BUFFALO SPRINGFIELD Again LP ATLANTIC 1968 ITA orig ATL LP 08015 NEIL YOUNG
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Description
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BUFFALO SPRINGFIELD
STEVE STILLS, DEWEY MARTIN, NEIL YOUNG, RICHIE FURAY, BRUCE PALMER
Short-lived but star-studded band of the '60s that made a massive impact
on the entire California rock sound, from country-rock to folk-rock.
"BUFFALO SPRINGFIELD AGAIN"
1968 LP ATLANTIC RECORDS ATL LP 08015 STEREO
MADE IN ITALY ORIGINAL PRESSING
SINGLE COVER
Barcode and Other Identifiers
Barcode: none
LABEL: ATLANTIC - BLACK/RED LABEL w/RED LOGO on TOP - BLACK TEXT
Catalog on cover: (front) SD33-226 (spine & rear) ATL-ST 08015 ATLANTIC 33226
Catalog on labels: ATL LP 08015 (ATCO 33-326) 08015-A / ATL LP 08015 (ATCO 33-326) 08015-B
Matrix / Runout (Side A, Etched): ST-C-671117-A(scratched) C LW AT 08015/A lM
Matrix / Runout (Side B, Etched): ST-C-671118-A(scratched) C LW AT 08015/A(scratched) B lM
On labels: Distribuzione RIFI Record Co.
Tutti i Diritti Riservati Viet. Dupl. Pub. Esec. R. Made in Italy
Gennaio 1968
ATCO 33-226 BIEM
On back cover: All the songs in this album are published by Ten East, Springalo & Cotillion, BMI.
A York / Pala Production
Division of Atlantic Recording Corporation
© 1967 Atlantic Recording Corporation
Printed in U..S.A. l.g.c.
Distribuzione in Italia: RIFI RECORD - C.so BUENOS AIRES 77 - MILANO......
tracklisting
Side A: MR. SOUL - A CHILD'S CLAIM TO FAME - EVERYDAYS - EXPECTING TO FLY - BLUEBIRD
Side B: HUNG UPSIDE DOWN - SAD MEMORY - GOOD TIME BOY
ROCK & ROLL WOMAN - BROKEN ARROW
grading
RECORD VG+ (please, read above description)
SLEEVE VG+ (please, see pictures and read above description)
Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut. Yet it doesn't suffer for that in the least -- indeed, the group continued to make major strides in both their songwriting and arranging, and this record stands as their greatest triumph. Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point...(AllMusic)
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