BLONDE ON BLONDE ALL DAY ALL NIGHT PYE 7N.17637 RARE 7"
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58
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Description
YOU ARE BIDDING ON AN EXCELLENT CONDITION 7"
BLONDE ON BLONDE
ALL DAY, ALL NIGHT
COUNTRY LIFE
RELEASED ON PYE RECORDS 7N.17637
MATRIX NUMBERS: 7N 17637 A-1,
7N 17637 B-1
WE DO COMBINE POSTAGE FOR ITEMS PURCHASED MEANING THAT WE DO PROVIDE POSTAGE DISCOUNTS ON MULTIPLE PURCHASES WHERE POSSIBLE, AS A RULE THE FIRST LP IS CHARGED AT STANDARD POSTAL RATE AND EACH ITEM THERE AFTER AT AROUND A 50% DISCOUNT, AND THE SAME GOES FOR 7" RECORDS, THERE MAY BE A FEW EXCEPTIONS TO THIS, SUCH AS BEING UNABLE TO COMBINE POSTAGE FOR A POSTER AND A RECORD, PLEASE FEEL FREE TO CONTACT US IF YOU ARE STILL UNSURE
ITEMS ARE PACKAGED IN STIFF CARD MAILERS WITH STIFFENERS, AND ARE REMOVED FROM SLEEVES PRIOR TO PACKING-UNLESS THE ITEM IS SOLD AS 'SEALED'
Blonde on Blonde, taking their name from the then-new Bob Dylan album of that title, were spawned in 1967 out of a Welsh blues-rock band called the Cellar Set. Gareth Johnson played the guitar, sitar, and lute, while Richard Hopkins handled the bass, piano, harpsichord, cornet, celeste, and whistle, and Les Hicks played the drums. The addition of Ralph Denyer made them into a quartet with vocals; and Simon Lawrence, an alumnus of Roy Harper's and Al Stewart's early recordings, was with them briefly, as well, on 12-string guitar. The group took part in the Middle Earth Club's Magical Mystery Tour, which brought them an initial splash of press exposure. They were also fortunate enough to open for the Jefferson Airplane on the latter group's British tour. All of this activity led to an approach by Pye Records producer Barry Murray, who got them signed to the label, and through whom they released their debut single "All Day, All Night" b/w "Country Life." Though decidedly guitar-based in their sound, the band's music also used psychedelic pop arrangements that gave it an almost orchestral majesty which, when coupled with Johnson's sitar and lute embellishments and Hopkins' harpsichord and other unusual keyboards -- with Hicks getting into the act on the tabla -- gave them an appealingly exotic sound. Their live performances were frequently divided, à la Crosby, Stills, Nash & Young, into acoustic and electric sets, in order to show off their full range.
The group issued their first album, Contrasts, in 1969, on the Janus label -- that record showed more of the early but burgeoning influence of progressive rock, while retaining their early psychedelic coloration. That same year, the band played to the largest single audience of its entire history when they appeared at the first Isle of Wight Festival. They also issued their second single "Castles in the Sky" b/w "Circles'" and the LP Rebirth, both on the Ember label, which featured a new lineup -- Denyer had exited the band to form Aquila, ceding his spot in Blonde on Blonde to singer-guitarist David Thomas. Richard Hopkins was replaced in mid-1971 by bassist-guitarist-banjo player Graham Davis, and it was this lineup that recorded their third LP, Reflections on a Life, at Rockfield Studios. It failed to sell any better than their prior releases, however, and the group broke up in 1972, shortly after that album's release. The group's albums are recognized as collector's items on vinyl, and their first album, in particular, is a beguiling mix of psychedelia and progressive rock. But their debut single, "All Day, All Night," is regarded in many quarters as their most significant release, a classic of late-'60s psychedelic pop/rock.
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