BLUE NOTE BLP-1572 LP: Curtis Fuller ?– Bone & Bari - 1984 JAPAN BLP-1500 Series
$
100
$ 100
Sold For
Jan 30, 2021
Sold Date
Dec 31, 2020
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
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Background -
Curtis Fuller emerged during the 1950s as a leading hard bop trombonist. A native of Detroit, Fuller was initially inspired by hearing J.J. Johnson, who became a mentor for the young musician. This recording was completed only weeks before Fuller went into the studio to record John Coltrane's Blue Trane. The session is unique in its pairing of trombone with the baritone sax of Tate Houston. The resultant front line sound is thick and rotund. The rhythm section of Sonny Clark, Paul Chambers and Art Taylor had a lovely rapport; individually and collectively, these three made many important recordings in the late 1950s, especially for the Blue Note label. Highlights of Bone & Bari include the title tune, penned by Fuller, and the group's rendering of the standard "Heart and Soul.” - Lee BloomCurtis Fuller belongs in the select circle with J.J. Johnson, Kai Winding, and a few others who make the trombone sound fluid and inviting rather than awkward. His ability to make wide-octave leaps and play whiplash phrases in a relaxed, casual manner is a testament to his skill. Fuller's solos and phrases are often ambitious and creative, and he's worked in several fine bands and participated in numerous great sessions. Fuller studied music in high school, then began developing his skills in an Army band, where he played with Cannonball Adderley. He worked in Detroit with Kenny Burrell and Yusef Lateef, then moved to New York. Fuller made his recording debut as a leader on Transition in 1955, and recorded in the late '50s for Blue Note, Prestige, United Artists, and Savoy. He was a charter member of the Jazztet with Benny Golson and Art Farmer in 1959, then played in Art Blakey's Jazz Messengers from 1961 to 1965. There were additional recording dates for Warwick, Smash/Trip, Epic, and Impulse! in the '60s. Fuller toured Europe with Dizzy Gillespie's big band in 1968, then did several sessions in New York. During the '70s, he experimented for a time playing hard bop arrangements in a band featuring electronic instruments, heading a group with guitarist Bill Washer and Stanley Clarke. He concluded that phase with the 1973 album Crankin'. Fuller toured with the Count Basie band from 1975 to 1977, and did dates for Mainstream, Timeless, and Bee Hive. He co-led the quintet Giant Bones with Winding in 1979 and 1980, and played with Art Blakey, Cedar Walton, and Benny Golson in the late '70s and early '80s. During the '80s, Fuller toured Europe regularly with the Timeless All-Stars, and performed and recorded with the revamped Jazztet in addition to leading a fine session for Savoy in 1993. - Ron Wynn
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LP made by BLUE NOTE Records, in JAPAN
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LP released in 1984, Blue Note BLP 1500 Series
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LP is recorded in STEREO
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Record Catalog Number: BLP 1572 (Blue Note ST-81572)
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Record Labels are primarily BLUE & WHITE with BLACK, BLUE & WHITE lettering
Curtis Fuller
LP Title -
Bone & Bari
Track Listing -
A1. Algonquin - Written-By – Curtis Fuller
A2. Nita's Waltz - Written-By – Fuller
A3. Bone & Bari - Written-By – Fuller
B1. Heart And Soul - Written-By – Loesser, Carmichael
B2. Again - Written-By – Corcoran, Newman
B3. Pickup - Written-By – Curtis Fuller
Performers / Other Information -
• Manufactured By – Toshiba EMI Ltd
• Recorded At – Van Gelder Studio, Hackensack, New Jersey
• Licensed From – Capitol Records, Inc.
• Baritone Saxophone – Tate Houston
• Bass – Paul Chambers
• Design [Cover] – Tom Hannan
• Drums – Art Taylor
• Liner Notes – Leonard Feather
• Photography By [Cover Photo] – Francis Wolff
• Piano – Sonny Clark
• Producer – Alfred Lion
• Recorded By – Rudy Van Gelder
• Trombone – Curtis Fuller
Recorded on August 4, 1957. at Van Gelder Studio, Hackensack, New Jersey.
Oct. 21, 1984 "Blue Note BLP 1500" Series Part 7, by Toshiba EMI.
No tracks time in this release.
Rounded blue - yellow sticker on producer's sleeves with info in Japanese language.
Comes with an insert of foru pages with tracklists, liner notes in Japanese language and catalog.
Made in Japan.
• Matrix / Runout (Side A): BNST - 1572 - A (BN - 1572 - A) 1S 5
• Matrix / Runout (Side B): (BN - 1572 - B) 1S 4 66
• Rights Society: JASRAC
• Other (Price): ¥ 2,300
CONDITION Details:
The LP JACKET is in near mint minus overall condition! The jacket has NO seam splits, NO cutout marks and NO writing on it. The corners and seams are solid with just some light shelf wear. The colors on the jacket are sharp and clean. Comes with a 4-page paper insert - see our pictures with this listing as they are of the actual item offered.
The LP is in near mint minus overall condition. We found that the vinyl looked superb - there are no serious marks evident. The LP may have a couple of very light spider marks. Spider marks may sound on some audio systems, depending on the sensitivity of your audio gear. When play tested, it performed very well for a vintage record, with no skips, with some light noise periodically, mostly during quieter passages of the music. The LP retains much of the original gloss and sheen. It does have a bit of dust, dirt and perhaps a finger print or two on the vinyl so it should be cleaned before playing for best results. There are NO serious spindle marks on the record labels - this is a fine collector's grade copy of this LP.A Short Note About LP GRADING -
- Mint = Only used for sealed items.
- Near Mint = Virtually flawless in every way.
- Near Mint Minus = Item has some minor imperfections, some audible.
- Excellent = Item obviously played and enjoyed with some noise.
- Very Good Plus = Many more imperfections which are noticeable and obtrusive.
For best results, always properly clean your LPs before playing them.
The LP is an audiophile quality pressing (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).
Don't let this rarity slip by!!!
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