BRENDA HOLLOWAY *Every Little Bit Hurts* 1964 TAMLA Canada MONO In Shrink VG++
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73
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Description
EVERYTHING'S EVENTUAL VINYL
ORIGINAL 1964 LP
TAMLA T-257 MONO PRESSING
**BRENDA HOLLOWAY**
**EVERY LITTLE BIT HURTS**
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Brenda Holloway ?– Every Little Bit Hurts
Label: Tamla ?– 257 Format: Vinyl, LP, Album, MonoCountry: Canada Released: 1964 Genre: Funk / Soul Style: Soul
TracklistHide Credits
A1 I've Been Good To You Producer – Hal Davis And Marc Gordon*Written-By – William "Smokey" Robinson* A2 Sad Song Producer – Hal Davis And Marc Gordon*Written-By – Frank Wilson A3 Every Little Bit Hurts Producer – Hal Davis And Marc Gordon*Written-By – Ed Cobb A4 Too Proud To Cry Producer – Hal Davis And Marc Gordon*Written By – Alvin Bowen/Frank WilsonWritten-By – Alvin Bowen, Frank Wilson A5 Who's Loving You Producer – Brian Holland & Lamont Dozier*Written-By – Smokey Robinson A6 Land Of A Thousand Boys Producer – Hal Davis And Marc Gordon*Written By – Brenda Holloway/Patrice Yvonne HollowayWritten-By – Brenda Holloway, Patrice Yvonne Holloway* B1 Suddenly Producer – Hal Davis And Marc Gordon*Written By – Brenda Holloway/Sid TalmadgeWritten-By – Brenda Holloway, Sid Talmadge B2 Embraceable You Producer – Hal Davis And Marc Gordon*Written-By – Ira Gershwin/George Gershwin* B3 Unchained Melody Producer – William 'Mickey' Stevenson*Written By – Alex North/Hy ZaretWritten-By – Alex North, Hy Zaret B4 A Favor For A Girl (With A Love Sick Heart) Producer – Clarence PaulWritten By – Billy Brown/Clarence PaulWritten-By – Billy Brown*, Clarence Paul B5 (You Can) Depend On Me Producer – Hal Davis And Marc Gordon*Written By – Berry Gordy Jr./William 'Smokey' RobinsonWritten-By – Berry Gordy Jr.*, William 'Smokey' Robinson* B6 Can I? Producer – Hal Davis And Marc Gordon*Written By – Hal Davis/Herman GriffithWritten-By – Hal Davis, Herman GriffithCONDITION
Jacket: NM/NM- In Shrink
Vinyl: VG++ (Very light background noise in run ins)
1964 TAMLA MONO First Press
****BRENDA HOLLOWAY****
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Grading records is not a ‘Scientific’ exercise, instead it is a subjective activity. I do my best to listen carefully to both sides of the record before grading based on the listening experience. Flaws, if any, that I hear will be reflected in the grade rating, and if noteworthy, will be mentioned. The nature of how records are played (i.e. physical contact between the moving grooves and the stylus tip) makes it a medium where flaws are often inherent in the process. Also, please keep in mind that there may well be subtle differences between turntables. Records are not the ‘sterile’ medium of CDs. Flaws generally range from somewhat normal quiet background noise in run-ins between tracks to more serious issues such as pressing flaws, groove wear, skips, repeats and long scratches producing consistent ticks or pops.
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