Beatles LP "INTRODUCING THE BEATLES" REAL Version 1 MONO "COLUMN BACK" Vee Jay
$
500
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Description
You don't need to wait for a sale! All reasonable offers will always be considered!
Check out our newly revised "RETURN" policy! (See below)
BEATLES LP "INTRODUCING ...THE BEATLES" Version 1 MONO RARE 1st PRESSING! "OVAL" label, Catalog # VJLP 1062 by Vee Jay Records this is the MONO "COLUMN BACK" or also known as the "TITLES ON BACK" Cover. Very FIRST label variation produced - January 10,1964.
In MINT condition, this LP would surely command a market value of at least $2,500 to $3,500. It's much Rarer than the VERSION 2!
OUTER JACKET: (ACCOUNTS FOR 50% of VALUE of ENTIRE PIECE) Knowledgeable collectors understand that only around 79,000 MONO VERSION 1s (Column Back) were ever made, compared to VERSION 2 MONOS, which were pressed in the millions. (SEE PHOTOS) Shows a small mark on the left rear side little but the spine and edges for most part are in tact, which is quite rare for most VERSION 1 covers; and NO WRITING. There's MILD WEAR on the lower front by "PAUL" but that is typical of these jackets; but still quite CLEAN! Always keep in mind, that this and the STEREO Version for the most part, were the most FAKED covers of all time, but it PASSES ALL THE AUTHENTICITY TESTS including the all important one, the 100% CONCLUSIVE "HONEY" TEST which NO FAKE HAS EVER PASSED. No other test carries as much weight as this one or is as 100% conclusive regardless of what you may have heard. It passes the "FLAP" TEST *, "B" in "BEATLES" TEST, "MISERY INK BUMP" TEST, GEORGE HARRISON'S "SHADOW" TEST & the "GLOSS" TEST which means the FRONT & BACK of the jacket has a certain type of sheen to them (glossiness may vary). In the case of all FAKES, it is important to pay close attention to the back panel in particular. All FAKES always have black printing on a FLAT WHITE stock with NO SHEEN at all. But although this passes all the other tests, it's really the "HONEY" TEST that supersedes everything else as far as determining whether a COVER is the Real thing or not!
FIRST VINYL PRESSING: (ACCOUNTS FOR 50% of VALUE of ENTIRE PIECE) The VINYL has some very light surface scratches on both sides, typical paper slides and scuffs, but no serious marks upon exam. If NM this RARE LP/COVER combination would fetch between $2,500.00 & $3,500.00. The "OVAL" label lists all songs with CENTERED TITLES and Catalog # "VJLP 1062" at 9:00; and "LONG PLAYING" and "MICROGROOVE" DO appear on the label. Label's color band is defined, featuring the all important presence of the required color "GREEN". The DISC was pressed by ARP. The label itself has an UPPER CASE type style, and "THE BEATLES" is above the spindle hole which to all knowledgeable collectors out there, is a characteristic of authenticity. All the authentic trail off markings are present. But as rare as this disc is, it's really the COVER that is usually harder to find in decent shape. This particular LABEL variation was the initial one used. VERY NICE and very hard to find these days!
This item also comes with the original Vee Jay INNER SLEEVE.
REGARDING OUR PREVIOUS "NO RETURN" POLICY NOW ALTERED:
Our "RETURN" policy has changed. In every auction, we describe each item in great detail, also posting many explicit photos which illustrate all aspects of the listing. As professionals & experts on vinyl specifically by THE BEATLES , we feel that when you can point out features indicating the item is NOT AUTHENTIC, NOT PROPERLY DESCRIBED, or is DAMAGED, you will now have 24 HOURS from time of receipt to examine it and RETURN IT. It had been suggested by some buyers that if they did buy this item, they may still feel the need for a "SECOND OPINION"; or "ADDITIONAL AUTHENTICATION" by sending it to others. Since we are have been in the business of "AUTHENTICATING" vinyl worldwide for many years, what would be the purpose for this? The photos and description provide adequate information for any knowledgeable buyer to determine exactly what it is they're buying. By sending to others, this will not change any of its characteristics. Also in our opinion, based upon our previous experience, the more people who handle it, re-packaged it and ship it all over the map, the more chances there are for damage or even becoming lost. IF ANYONE WISHES TO GET THE OPINION OF A THIRD PARTY, WE OFFER TO SEND AS MANY PHOTOS AS DESIRED TO ANYONE. IF THEY CAN'T TELL FROM PHOTOGRAPHS WHAT IT IS THEY ARE LOOKING AT, THEN WE HAVE TO SERIOUSLY QUESTION THEIR KNOWLEDGE AND/OR EXPERTISE.
