BLODWYN PIG Ahead Rings Out LP ISLAND 1969 UK orig+pink+bullseye+foc JETHRO TULL
£
35
$
46
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
SO PLEASE DO NOT PAY IMMEDIATELY AFTER WINNING
BEFORE I SEND CORRECT INVOICE!
BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).
The shipping cost from Italy to UK and Europe from 1 up to 5 albums
[it is a question of weight, we have to stay under 3kg] is £13 with DHL courier
(NOT for Norway, Russia, Ukraine, Ireland, please ask for prices with registered letter),
with a sturdy and well conceived box.
The shipping cost also depends by the exchange euro/pounds.
Still, starting from the 1st of December the Italian Post increased
the price for the international & domestic shipment.
We have done our best to absorb any handling fees in order
to keep all international shipping rates as low as we can
PLEASE ASK FOR ANY INFORMATION
BLODWYN PIG MICK ABRAHAMS, JACK LANCASTER, ANDY PYLE, RON BERG
A quirky detour of late-'60s British progressive/blues rock, Blodwyn Pig was founded by former Jethro Tull guitarist Mick Abrahams, who left Tull after the This Was album. Abrahams was joined by bassist Andy Pyle, drummer Ron Berg, and Jack Lancaster, who gave the outfit their most distinctive colorings via his saxophone and flute. On their two albums, they explored a jazz/blues/progressive style somewhat in the mold of (unsurprisingly) Jethro Tull, but with a lighter feel. They also bore some similarities to John Mayall's jazzy late-'60s versions of the Bluesbreakers, or perhaps Colosseum, but with more eclectic material
"AHEAD RINGS OUT"
Produced by ANDY JOHNS for Chrysalis Productions Ltd.
1969 LP ISLAND RECORDS ILPS 9101 STEREO
MADE IN ENGLAND ORIGINAL FIRST PRESSING
[First pressing released on the pink Island label with ''bullseye'' logo
This orange bulls eye pink label design was the one used at the time of the initial UK release (this one).
This was only used for a very short period of time before the pink black block i label was introduced (also 1969) and than replaced with the pink small white i label. The pink rim label was a later pressing.]
UNLAMINATED GATEFOLD COVER
Barcode and Other Identifiers
Barcode: none
LABEL: ISLAND - PINK LABEL WITH 'BULLSEYE' LOGO - BLACK TEXT
Catalog on cover: ILPS 9101 Catalog on labels: ILPS-9101 (Side One / Side Two)
Matrix / Runout (Side A, Stamped): ILPS+910 (Etched): 1 (Stamped & Scratched): 0 (Stamped): +A Matrix / Runout (Side B, Stamped): ILPS+9101+B2
On labels: Produced by: Andy Johns for Chrysalis Productions Ltd STEREO ? 1969 (on both sides at 6 o'clock)
rim text reads 'Made in England'
On Back Sleeve: Chrysalis Stereo ILPS 9101 Island Records Ltd, Basing Street London W.11. Production Printed and made by Ernest J. Day & Co., London, W.11.
On Inside Sleeve: Notes by Mick Abrahams. April 1969 Produced......at Morgan Sound Studios, London. April 1969. All titles published Chrysalis Music.
tracklisting Side A: IT'S ONLY LOVE - DEAR JILL SING ME A SONG THAT I KNOW - THE MODERN ALCHEMIST
Side B: UP AND COMING - LEAVE IT WITH ME - CHANGE SONG BACKWASH - AIN'T YA COMING HOME grading RECORD VG+ but (please, and read above description) SLEEVE VG(+) (please, see pictures and read above description)
None of Jethro Tull's progressive rock tendencies or classical influences followed Mick Abrahams into his creation of Blodwyn Pig, even with the inclusion Jack Lancaster's sax- and flute-playing prowess. Instead, Abrahams built up a sturdy British blues-rock sound and used Lancaster's horn work to add some fire to the band's jazzy repertoire. Ahead Rings Out is a stellar concoction of gritty yet flamboyant blues-rock tunes and open-ended jazz centered around Mick Abrahams' cool-handed guitar playing, but it's the nonstop infusion of the other styles that makes the album such a solid listen. After only one album with Jethro Tull, Abrahams left to form this band, and it's evident that he had a lot of pent-up energy inside him when he recorded each of the album's tracks. With a barrage of electrifying rhythms and fleeting saxophone and woodwind excursions, cuts like "Sing Me a Song That I Know," "Up and Coming," and "Backwash" whip up highly energetic sprees of rock and blues...(AllMusic)
price rating