BUDDY HOLLY'S CRICKETS IN STYLE ULTRA-RARE ORIG '60 CORAL MAROON LABEL MONO LP
$
43
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Description
WE CURRENTLY HAVE NEARLY 500 LISTED ITEMS
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· THE CRICKETS – IN STYLE WITH THE CRICKETS (THE FIRST ALBUM WITHOUT BUDDY HOLLY) – ORIGINAL 1960 CORAL RECORDS MONO LP CRL-57320
· ORIGINAL U.S. PRESSING
· ORIGINAL MAROON CORAL LABEL WITH SILVER PRINT.
· DEEP GROOVE PRESSING
· INCLUDES ORIGINAL VERSION OF 'I FOUGHT THE LAW' – RECORDED FIVE YEARS PRIOR TO BOBBY FULLER’S LEGENDARY COVER.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL “TEXTURED” (NIBBED) COVER
· CLEAN, WEAR-FREE LABELS (BUT WITH SMALL NUMBERED STICKER ON ONE LABEL)
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…/-2…'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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The sole album by the Crickets without Buddy Holly and prior to their move to Liberty Records is superior to most of what they did for Liberty, and it's certainly closer in sound to Buddy Holly's late-1950s discs. It's not the same as hearing Buddy Holly: he's a singer/songwriter/guitarist that cannot be replaced. It is, nevertheless, good Tex-Mex rock, particularly on the tunes where Sonny Curtis had a hand in the songwriting. By far the most significant cut is the original version of "I Fought the Law," an arrangement pretty close to that of Bobby Fuller's classic 1966 hit version, but not as full and punchy, particularly in the backup vocals. This LP was definitely influential on the Bobby Fuller Four, as they covered no less than three of the songs: "I Fought the Law," Sonny Curtis' "Baby, My Heart," and "Love's Made a Fool of You," which made the Top 30 in the U.K. The other cuts are not as strong (particularly the covers of "Great Balls of Fire" and "Rockin' Pneumonia and the Boogie Woogie Flu"), but they're still honest and true -- something that can't be said of a lot of famous groups that have decided to keep on recording when the star of the show becomes unavailable. The sweet ballad "More Than I Can Say" would become a #2 hit for Leo Sayer in 1980.
(EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record comes in the original stock inner sleeve.
(d) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, TEXTURED COVER):
THE COVER IS ABOUT VERY GOOD+(+)
The following flaws or imperfections are noted on the cover:
- The previous owner - obviously a big-league dimwit - carved out one of the thumbnailed images of other Coral albums on the back panel, leaving a 2 x 3" hole in the cover and creating, in essence, a home-made "die cut cover"
- Cover has a partially split top seam (between 2 and 4 inches / 5 to 10 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on both sides, apparently from aging.
- Cover has a few tiny wrinkles along the spine (nothing significant)
- Cover has a visible "wrinkle"(crease) in one of the corners. (VISIBLE ON BACK SIDE ONLY)
- Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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