SO HERE'S OUR OFFER WITH RESPECT TO RETURNS: Prior to your purchase, we'll give you every chance to ask as many questions as you wish and also request additional photos. Once questions are answered and photos are viewed, a knowledgeable buyer should certainly have enough of an idea of what they are buying. We can only assume, anyone attempting to buy this item, is knowledgeable enough on features which would determine its authenticity. Once it has been established that you understand what you're buying and make the purchase, we'll ship it to you. When you do receive it you'll have 24 HOURS as stated above to examine it or return it, ONLY if you can show it is either not AUTHENTIC, DAMAGED, or NOT AS DESCRIBED. You will need to contact us regarding any discrepancy IMMEDIATELY. The 24 HOUR WINDOW at least insures we the seller, that the item will remain in the buyer's hands and will NOT travel elsewhere, risking potential damage. Once the 24-HOUR PERIOD ends, you will own it. It is our belief that an entire day in the hands of anyone with even the slightest knowledge of what a FAKE might look like, is certainly more than enough time. Keep in mind that while this RECORD / COVER COMBO has been FAKED more than any in history, it's usually the COVERS that have required examination from knowledgeable eyes due to the fact that there are so many determining factors needed to look at, in order to properly determine its authenticity. After all, the majority of the value here (75 to 80%) is certainly with the COVER.
NOTE: For over 50 YEARS our reputation worldwide regarding the authentication of records by THE BEATLES, has never been questioned. Our descriptions are detailed. Our photos clearly illustrate the item's characteristics! If there are any doubts, feel free to ask as many questions as necessary or request additional photos. Any so-called "EXPERT" worth their salt, would certainly be able to identify an authentic item from a FAKE from any detailed photo. As stated above, IF THEY CAN'T TELL FROM PHOTOS WHAT IT IS THEY ARE LOOKING AT, THEN WE HAVE TO QUESTION THEIR KNOWLEDGE AND/OR EXPERTISE.
Once again we point out that this COVER PASSES ALL THE KNOWN TESTS verifying it's authenticity, including the following: 1.) The 100% CONCLUSIVE "HONEY" TEST (WHICH NO FAKE HAS EVER PASSED) 2.) The "MISERY INK BUMP" TEST (a feature on ALL FAKES) 3.) The "B in BEATLES" TEST (a feature on ALL FAKES) 4.) The "FLAP" TEST (exceptions noted in POINT #14 below) 5.) The "GEORGE HARRISON SHADOW" TEST (noted below in POINT #8; TEST #1) 6.) The "GLOSS" TEST (noted in POINT #8; TEST #10)
... and much more. And let's not forget about the RECORD. It too passes all the tests that define it's authenticity. (Read Sections 1 thru 14 listed below).
If you're not familiar with these tests, please read the sections listed below as ... "SOME INTERESTING & IMPORTANT FACTS". (SEE ALL PHOTOS POSTED).
JUST OUR OPINION ... In order to be classified as a legitimate buyer of such a RARE and UNIQUE item, we must point out that one should possess enough of the knowledge necessary to tell the difference between a FAKE and AUTHENTIC copy. Most people are sadly and unfortunately easily fooled and when they spot what is actually a FAKE in great condition at an affordable low price, they tend to jump at the chance to purchase it at a high price, thinking that what they've found is a rare collectible. In fact, they shouldn't have paid any more than $3.00. As long time professional sellers of only AUTHENTIC "BEATLES" records, we are annoyed that we are constantly forced to compete with these obvious forgeries that we see on ebay all the time.
The average fan was never made aware of the fact that there were 2 VERSIONS of this LP and how rare the first ones were. In fact, Vee Jay was quite secretive during transition from VERSION 1 to VERSION 2. When they were legally forced to cease the distribution of all BEATLES material as of JANUARY 16, 1964 , specifically referring to VERSION 1s, they had an idea on how to get around this. So when they resumed production in early FEBRUARY OF 1964 and came out with VERSION 2, which replaced the 2 songs "LOVE ME DO" and "P.S. I LOVE YOU" with "PLEASE PLEASE ME" and "ASK ME WHY" (the 2 songs they knew they would be allowed to use), this was an opportunity to create a new cover since the original ones were considered to be dull and very boring, especially lacking any liner notes. But they were not about to attract any more attention than need be, so the new covers had the identical design with the only exception being the changes in 2 song titles listed. Another reason they had to keep the cover design the same was that in the midst of their legal entanglements, this enabled them to slip the originally made VERSION 1 LPs into the overall marketplace along with the new VERSION 2 LPs without attracting unwanted attention. Financially this was a wise move that had to happen, since they were quite strapped for cash and it also solved the problem of what to do with the remaining VERSION 1s.
