BOB DYLAN WITMARK DEMOS 1962-1964 BOOTLEG SERIES 4-LP VINYL BOX SET Open but NEW
  $   70

 


$ 70 Sold For
Feb 27, 2014 Sold Date
Feb 22, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

You are bidding on a BRAND NEW, UNPLAYED [but unsealed copy] of BOB DYLAN - "THE BOOTLEG SERIES VOL. 9 - THE WITMARK DEMOS: 1962-1964".  Between the recording & release of "Bob Dylan", Dylan's first album, he cut a demo session for Leeds.  When that first album wound up not selling much at all, Leeds let him buy out his contract in the summer of 1962, which then led to him signing with M. Witmark & Sons publishing company. Between 1962 & 1964, Dylan cut several demo sessions for Witmark, usually with the intent of the publisher pitching songs to other singers. Many of his early classics were first recorded here -- “A Hard-Rain’s Gonna Fall,” “Masters of War,” “Don’t Think Twice It’s Alright,” “Boots of Spanish Leather,” “Girl from the North Country,” “The Times They Are A-Changin’” -- and he also cut several songs he never revisited. Some wound up with other artists -- some were lost to time, leaking out on bootlegs until they officially surfaced on 2010’s The Bootleg Series, Vol. 9: The Witmark Demos: 1962-1964.  Many of these recordings have been heavily bootlegged, some excerpted on previous Bootleg Series, but they’ve never been presented as completely and in as great fidelity as they are on this 4-LP Box Set. Great fidelity seems almost unnecessary for such simple recordings, although the cleanliness enhances the intimacy, so familiar songs are lent freshness when surrounded by the thumping of a microphone or closing of a door. This disarming intimacy -- verging on eavesdropping -- is as attractive as the 15 songs that never appeared on an official Dylan album.  The real appeal of this volume of the Bootleg Series is to listen as Dylan develops as a songwriter and artist. The songs spilled forth at an astonishing rate, and the great majority were not only superb, they were different from what came before, with his Woody Guthrie homage quickly replaced by a quick-witted protest singer who then started to delve into the personal in revolutionary ways. At its core, these demos are the sound of Dylan becoming Bob Dylan, and it's an evolution that’s spellbinding.

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