BRAINTICKET Cottonwood Hill SCARCE BELLAPHON GERMAN EX++ LP MIND-BLOWING CLASSIC

	£		28
	$		36

ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all, and records WILL arrive damaged in them at some time as most record buyers will already know. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS including full side protection and bubble wrap, the records removed from the covers of course. All this very safe packing means I lose money on every box I post, but safe delivery is, and will always be paramount. You WILL see the difference when my packet arrives. Also, I will pay for insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received if possible.

Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business.

FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.

Artist or Band: BRAINTICKET

Album Title: Cottonwood Hill

Producer(s): Bischof & Kolbe

TRACK LIST:

Side 1: Black Sand; Places of Light; Brain Ticket

Side 2: Brain Ticket; Brain Ticket (part 2).

Label/Format: Bellaphon format as-seen, these have matt fairly smooth surfaces.

Label Conditions: Both immaculate, I can see no discernible spindle traces at all.

Catalogue Number: 270.07.001

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of Record: 115 grams.

Country of Manufacture: Germany. This album was not issued in the UK.

Rarity: Any copy of this album on vinyl is rare. Cherished by most who risked purchase, but most regular music listeners ran a mile.

Original Year of Release: 1971. This copy mostly likely from 1975 or 1976

Matrix Nos: 32007007 IL1 A-1 1P / 32007007 B-1 1P [no error corrections]

Musicians: Joël Vandroogenbroeck – organ, flute; Ron Bryer – guitar; Werni Frohlich – bass guitar; Cosimo Lampis – drums; Wolfgang Paap – tabla; Dawn Muir – voice; Hellmuth Kolbe – potentiometers, generators and sound effects.

“WARNING: Only listen once a day to this record. Your brain might be destroyed!”

Brief Info: One of the most ‘out there’ albums of all-time. This was Brainticket’s debut album, a Swiss band and I think it would be fair to say there has never been another album quite like it. At or around this time, a high percentage of ‘psychedelic’ music was created under the influence of various substances – the nice trips of flowers, marshmallows, peppermints, furry animals and clouds – all very familiar. But Cottonwood Hill was obviously made on a very bad trip and the results of this music are captivating, hypnotic and somewhat disturbing. It’s starts of with two fairly regular psych songs but then it all changes as a repetitive spooky fuzz-organ riff kicks in intermingled with strange sound effects including electronics, screaming, road-drills, brushing of teeth, gargling and spitting and Dawn Muir having a really bad psychedelic orgasm from time to time. Reference to Irene Papas on Aphrodite’s Child’s masterpiece ‘666’. The twisted organ riff never lets up for the rest of the album as it gets more hypnotic as the intensity of the effects slowly bend the mind. At times not the easiest of listens but it’s not really meant to be. The warnings at the top of this paragraph are from the album cover and not to be taken too lightly. I enjoy difficult and challenging music and this is very original, daring and totally off-its-head, years ahead of its time and one of the most crazed albums ever. The sound from the vinyl is simply superb. Wonderfully produced with magnificent engineering. For fans of the ‘Krautrock’ genre of the late 1960s/early 70s, this is unmissable, and quite a rare record. Few would have accepted it and fewer still would have bought it. Cottonwood Hill is to music what David Lynch is to film – surreal and a little scary – for those prepared to take the ultimate trip into the unknown – nothing will ever sound quite the same again – Brain Ticket, Brain TICKET, BRAIN TICKET!

ADVICE: After listening to this record your friends won’t know you anymore.

Cover Grade and Format: EXCELLENT(+): an unlaminated gatefold format with coated glossy surfaces. Manufactured in Germany, but uncredited, includes a very soft flimsy inner sleeve.

Cover Front: Very clean, fresh, colourful and attractive – the artwork perfect for this out-there album. It retains lovely shine with no fading or sticker issues. Minimal crease traces, any present are fine and faint edge types only. A superb front with any blemishes few and faint.

Cover Back: The back is pretty much the same, even better if anything. No ring wear or dlling at all which is always a bonus, any rim impression faint.

Cover Inner Gatefold: Nothing of note to really fault.

Top & Bottom Edges: All four quite thick, straight and flush and barely worn at all.

Right Edge(s), and Type: Clean, sharp with any thickening very little and light as seen viewed end-on. Record enters on this back edge, all guaranteed untrimmed or enhanced.

Spine and Text: Solid, straight, quite thick with mimimal compression, a slight tilt to right only. Folded square so the edges meet up together and parallel. Minimal traces of any wear with all the text present and strong as-seen.

Corners: Any tip rubs tiny, little and light with excellent or better shape retained with no knocks.

Cover Summary: A very strong all round example of this elusive cover, one that will prove very difficult to find better– remember, this album was not issued in the UK, so any example will be imported. This impressive example with scant clues of age and arguably under-graded, should please many, if not most collectors.

Vinyl Condition/Visual Grading: EXCELLENT(++): a superb visual copy that is very clean with impressive shine and fairly solidly pressed. A copy appearing hardly even played on all the evidence with any surface traces very few, super-fine and faint as seen critically under bright light. No penetrating stylus scratches, viewed in average room light, barely anything is seen. Visually a super record that should please most collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]

THE COTTONWOOD HILL EXPERIENCE:.

“Listen to the first recording of this LSD/Hashish/Fixy/Jointy Sound. Take a trip to your inner light. See the hallucinations of reality rise out of the groove. You’ve got your brainticket now! Hallelujah!”.

Sound Quality and Audio Grading: This mind-bending album plays up to, and even beyound its high visual grading with hardly anything of note to fault. Powerful, distortion-free sound, all frequencies are sharp and clear – sound quality is incredible with a wide dynamic range and very detailed sound. This is an audiophile quality recording that takes you to a different place – that trippy fuzz-organ riff gets lodged into the subscious with relentless intensity. Dawn Muir’s vocals are all in English and her accent gives clues to her nationality. They get more frenzied as the album progresses until the the trip is over. This is no ordinary album – it’s an experience, I have never heard anything quite like it before. It was banned in several countries due to its content and apparently it freaked out most of the band members and they duly left. The complex sound is totally focused and sharp and tracking is effortless with no issues*. Few available copies will match let alone outperform this superb Bellaphon pressing I feel sure. Both channels are clean and sharp, I am certain this record has been hardly played and clearly been carefully stored and handled, almost certainly in a non-smoking environment. Nothing spoilt my pleasure when play-grading this record. This copy will prove very difficult to find better and can be strongly recommended. Brain Ticket, Brain TICKET, BRAIN TICKET!

* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2.2 grams. Records are a ‘contact’ format, and few will avoid the odd minor sound blemish.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade – visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are the item being offered with no digital enhancements. Room light factors can make things vary sometimes, that is hard to control, especially in winter. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking – any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2.2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 805 Nautilus (bi-wired with Tellurium Black terminated cable) with REL subwoofer. All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting, better quality packaging costs, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is minuscule in over 17­ years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.

NOTE: First Time Bidders: Please ask me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid withdrawals. Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.