BRUNSWICK 78 RPM Record 55001 Johnny Noble’s Hawaiians “Na Lei O Hawaii” / “Beau

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BRUNSWICK 78 RPM Record 55001 Johnny Noble’s Hawaiians “Na Lei O Hawaii” / “Beautiful Kahana” E+ Visible Condition, beauty. Features Lena Machado (pics) and Joseph Kamakau (No Pics)John Avery Noble (September 17, 1892, Honolulu, Hawaii – January 13, 1944, Honolulu), better known as Johnny Noble, was an American musician, composer and arranger. He was one of the key figures behind the development of the hapa haole style of music in Honolulu, and played a leading role in introducing Hawaiian music to the United States.

Johnny Noble was born in Honolulu, Hawaii on September 17, 1892. He was exposed to music from an early age, listening to band concerts on Sunday afternoons in Kapiolani Park, and traditional singing in local churches. He attended Kaiulani School, and in his spare time sold newspapers on the streets of Honolulu and entertained passers-by whistling popular tunes. His high school education was at Saint Louis School, where he learned to play drums, piano and guitar. He graduated from school in 1911 and went to work at the Mutual Telephone Company in Honolulu, where he continued working long after he became a successful musician.

In 1917, Noble was hired by Ernest Ka'ai who was musical director at many Honolulu hotels. Noble worked part-time as a drummer at several theaters before meeting Sonny Cunha, a well-known Honolulu musician. Cunha was born in 1879, also in Honolulu, and developed the hapa haole (half-Hawaiian) sound in 1900 by mixing traditional Hawaiian music and American ragtime. In 1918 Noble became a member of Cunha's band playing drums and xylophone, and soon was well acquainted with the hapa haole. Cunha was Noble's mentor and, among other things, taught Noble composition. Noble adopted Cunha's music to blend jazz and blues with Hawaiian music to produce a new style of hapa haole. While conservatives complained that this new music "degraded and commercialized" traditional Hawaiian music, it was very popular with audiences in Honolulu.

Noble went on to become an arranger and a band leader. In 1920 he led Honolulu's Moana Hotel orchestra, introducing his new music to the band's repertoire He later ended up supervising most of Honolulu's hotels and country club entertainment. In 1924 Noble was chosen as Hawaii's delegate at a Music Trade Convention in San Francisco, where he took the opportunity to look for new ideas to incorporate in his music. Over the next few years Noble and his band publicized Hawaiian music by means of recordings, radio broadcasts, performances on cruise ships and tours of mainland America.Noble played a leading role in introducing and popularizing Hawaiian music in the United States.

Noble composed a number of hapa haole tunes, including "My Little Grass Shack", "King Kamehameha" and "Hula Blues". He also popularized the traditional "Hawaiian War Chant" song.[2] Noble published hundreds of traditional Hawaiian songs in their original form, and reworked many to "Western scale and contemporary instrumentation". He made over a 100 recordings, which included 110 songs for Brunswick Records.

In 1935 Noble was inducted into the American Society of Composers, Authors and Publishers (ASCAP), the first Hawaiian composer to receive this honor. To mark the 25th anniversary of his musical career, Honolulu officially declared April 23, 1938 "Johnny Noble Day".

Noble died at the age of 51 in Honolulu on January 13, 1944, and is buried in Oahu Cemetery.

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E++, Visibly nearly new with no visible signs of wear or damage.

E+, Looks and plays like new with only few signs of handling and play.

E Still very shiny, near new looking, with slight visible signs of wear and a few nearly inaudible scuffs and scratches

E- Still shiny but without the luster of a new record, few scuffs that have little or no effect on play, some light scratches.

E- - Mostly shiny but with even less of the luster of an E- record, more scuffs than E-that have little or no effect on play, light scratches with some light noise.

VG+, Slightly above average condition 78 in which scuffs and general use has dulled the finish somewhat. Wear is moderate but playing is generally free from distortion. Surface noise not overly pronounced.

VG, An average condition 78 - moderate wear throughout, but still very playable and enjoyable. Surface somewhat dull with noise and scratches audible but not intrusive.

VG-, Quite playable still, but with some distortion and may have some graying in loud passages. Music remains loud in most passages. Surface noise and scratches well below music level.

VG- - Quite playable still, but with distortion and most have some graying in loud passages. Music remains loud in most passages. Surface noise and scratches noticeable and may be loud at times.

G+ Quite worn and scratched, but music level is still higher than surface noise. Grey may be throughout but still serviceable. Music begins to sound muffled.

G Not so good. Wear and scratch damage extensive. Listening can become uncomfortable as music and surface noise probably blending. Lowest level music can be understood.

G-, Music barely audible over surface noise & listening is uncomfortable. Record is borderline unplayable.

P Used only for high dollar space fillers like Black Patti, Okeh blues, etc. Music covered by surface noise, scratches, and needle digs, label may be trashed, & listening is almost if not definitely impossible. Record is basically unplayable. What you keep because you can?t bear to toss ? while you look for that E+ copy of Robert Johnson on Vocalion at the local flea markets for $1 (Good Luck!)

See Description, A wildcard grade that can be used when standard grading does not apply or when a record (or item) has special attributes (or defects) that can affect how the item is assigned a grade.