BLUES LITTLE BUDDY DOYLE+WALTER HORTON RARE OKEH MINT

$

308

THE GREAT BIG WALTER "SHAKEY" HORTON'S VERY RARE FIRST RECORD!!!!!!!

OKEH 05771. LITTLE BUDDY DOYLE. ORIGINAL FIRST PRESSING!!

TITLES: HARD SCUFFLIN' BLUES ( MEM-17-1 )/ RENEWED LOVE BLUES ( MEM-152-1 ).

RECORDED JULY 1ST AND 14TH, 1939, IN MEMPHIS, TENNESSEE. 

CHARLIE "LITTLE BUDDY" DOYLE ( VOCALS, GUITAR ), BIG WALTER "SHAKEY" HORTON ( HARMONICA ),

SECOND GUITAR BY JACK KELLY OR WILLIE SHAW ON "RENEWED LOVE BLUES".

THIS VERY RARE AND VALUABLE 78 RPM BLUES RECORD IS ONE OF THE FINEST COPIES, OF THIS RECORD, IN EXISTENCE!! 

BIG WALTER "SHAKEY" HORTON ( 1917 - 1981 ).

BORN: April 6th, 1917, Horn Lake, MS.
DIED: December 8th, 1981, Chicago, IL.

Big Walter "Shakey" Horton is one of the all-time great blues harp (harmonica) players. Along with Little Walter, Horton defined modern amplified Chicago-style harmonica. There is no harp player (and that includes Little Walter) with Horton's big tone and spacious sense of time. Horton (who is said to have been somewhat shy) was not a natural group leader and therefore has produced few solo albums. His best work is as a sideman; his backup harmonica and virtuoso harp solos have graced many great Chicago blues recordings -- turning an otherwise good cut into a dynamite jam.

Walter was the master of the single note and his characteristic walking bass line (usually with a deep tone and selection of notes that is unsurpassed) is instantly recognizable. As an accompanist, he had few equals. His backup harp was always unobtrusive yet bright and fresh -- enhancing whatever else is going on. Give Big Walter a chance to solo and you were in for some of the most tasteful lines Chicago-style harp has ever produced. He made a specialty of playing entire tunes (often in blues style) on the harmonica ("La Cucaracha", "Careless Love", "I Almost Lost My Mind", etc.). This might sound trite, but give them a listen. You'll see.

As for harmonicas, he used Hohner's Marine Band. He was just as comfortable playing first position (A harp in the key of A) as with the more standard cross harp (D harp in the key of A). He did not do much with chromatic harmonicas. Although Big Walter could play in the style of other harp players (and was often asked to do so), he has no credible imitators. He is one of a kind.

Walter Horton was born in Horn Lake, MS, but his mother soon moved to Memphis where Walter taught himself how to play the harmonica at five years of age. He later learned more about his instrument by working with harp players Will Shade and Hammie Nixon.

In the late 1920's, he performed with the Memphis Jug Band (1927) and generally worked the Southern dance and juke-joint circuit as well as Memphis street corners. Horton moved to Chicago in the late 1940's, but was often to be found back in Memphis for recording dates with Sun and Modern/RPM labels. He claimed to be blowing amplified harp as early as 1940, which would make him the first. Johnny Shines recalls that Sonny Boy Williamson (Rice Miller) used to come to Walter for lessons. He also says that he used the name "Little Walter" before the Little Walter Jacobs did, but gave it up to Jacobs. Jacobs acknowledges that he "ran" with Big Walter in Memphis during the 1940's. Horton later called himself "Big Walter" to distinguish himself. The term "Shakey" came from the way he moved his head while playing.

He recorded four sides in 1951 for the Modern/RPM label under the name "Mumbles". It was not until 1953 that he really left Memphis and relocated to Chicago to work as a sideman with his friend Eddie Taylor. He soon joined the Muddy Waters band (replacing Junior Wells, who had been drafted into the military) and played with Muddy for about a year.

Over the next few years, Horton worked with Chicago blues artists such as Johnny Shines, Jimmy Rogers and Otis Rush -- both in the Chicago blues clubs and at record studios. He recorded with Chess, Cobra and States throughout the 1950's. During the 1960's, Horton continued to work with Jimmy Rogers, Shines, Tampa Red, Big Mama Thornton, Robert Nighthawk, Johnny Young and Howlin' Wolf. In the 1970's, Walter was active in the blues clubs, in recording studios, and also began to appear at blues and folk festivals -- primarily with Willie Dixon's Blues All-Stars. He died in Chicago on December 8th, 1981, and was inducted into the Blues Foundation's Hall of Fame in 1982. 

"When Big Walter played the blues fell all over you". The words are from record producer Sam Phillips, who recorded Big Walter Horton in the early 50's. But Phillips wasn't the only one who felt that way. Indeed everywhere Big Walter played, his music was so emotional, so creative and so subtle that people simply couldn't forget him.

Born in 1917 in Mississippi, Big Walter was playing professionally by the age of 12. Even then, he had the ability to present his music in a sensitive, soulful way. His youth was spent travelling throughout the Delta, jamming wherever he could - at house parties, fishfries, roadhouses. When he began working with Sam Phillips in the early 50's, Horton's self-taught playing style played a major role in the rhythm and blues renaissance. His solos could last ten minutes or longer, elaborating on a simple melody with constant invention, subtlety and technique.

Eventually Big Walter left Memphis for Chicago to play with the likes of Jimmy Lunceford, Earl Hines, Johnny Shines, Jimmy Rogers, Otis Rush and other Chicago legends. After that, he began playing what's now known as the Chicago Blues, and shared the stage with one of the greatest of all Chicago bandleaders, Muddy Waters. It was then that his friendship with Willie Dixon began. One that would last some 20 years. Also known as "Boss of the Blues Harmonica", Big Walter could make his harmonica purr, roar and cry.

According to Willie Dixon, Big Walter Horton "was the best blues harmonica player in the world".

A STUNNING RECORD WITH FINE LABELS!! THE CONDITION: E TO E+!!

THE CONDITION IS GUARANTEED!! I AM VERY CONSERVATIVE WHEN I GRADE!! MY HIGHEST GRADE IS E+!!

AN EXTREMELY RARE 78 RPM BLUES RECORD!! ONLY A VERY FEW MINT COPIES HAVE BEEN FOUND SO FAR!! 

DON'T LET THIS EXTREMELY RARE AND VALUABLE BLUES RECORD, IN OUTSTANDING CONDITION, PASS YOU BY,

YOU MAY NEVER SEE A MINT COPY BE OFFERED AGAIN!! 

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