BLIND FAITH S/T VG++ PLAY GRADED 1969 BANNED COVER Clapton Winwood Grech Baker

$

27

Vinyl:  VG++ Play Graded. Sounds Great!  RSO Labels are Clean.  This is the RSO Reissue of the 1969 Release.  The Debut and Swan Song of this much heralded Supergroup...Epic cuts, everyone's a winner, this is a Blockbuster and a Barn Burner...Happy Partying!!!   allmusic gives it 4 stars!
See Review Below!
Cover: VG++ (see photos; tiny paper tear on front bottom left corner) This is the infamous Banned cover that was created by Bob Seidemann with inspiration from psychedelic poster artist and resident Grateful Dead Cover artist Stanley Mouse...look this story up!  The cover model is Mariora Goschen...look up her story and then write Eric Clapton and tell him to giver her the pony he promised her!!!! :)
Goldmine Standards.    I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.
U.S. Shipping:  $4 Media Mail.  50 cents additional shipping per additional album, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your records by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout.  Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?  First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.

AllMusic Review by Bruce Eder  [-]

Blind Faith's first and last album, more than 30 years old and counting, remains one of the jewels of the Eric Clapton, Steve Winwood, and Ginger Baker catalogs, despite the crash-and-burn history of the band itself, which scarcely lasted six months. As much a follow-up to Traffic's self-titled second album as it is to Cream's final output, it merges the soulful blues of the former with the heavy riffing and outsized song lengths of the latter for a very compelling sound unique to this band. Not all of it works -- between the virtuoso electric blues of "Had to Cry Today," the acoustic-textured "Can't Find My Way Home," the soaring "Presence of the Lord" (Eric Clapton's one contribution here as a songwriter, and the first great song he ever authored) and "Sea of Joy," the band doesn't do much with the Buddy Hollysong "Well All Right"; and Ginger Baker's "Do What You Like" was a little weak to take up 15 minutes of space on an LP that might have been better used for a shorter drum solo and more songs. Unfortunately, the group was never that together as a band and evidently had just the 42 minutes of new music here ready to tour behind.