BOBBY LEWIS~TOSSIN & TURNIN~KING BELTONE~US ORIG~CLEAN

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BOBBY LEWIS

"TOSSIN' & TURNIN'

1961 US ORIGINAL DEEP GROOVE PRESS

SUPER THICK VINYL

BLACK & ORANGE LABEL

DISTRIBUTED BY KING RECORDS

BELTONE

4000

• RARE ORIGINAL SUPER THICK VINYL MONO 1961 US ORIGINAL PRESSING on the orange with "black letter" deep groove BELTONE stock label (see photo). This is a nice original copy on Beltone and represents the only LP ever issued by the label. It includes a killer version of the title track among other great songs.
• The LP is pressed on SUPER thick DEEP GROOVE non flexible BELTONE polystyrene vinyl (see photos).
• The MONO ORIGINAL deep groove ANALOG mixes are full bodied with incredible fidelity and are much more desirable than any later pressings.
• The orignal high gloss cover has a pasted on back paper slick (see photo).
• Do not be fooled by inferior digital re-mastering, re-mixes or compilation CD's. This is an original mono ANALOG recording; the real thing.

Bobby Lewis is one of those talented performers whose recognition is confined to a single monster hit, "Tossin' and Turnin'." Released in early 1961, the single rode the charts for 23 weeks, eventually hitting the number one spot on both the pop and R&B charts. Lewis had other hits, including a Top Ten follow-up with "One Track Mind," and had been working for years before that, yet the one song came to be his signature.

Bobby Lewis was raised in an orphanage, and ran away from his foster home at age 14. He worked carnivals, and eventually joined the Leo Hines Orchestra in Indianapolis as a singer. He worked small clubs and theaters during the '50s, and cut "Mumbles Blues" for the Spotlight label early in that decade, passed through the Mercury Records roster, and briefly hooked up with Nat Tarnopol, who also managed Jackie Wilson.

In late 1960, while appearing at the Apollo Theater in New York, Lewis stopped at the offices of Beltone Records, a small independent outfit in Manhattan, and was prevailed upon to record a song written by another artist on the Apollo bill, Ritchie Adams, called "Tossin' and Turnin'." The single was issued at the end of 1960, and lightning struck in 1961 � sales of the record were so strong that for the only time in its history, Beltone issued an accompanying album by Lewis. None of his subsequent records sold remotely as well as the three million copies of "Tossin' and Turnin'," and by the end of 1962, Lewis seemed to have run out his string; in 1963, Beltone itself went belly-up. Lewis later had limited success ("Stark Raving Mad") on ABC-Paramount, and was soon after consigned to rock & roll history, somewhat unfairly, as a one-hit wonder.(AMG)

This LP has an incredible track line up and does not come up often in as a DEEP GROOVE first press BELTONE LP, with clean vinyl like this. I'll let the market decide what this one is worth. Please bid accordingly. Please see the other KING LP's I have up for Auction.

Record Condition: Side 1 & 2: Very Good+ ...the SUPER THICK non flexible DEEP GROOVE vinyl has light surface marks. The beautiful black and Orange labels are clean with only very light wear around the spindle holes (See photos). CD's and later vinyl pressings can't even come close to the incredible fidelity of this ORIGINAL deep groove KING LP.

Cover/Jacket Condition: Very Good+/Very Good ...the beautiful front cover is really clean just has some small tape on the seams. The back cover is clean and white also with light wear (see photo). The top and bottom seams are intact but have been taped in spots. The spine is intact and sharp (see photo). No writing, indents, stains, tears, water damage, saw marks, razor marks, stickers, dirt or dust spots, mildew or mold spots, stamps, warping, bar codes, or peel off marks. This is a beautiful cover for this rare LP.

Thanks for looking!!!

WHY BID ON THIS ITEM?

HERE'S WHY!

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Vinyl Grading Policy:

• All records and jackets are visually graded unless noted otherwise. CAUTION: Please be aware that the play grade may differ from the visual grade. If you want me to play a particular song and give you an assessment of background noise, etc. Please email me. We all have records that look worn but play great and vice versa. It is not possible to play as well as visually grade each LP listed. I TRY TO GRADE CONSERVATIVELY under the guidelines on this page, which generally follow the GOLDMINE standards. Although I try to be conscientious as a grader, there is the possibility that something could slip by me. In the event an item is not as described, REST ASSURED I will always offer a money back guarantee for purchase price of the item if returned safe and secure and requested within five days of receipt.
• Mint = A mint item must be absolutely perfect. Certainly never been played if not still sealed. This would be an item where it was opened but not played maybe just to check the label variation.
• Near Mint = The record shows no obvious signs of wear. The vinyl should show no wear from playing only the slightest of paper scuffs are acceptable. The jacket should look as if you just got it home from a new record store and removed the shrink-wrap.
• Near Mint-/Very Good++ = The record or cover is clearly better than VG+ but not Near Mint. There should be some signs that the vinyl was played infrequently and otherwise handled by a previous owner who took excellent care of it. Record surfaces may show some slight signs of wear and may have light scuffs and or very minor light scratches that do not affect the listener experience at all. The label and spindle hole will be without flaws other than the lightest of spindle trails from being played only a few times if at all. The cover should be bright and sharp and will have only the very first evidence of discoloration or ring wear or creased corners. Although there may be some evidence of seam/spine wear, seam splits are not permitted for this grade. The jacket may be marked as a cut out by a drill hole, saw mark, cut corner or punch hole. I will try to list any cover flaws of significance.
• Very Good+ = This is equivalent of the VG+ grade in Goldmine. The record will show signs that the vinyl was played but taken care of. Record surfaces will show signs of wear including some light scratches/scuffs that do not significantly affect the listener experience. Slight warps that do not affect the sound are OK. Spindle holes will have some wear but not be enlarged or damaged in any way. The cover will have general wear/ring wear but not to the extent that it materially impairs enjoyment of the picture cover. Slight seam splits are OK for this grade. Again I will try to list any cover flaws of significance.
• Very Good = Unless it is a rare collectible, I usually will not sell records where both the cover and vinyl are below a VG+ grade PERIOD. This grade is included since some times there may be either a cover or record that the flaws in VG+ grade above are more pronounced but the other part of the package is of a higher grade. If it is the vinyl I will play grade it to be sure that the listener can still enjoy the music.
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