BILL EVANS w/SHELLY MANNE EMPATHY RARE ORIGINAL 1964 VERVE STEREO LP BEAUTIFUL

$

34

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       BILL EVANS with  SHELLY MANNE AND MONTY BUDWIG – EMPATHY - ORIGINAL 1963 VERVE RECORDS STEREO LP V6-8497

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK VERVE LABEL WITH SILVER PRINT AND  LARGE T-SHAPED VERVE LOGO

·       Recorded and engineered by ►Rudy Van Gelder

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio. The result is that his playing seemed lighter, freer, and more relaxed than it had for a while. The album kicks off with a jaunty version of Irving Berlin's "The Washington Twist" from the unsuccessful Mr. President with Budwig sharing the honors with Evans as much as Manne. Manne spends most of his time driving Evans into more diminished and sharper playing than was usually Evans' wont. Another relatively unfamiliar Berlin work, "Let's Go Back to the Waltz," gives full reign to Evans' lyricism. The longest tune on the set is an audacious, almost lampooned version of "With a Song in My Heart" with light chordal phrasing that pretty much characterized much of the tone coming from this session. Listening to these three, it's clear that everyone was having a good time and simply enjoying being relieved of their duties with their regular combos, even if for just one day.

 (EXCERPT FROM AN ONLINE REVIEW BY DAVE NATHAN, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       THE COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        A visible water stain  (VISIBLE ON THE INSIDE GATEFOLD ONLY)  affects the area about 1/2 inch wide along the bottom seam; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible and has caused some erosion in the firmness of the cover ,  visible yellowish discoloration, and a few microscopic peel-off marks in the affected area

-        Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-        Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).  Yellowing is also noted on the INSIDE gatefold

-        The laminated cover has a slight loss (flaking) of lamination along the opening edge (this is a common problem with most laminated 50’s and 60’s covers; lamination is just beginning to peel-off along the opening edge  (VISIBLE ON BACK SIDE ONLY) ; however, since the underlying layer of the cover is ALSO laminated, the peeled-off spots are only a minor visual distraction

-        The cover has a distinct X-shaped, pressure-type cutout stamp. This type of cutout marking was used exclusively by MGM and Verve labels and was more discreet and sensitive than the other types of marking (such as cutout holes or drill marks), as it did not require the cover to be damaged.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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