Less VERSION 1s were ever made than VERSION 2s. In the 1st quarter of 1964, VERSION 2 (MONOS & STEREOS) were made in much greater numbers making it clear why an y VERSION 1 has become so valuable and quite a find in any condition. Needless to say, these LPs are highly sought after by all serious collectors. It is also very important to point out that Vee Jay HAD NEVER RE-ISSUED this album. Anytime someone claims that what they are selling is a "RE-ISSUE", it is undoubtedly a FAKE.
WE HAVE ADDED ADDITIONAL PHOTOS FOR ALL POTENTIAL BUYERS TO VIEW.
(Our catalog # ITB-V1-OVM-102615)
FREE SHIPPING!
ATTENTION! Knowledgeable BEATLES collectors are aware that this was the most FAKED "COVER" of all time. VERSION 1 of "INTRODUCING ... THE BEATLES" was issued officially on JANUARY 10, 1964 by Vee Jay in 3 DIFFERENT UNIQUE COVER VARIATIONS. By the time this cover was released with the song titles listed on the back, the writing was already on the wall for Vee Jay. In other words, their legal battles brought about panic to their entire company, with the release of their next desperate act which was commonly known as VERSION 2. In typical fashion,Vee Jay then decided to rush all the remaining BEATLES products out the door by whatever means necessary including using whatever leftover materials remaining in stock, which included labels, cardboard jackets, inner sleeves etc. right up until their legal deadlines expired on OCTOBER 15, 1964. And as stated herein and also contrary to popular belief, this album was NEVER released in 1963 (IN ANY VERSION). Actually most fans never even knew there was more than one VERSION of this LP. And needless to say, no one had any idea that in years to come, how scarce or valuable any of these VERSION 1s would become IN ANY CONDITION! ______________________________________________________________________________________________________ All BEATLES pricing is reflective of the latest BEATLES PRICE GUIDES in particular the most recent guide published by STAN PANENKA. In addition, our pricing is based on condition, rarity, and scarcity. There are other existing BEATLES PRICE GUIDES available, however you must keep in mind that most guides are now several years old and don't reflect accurate or current market values, regardless of who the authors are or whatever their so-called "expertise" might be. Please feel free to ask any questions or request additional photos! ______________________________________________________________________________________________________ SOME INTERESTING & IMPORTANT FACTS about ... "INTRODUCING ... THE BEATLES" (compiled by our expert staff). What is a FAKE & what is a REAL copy?
1.) First & foremost, real copies of any version of this LP must have "INTRODUCING ... THE BEATLES" & "THE BEATLES", ABOVE THE SPINDLE HOLE on the record label. If either phrase is below the hole, it is FAKE! No exceptions.
2.) Keep in mind; there were only (2) official versions of this LP; VERSION 1 & VERSION 2; and never any re-issues made by Vee Jay. Therefore wherever you see "RE-ISSUE", it's a FAKE.
3.) VERSION 1; Included: "AD BACK", "BLANK BACK" & "COLUMN or TITLES ON BACK" variations. All confirmed "AD BACK" covers have "PRINTED IN USA" on the front cover printed vertically in the lower left corner. If this is missing, the "AD BACK" slick was undoubtedly removed from another Vee Jay LP and pasted to the back of a less valuable later version. This always leaves tell-tale wrinkles on the border of the slick. Also, contrary to popular belief, and although all songs present were originally recorded in the UK in 1963 for the original LP "PLEASE, PLEASE ME" on PARLOPHONE, NO COPY OF THIS LP WAS EVER RELEASED IN 1963. It is a known fact that the first copies of "INTRODUCING … THE BEATLES" were officially released by Vee Jay Records, on Friday January 10, 1964.
4.) The 1st VERSION 1 COVER (outer jacket) prepared was called the "AD BACK", VJ 1062 (1) MCI. The back of this jacket featured color images of 25 Vee Jay albums. The Front cover has the words "PRINTED IN USA" in the lower left side printed vertically. All VERSION 1 records have a significantly higher value but the outer jacket is really what makes this quite a significant find.
5.) The 2nd VERSION 1 COVER for this LP was known as the "BLANK BACK" featuring a 100% BLANK BACK of the outer jacket with a semi-gloss all white paper slick pasted there. Some covers (MC2A) do have "PRINTED IN USA" on the front like the "AD BACK" while others (MC2B) do not. Once again it is the cover that makes the overall piece much more valuable.
