularly disliked. The Beatles were reportedly delighted with the invention, and used it extensively on Revolver. ADT quickly became a standard pop production technique, and led to related developments, including the artificial chorus effect!!.

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The Matrix

Side 1 ''XEX 605-2''

Side 2 ''XEX 606-2''

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The Mother Stampers

Side 1 ''5'' ''MH''

Side 2 ''1'' ''R'' (Look! Earliest ''1'' Mother Stamper)

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The Vinyl

This is the original thicker , heavier chunky slab of vinyl only found like this on the earliest original pressings! (Later press are much more flimsier and less robust)!

The vinyl lays perfectly flat on the turntable and is free of any warps. The vinyl has retained its original sheen from new! On close inspection there could possibly be light wyspy surface marks/scuffs only but importantly no audio sounding marks or needle marks that would cause any clicks or pops that I heard at all!

The audio quality

I have played this track for track at very loud volume prior to listing at very loud volume, importantly using a dedicated mono cartridge! From the moment that the needle hits the playing surface , it is obvious that this vinyl not only visually but audibly has only had very very minimal play only! The audio is stunning cristal clear and vibrant, very bright and clear throughout without any signs of distortion at all and plays with a lovely deep bassey feel only found like this on early pressings! I would grade the audio at least excellent plus to near mint in my opinion!

The Labels

These are the original Parlophone labels feature ''Sold In The UK....'' text across the labels (only early UK press.) The K.T tax code is stamped on side 2 (Only Early press) Miss Spelt Dr.Robert on Side 2 label (later pressing were corrected 'Doctor Robert') ''The Parlophone Co...'' rim text (only early press) The labels are rich in colour and are very clean all text is readable. It is obvious to me that this vinyl has only had very minimal play only by the limited spider marks that can be seen around the spindle hole. Please note there are a couple that are wide of the hole but there arn't many and the spindle hole is free of any real ware and of course is perfectly round!

The Record Sleeve

This is the original EMI plain white sleeve no splits or tares light creasing with age only!

The Cover

This Is The Original 1st issue Garrod & Lofthouse flip back cover in absolutely tip top stunning condition through out! No splits or tares. The original pinched ended spine is near perfect and square no crushing/creasing all text is readable! What makes this so unbeleivable , No nasty creases to report so rare to find like this! very minor and small half moon type creases in the laminate only noticed if looked for.  No nasty ringware rubbing! The cover has always been seperated from the vinyl and sleeve since purchased from new! The rear is also lovely, no nasty names written no creases and amaizingly no ringware! Unbeleivably rare like this! Graded at least excellent plus to near mint! Never need to upgrade from this cover!  

 

HOW I SEND MY RECORDS!

THIS ALBUM WILL BE SENT IN A LARGE BOX WITH CARDBOARD STIFFENERS THE ALBUM IS ALWAYS PUT IS A POLY SLEEVE AND ENCASED IN THE BOX WITH PLENTY OF BUBBLEWRAP FOR ADDED PROTECTION (SEE PHOTOS)

                           

As always I have tried to give my honest personal opinion when describing items listed! Although it is my honest opinion! I always urge others to do their own personal research on any items that they are interested in purchasing, before, they commit to bidding!) I have Highlighted all aspects as clearly as possible!! I have taken time to play this vinyl track for track to give a clear and accurate description of the audio quality as i hear it. (please look at my completed listings of albums that I have sold of this calaber (more than 1000 items) and you will see that I normally get it right) I have also provided as many photos as I can and supersized so that all aspects can be seen clearly in strong light!!!!!Please note! These photos are the actual item for sale and not copies of other items!!!!!!!

Please do not hesitate to email me with any questions regarding this item or any other items that I have listed!

I HAVE 100% POSITIVE FEEDBACK SO PLEASE BID WITH TOTAL CONFIDANCE!!!!

SHIPPING TO THE USA IS 11.76GBP INCLUDES INTERNATIONAL SIGNED FOR DELIVERY WITH INSURANCE AND TRACKING

SHIPPING TO EUROPE IS 8.76GBP INCLUDES INTERNATIONAL SIGNED FOR DELIVERY WITH INSURANCE AND TRACKING

POSTAGE WITHIN ENGLAND IS FREE SENT BY RECORDED DELIVERY

Please note! All items are now despatched by Royal Mail signed for 1st class delivery!!!! I normally despatch weekdays within the next working day on receipt of cleared funds!!!I POST ON WEEKDAYS ONLY (NOT OVER THE WEEKEND)!! Tracking details are always emailed to the winning bidder after despatch.

All items are despatched securely with ample reinforcement (It is my prime interest to make sure that the items arrive in the same condition that they left me!!!!

I offer a postage discount for multiple purchases!!!,, but i do insist that the buyer pay for the items as they are won! I can not any longer allow winning bidders to run up a large bill and then not pay! I do not have a problem with holding the goods to be despatched untill they are ready (at the buyers request), for multiple items purchased!


PLEASE LOOK AT MY OTHER RARE 1ST UK PRESSINGS LISTED NOW!!!! (click the link bellow)

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PLEASE LOOK AT MY OTHER RARE 1ST UK PRESSINGS LISTED NOW!!!! (click the link bellow)

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