BLACK SABBATH"VOL 4"UK VERTIGOSPACESHIP RARESTPRESSeVeR
£
57
$
75
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
BLACK SABBATH
MEGA/RARE
"VOLUME 4" 1972 LP.
UK's RAREST PRESSING ON THE WORLD's FAMOUS
VERTIGO/SPACESHIP label.
I've Been Told By A Black Sabbath Expert
That Only A Couple Of Hundred Were
Ever Pressed, With This Label."M/RARE"
Making This Album The Bands Rarest Ever.
CHECK MY 100% FEEDBACK SO BID WITH CONFIDENCE...
The Photo's On Show Are In Supersize For Your Convienience, And Are Of The Actual Album For Sale...
AND ALL IN GREAT CONDITION. JUST TRY AND FIND ANOTHER LIKE IT. THEY JUST DON'T TURN UP FOR SALE LIKE THIS.
THE FINAL UPGRADE FOR ANY COLLECTOR!!!
ARCHIVE COPY !!!
IMPOSSIBLE !!!
SO READ ON & DON'T MISS OUT..
Black Sabbath Vol. 4 is the fourth album by the British heavy metal band Black Sabbath, released in 1972. The album was originally to be titled Snowblind, after one of several songs referring to cocaine use, and features several Sabbath classics, such as "Tomorrow's Dream," "Snowblind," "Supernaut" and "Changes."
In June 1972, Black Sabbath reconvened in Los Angeles, California to begin work on their fourth album at the Record Plant Studios. The recording process was plagued with problems, many due to substance abuse issues. While struggling to record the song "Cornucopia" after "sitting in the middle of the room, just doing drugs", Bill Ward was nearly fired from the band. "I hated the song, there were some patterns that were just horrible" Ward said. "I nailed it in the end, but the reaction I got was the cold shoulder from everybody. It was like 'Well, just go home, you're not being of any use right now.' I felt like I'd blown it, I was about to get fired". Despite the copious amounts of cocaine, the band produced another first-rate album that pushed the boundaries of heavy metal and would influence countless bands. However, the seeds were planted for what would eventually be the excessive demise of the classic Sabbath lineup. As Butler told Guitar World in 2001, "Yeah, the cocaine had set in. We went out to L.A. and got into a totally different lifestyle. Half the budget went on the coke and the other half went to seeing how long we could stay in the studio...We rented a house in Bel-Air and the debauchery up there was just unbelievable." In the same interview Ward opined, "Yes, Vol. 4 is a great album but listening to it now, I can see it as a turning point for me, where the alcohol and drugs stopped being fun."
Music and lyrics
Volume 4 demonstrates Black Sabbath beginning to experiment with the heavy sound they had become known for. Although some songs are in their trademark style, others demonstrate a soft, orchestral approach. This is exemplified by the song "Changes". Written by Tony Iommi, it is entirely in the form of a piano ballad with mellotron. Although the band had used piano on some songs previously, it had played only a minor role in the songs.
At least two songs on the album reference the use of cocaine. The lyrics and title of "Snowblind" is an example of this. The song "Snowblind" also had to be re-recorded because the original version features Osbourne yelling the word "cocaine!" after each verse. On the officially released version, "cocaine" is whispered quite audibly after the first verse, approximately 41 seconds into the song (During live performances Osbourne would again scream the word at the top of his lungs).
