BIG MAMA THORNTON "In Europe" LP NM/NM Arhoolie w Buddy Guy, Fred McDowell more
  $   32

 


$ 32 Sold For
Jun 13, 2015 Sold Date
Jun 6, 2015 Start Date
$   25 Start price
5   Number Of Bids
  USA Country Of Seller
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Description

Condition: 

All Music Review by Steve Leggett  [-]

Willie Mae "Big Mama" Thornton was part of the American Folk Blues Festival revue which toured Europe in 1965, so when it was time to record this session on October 20 at Wessex Studio in London, she had a crack impromptu blues band at her disposal, including a young Buddy Guy on guitar, Fred Below on drums, Eddie Boyd on piano and organ, and Jimmie Lee Robinson on bass. Walter "Shakey" Horton added his harmonica on a trio of tracks, and Thornton also sat down and recorded three powerful songs accompanied only by Mississippi Fred McDowell's elegant slide guitar playing. Thornton added her own harmonica and drums to a few tracks, as well, and the end result is a very special blues session that shows off Thornton's multifaceted and expansive stage presence. The original LP from the session came out that same year from Chris Strachwitz's Arhoolie Records, and for this CD reissue, six more tracks have been added, including alternate takes of "Hound Dog" and "Swing It on Home," which brings the length of this generous disc to just under 80 minutes. Among the many highlights are a spooky, atmospheric reading of Willie Dixon's "Little Red Rooster," the seemingly autobiographical "Unlucky Girl," which Thornton wrote with Jack DuPree, and a pair of takes of her signature song, Jerry Leiber and Mike Stoller's "Hound Dog." Also worth noting is Thornton's gutbucket drumming on "Session Blues" and the raggedly perfect "I Need Your Love." The showstoppers, though, are the three songs she does with McDowell, whose gorgeous slide playing sets up some of Thornton's most nuanced and measured singing on "My Heavy Load," "School Boy," and the ominous and stunning "Chauffeur Blues." The album ends with Strachwitz interviewing Thornton, and the whole set provides a perfect introduction to this spunky and innovative blues artist.

Big Mama Thornton ?– In Europe

Label: Arhoolie Records ?– F 1028 Format: Vinyl, LP, Album, Stereo 
Country: US Released: 1966 Genre: Blues Style:  

TracklistHide Credits

A1 Swing It On Home A2 Sweet Little Angel A3 The Place A4 Little Red Rooster A5 Unlucky Girl A6 Hound Dog B1 My Heavy Load Guitar – Fred McDowell B2 School Boy Guitar – Fred McDowell B3 Down-Home Shake-Down B4 Your Love Is Where It Ought To Be B5 Session Blues

Companies etc

  • Recorded At – Wessex Sound Studios

Credits

  • Bass – Jimmy Lee Robinson* (tracks: A1 to A6, B3)
  • Blues Harp – Big Mama Thornton (tracks: B3 to B4), Walter "Shaky" Horton* (tracks: A5 to A6, B3, B5)
  • Drums – Big Mama Thornton (tracks: B4 to B5), Fred Below (tracks: A1 to A6, B3)
  • Guitar – Buddy Guy (tracks: A1 to A6, B3 to B5)
  • Organ – Eddie Boyd (tracks: A4 to A6, B3)
  • Piano – Eddie Boyd (tracks: A1 to A3, B4 to B5)
  • Recorded By, Producer, Photography By – Chris Strachwitz
  • Vocals – Big Mama Thornton

Notes

Recorded at Wessex Studio - London, England ,October 20, 1965.

Barcode and Other Identifiers

  • Matrix / Runout (Side A engraved): ST-1028-A
  • Matrix / Runout (Side B engraved): ST-1028-B
  • Other (Side A label): M-177
  • Other (Side B label): M-178

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327 W. Nine Mile Rd.
Ferndale, Michigan 48220
Phone: 248-548-9888 Fax: 248-548-2180
Hours: Monday thru Saturday NOON to 9:00 PM (Eastern) Sunday: NOON to 6:00 PM.

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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