BOB DYLAN JW HARDING MEGA-RARE ORIG 1A/1A MONO PROMO LP

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73

    
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·       BOB DYLAN - JOHN WESLEY HARDING - ULTRA-RARE ORIGINAL 1968 MONO COLUMBIA LP CL-2804

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED AND WHITE "MONO" COLUMBIA LABEL

·       *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       MONSTROUSLY RARE MONO PRESSING, MANY TIMES RARER THAN STEREO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH "-1A/-1A".  ON SOME LABELS, THIS  INDICATES THE VERY FIRST, ORIGINAL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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If you've never heard this legendary album in MONO, you've never heard it at all !!! One of three or four of Bob Dylan’s greatest works (for me, personally, this is a strong contender for # 3 spot - right after "Highway 61" and "Blonde on Blonde"), this 1968 album came  only months after Bob Dylan had a near-fatal motorcycle accident and a close encounter with his own mortality, which explains the doom-and-gloom laden atmosphere, ascetic production, scaled-down arrangements and a plethora of Biblical references all over the place, which all make this wonderful album even more appealing and intriguing. This is a one-of-a-kind in entire Bob Dylan output. Nothing - absolutely nothing - matches this collection of songs in terms of sheer expression, mysticism and poetic imagery. So much so that Jimi Hendrix covered two songs from this album ("All along the Watchtower" and "Drifters Escape") , Janis Joplin and Joe Cocker both covered the same track ("Dear Landlord"), and the list of other artists who found these songs irresistible and very coverable goes on and on and on. And then, there are musicians: This album assembles in one place the cream of Nashville studio musicians circa 1968: Charles McCoy (Bass), Kenny Butrey (Drums) and Pete Drake (steel & other guitars). Now, for the mono mix. Unlike its stereo counterpart, mono mix is decidedly cleaner, punchier and much, much more vivid and better defined. The rhythm section and the voices come through loud and clear. This is the LAST Bob Dylan album released in mono. Mono copies of this album are perversely rare and increasingly hard to find in virtually any condition. Miss it now, and weep later.

Finally, if all of this leaves you unimpressed you can always contemplate the cover photo of Dylan and the four musicians which, purportedly, shows the four Beatles `buried` somewhere in the background. Hmmm. I could not find them. Maybe you will have better luck…

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE VINYL IS IN DECENT, VERY GOOD (VG) CONDITION. CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in clean, playable condition. There are a few surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches  (1 inch = 2.5 centimeters) and a few others that might cause short periods of pops and clicks, specially during the low, quiet passages.

(b)          The record comes in a poly-lined stock inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 20:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD- / very good minus /  (VG-).

The following flaws or imperfections are noted on the cover:

-        Cover has a small, round cutout hole in one of the corners

-        Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

-        Cover has a partially split spine (between 1 and 2 inches  / 2.5 to 5 centimeters)

-        Cover has some visible fraying/tattering on the spine

-        Cover has two corners slightly worn / dinged

-        The cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

-        Cover has a few tiny wrinkles along the spine

-        Cover shows some light yellowing on both sides, apparently from aging.

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3 (front side) and 4 (back side)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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