BLUE MITCHELL OUT OF THE BLUE RIVERSIDE STEREO RLP 1131 JAZZ LP W 51st ST LABELS
$
39
$ 39
Sold For
Aug 30, 2016
Sold Date
Aug 20, 2016
Start Date
$ 20
Start price
4
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
BLUE MITCHELL~OUT OF THE BLUE~RIVERSIDE STEREO RLP 1131 JAZZ LP~W 51st ST LABELS
Product Description
Blue Mitchell ?? Out Of The Blue
Riverside Records ?? 1131
BEAUTIFUL COPY OF THIS GREAT HARD BOP LP FROM 1959 - 57 YEARS AGO!!
HEAVYWEIGHT, LAMINATED COVER IS IN EXCELLENT CONDITION WITH LIGHT WEAR, A BEND IN THE LOWER LEFT CORNER AND A SMALL AMOUNT OF PEELING IN THE LOWER RIGHT CORNER.
VINYL IS IN EXCELLENT CONDITION WITH LITTLE OR NO WEAR!!
AMAZING CONDITION FOR AN ALBUM OF THIS VINTAGE!!
This early recording by Blue Mitchell finds the distinctive trumpeter in excellent form in a quintet also featuring tenor saxophonist Benny Golson (who contributed "Blues on My Mind"), either Wynton Kelly or Cedar Walton on piano, Paul Chambers or Sam Jones on bass and drummer Art Blakey. The consistently swinging repertoire includes a surprisingly effective version of "When the Saints Go Marching In." "Studio B," recorded in the same period but formerly available only in a sampler, has been added to the program. It's an enjoyable date of high-quality hard bop.
Tracklist
A1 Blues On My Mind 9:05
A2 It Could Happen To You 5:52
A3 Boomerang 5:01
B1 Sweet-Cakes 6:14
B2 Missing You 5:40
B3 When The Saints Go Marching In 7:00
Credits
Bass ? Paul Chambers (3) (tracks: A2, B2, B3), Sam Jones (tracks: A1, A3, B1)
Design [Cover] ? Harris Lewine, Ken Braren, Paul Bacon (2)
Drums ? Art Blakey
Engineer ? Jack Higgins
Photography By [Back-liner Photographs] ? Lawrence Shustak*
Piano ? Wynton Kelly
Producer, Liner Notes ? Orrin Keepnews
Tenor Saxophone ? Benny Golson
Trumpet ? Blue Mitchell
Recorded at Reeves Sound Studios, New York; January 5, 1959.
Black 'mic and reel' labels with 'BILL GRAUER PRODUCTIONS' along the bottom (no 'INC.').
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MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you'?re getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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