Track listing
All songs written by Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
Side one
- "Wheels of Confusion/The Straightener" – 8:01
- "Tomorrow's Dream" – 3:11
- "Changes" – 4:44
- "FX" – 1:43
- "Supernaut" – 4:49
Side two
- "Snowblind" – 5:33
- "Cornucopia" – 3:54
- "Laguna Sunrise" – 2:55
- "St. Vitus' Dance" – 2:29
- "Under the Sun/Every Day Comes and Goes" – 5:52
"Black Sabbath Vol. 4" was the first album where classic sludge-rockers Black Sabbath (Ozzy Osbourne-vocals, Bill Ward-drums, Geezer Butler-bass and Toni Iommi-guitar) started experimenting - which possibly foreshadowed what would be more emphasized on the following album, _Sabbath, Bloody Sabbath_. I just want to make a clarification before I move on: Black Sabbath's music is not about satanism or devil worshipping - it's subject matter is mainly about the harsh realities of life (i.e., crime, war, drugs, mental illness and more), which is rather "dark". Moving onto the tracks:
The album opens with "Wheels Of Confusion/The Straightener", which is a sludgy/heavy powerhouse. This is arguably the heaviest on the album. The lyrics are reflective and sad. "Tomorrow's Dream" is a r&b-rocker with groove. "Changes" is a beautiful piano-based ballad. The combination of Ozzy Osbourne's emotive vocals and the sad orchestral backdrops make this a somewhat painful track to listen to at times. "FX" is a short experiment featuring eerie guitar feedback from Toni Iommi. "Supernaut" (to me) proves that music is a transcendent force without limits or boundaries. The mix of boogie, classic psychedelic r&b and metal, shows that unlikely combinations can work - which almost makes it seem like it was never "unlikely" to begin with. "Snowblind" is a slow heavy rocker. Tony Iommi does some of his best soloing on this track. The end features some orchestral backdrops (possibly from synthesizers). "Cornucopia" is probably the most ominous sounding on here (check out the opening section). The dark lyrics contribute to this aspect as well. "Laguna Sunrise" is the beautiful and evocative acoustic guitar instrumental. If anyone were to listen to this calm, sedate and airy track (without knowledge of it being Sabbath), you wouldn't guess that this was the same band known for their dark and sludgy output - that's talent. "St. Vitus' Dance" is an upbeat, summery and "happy" sounding rock track - at least on a musical (excluding lyrics) level. "Under The Sun/Everyday Comes And Goes" sounds the most "Sabbath-esque" on here. The beginning is heavy and ominous. It then segues into a straightforward heavy rocker. The lyrics are deep, thought-provoking and rebellious. They address such issues as religion, personal beliefs and violence.
In short, "Black Sabbath Vol. 4" is a classic metal album, which deserves to be owned by diehards, as well as those interested in Black Sabbath, or the roots of heavy metal. This would serve as a good introduction, as it features a well-crafted balance between heaviness and mild experimentation.
CONDITION OF THE ALBUM;
COVER ;This Gate-Fold Cover is complete with the Four Page Concert Picture Booklet, Made and Printed in the UK by Howards Of Slough Ltd. And is Superb condition,very hard to beleive that it's 38years old. These Covers don't seem to stand the test of time very well, due to the Matt Black being untreated, But Not This ONE Amazing, MUST be the Best One i have seen for years, Great Strong & Fully legible Spine, perfect Edges with NO furring whatsoever on the opening, NO Ringware atall, And NO Colour loss from Storage wear Top or Bottom. All four pages are in perfect condition and very firmly attached to the inside of this Fantastic Cover.An Easy NrMint.
VINYL ; The Record is Pressed on Thick Quality Vinyl, and has only been played a couple of times very carefully, Still having it's full Shine. It Looks as New, could have been Pressed Yesterday, and sounds even Better, Amazing Sound Response on All Frequencies, just Great. When tilted to a Bright light, I could only see a couple of very small & slight sleeve marks that definately have NO effect on this Superb Audio. These Records with this Label are Very Hard to Acquire, so to get one in this condition is practically impossible. Check it out if in Doubt. Also in Mint-.
LABELS ; The RARE Spaceship Labels for "Vol 4" are both in Perfect condition, Having NO Colour Loss or Spindle Rash, showing how little this Album has been played. An Easy Mint-.
This is a very Rare Album & in great shape.
Very Hard To Find In This Condition.
Any Serious Collector Will Know How RARE This Album is.
VERY FEW WERE EVER PRESSED
WITH THIS SPACESHIP LABEL..
I start all my vinyl at an incredible £2.99... With NO Reserve Either...
Keep an eye on my future listings, as i am having a BIG Clearout. And i do have some very Rare & Amazing vinyl that i'll be listing soon.
Believe Me there'll be some Scarce Ones..
For the Real Collector!!
And great condition....
Thanks for looking, and all the Best...
Please Pay After Sale Has Ended.
PLEASE NOTE P&P ;
UK; £3.50. EUROPE; £5.85. ROW; £7.95. (1stClass & Airmail)
On 13-Feb-10 at 19:14:12 GMT, seller added the following information:
DUE TO THE RARITY OF THIS ALBUM, IT IS LISTED IN THE PRICE GUIDE OF 2010 OF COLLECTORS ALBUMS, AT A PRICE OF £150. THIS IS BECAUSE VERTIGO/SWIRL'S WERE PRODUCED IN ABUNDANCE. UNLIKE THE SPACESHIP OR UFO LABLED ONES. THESE RARELY TURN UP FOR SALE ON THE VOL 4 ALBUM.
ESPECIALLY IN THIS INCREDIBLE CONDITION.
"THE FINAL UPGRADE TO A FINE COLLECTION"
GOOD LUCK TO ANY BIDDERS !!!
price rating