6.) The 3rd VERSION 1 COVER was known as the "COLUMN BACK" or the "TITLES ON BACK" cover. It listed song titles on the back in (2) columns. This variation (MONO or STEREO) came with either an "Oval" logo label or Black Rainbow with Vee Jay in typical "Brackets" [VJ]. Legit STEREOS of this variation are all very rare always keeping in mind that there have been hundreds of thousands of FAKES that have tried to mimic this cover. FAKE covers are found with records that are clearly counterfeit, and on all labels, "THE BEATLES" always appears below the spindle hole. And if the VINYL is FAKE, the cover usually is too. LABELS – The 1ST label for VERSION 1 run was the Black Rainbow label with the "Oval" logo. Records included the songs "P.S. I LOVE YOU" and "LOVE ME DO" replaced later on VERSION 2 pressings with "PLEASE, PLEASE ME" and "ASK ME WHY". The VERSION 2s were not released until early FEBRUARY of 1964. There are Three (3) font variations with "Oval" labels for this version. The MR1A states words "LONG PLAYING" and "MICROGROOVE" in upper & lower case font, while MR1B doesn't mention them, and the MR1C has these words but only in upper case font. (A few of VERSION 1s have been found with the "BRACKETS" [VJ] logo on the label).
7.) VERSION 2 – All official versions must have all words "INTRODUCING … THE BEATLES" and "THE BEATLES" above the spindle hole. If either is below, it is always be a FAKE. The VERSION 2 featured song titles "PLEASE, PLEASE ME" and "ASK ME WHY" replacing "P.S. I LOVE YOU" and "LOVE ME DO" found only on VERSION 1 copies. VERSION 2 was released in early FEBRUARY 1964. The labels varied with either the Black Rainbow "Oval" logo, or the Black Rainbow "BRACKETS" [VJ] logo, or the Black Background with SILVER "VJ" logo, or a Black Background with SILVER "Oval" logo, or the rare Black Background or SILVER "VJ" in Block Style print, or Black Background with the SILVER "BRACKETS" logo [VJ] (very rare). In rare cases, some of the VERSION 2 records can also be found with a 45 rpm label on them as well (Black Rainbow with "Oval" logo). There are also some FAKES that feature a Medium Sized SILVER BRACKETS [VJ] LOGO printed on an all Black label (Real ones have a much smaller logo). All VERSION 2 covers are "Column Back / Titles on Back". No copies of any STEREO VERSION 2 disc with a regular sized Rainbow label and the "Oval" logo are known to exist. Although back in 1964 at Vee Jay, anything would have been possible.
8.) SOME IMPORTANT TESTS FOR AUTHENTICITY: TEST #1 – An obvious visual test is the "Shadow" test. It was thought originally that if George Harrison's "Shadow" appeared on the right side of the front of the album cover, this was a definitive sign of authenticity. It was later discovered that some elaborate FAKES also had this feature, therefore, although his shadow must be there, its appearance alone does not define the LP as being authentic. TEST #2 – A 100% CONCLUSIVE test is the "HONEY" test. This refers to the back of the outer jacket and the song title "A TASTE OF HONEY". On ALL FAKES, in the letters "H" and "E", the top left corners of the letters are not solidly printed with black ink missing there. This is THE most definitive test recognizing authenticity. All FAKED covers (especially the back panel) are poorly photo copied examples of original VERSION 1 COLUMN BACKS, but because of their poor quality, they're subject to many subtle inconsistencies which can be spotted by a trained eye, and of course the "HONEY" test illustrates one of these errors. Also, in reference to the back of the outer jacket, there are other "ink" tests however most haven't been confirmed to be 100% CONCLUSIVE but NO FAKE HAS EVER PASSED THIS TEST. TEST #3 – The "FLAP TEST"; this requires inspecting the inside of the cardboard jacket opening. In publications dedicated to pointing out differences between legitimate and fake records and covers, it's stated and documented that certain covers were found to have NO FLAPS at all. Previously that would referred to ALL FAKES. How we as collectors accurately identify authentic products requires a series of facts. Prior to now, conventional thinking was that authentic covers had to have 1/4" flaps at their inner top and bottom of the cover, and that ones with NO FLAPS had to be FAKE. But in 1998 a few of VERSION 1 ("Titles On Back") STEREO covers were discovered on the WEST COAST. None had any flaps, yet they passed all of the other tests relating to authenticity. With that said, remember that Vee Jay had employed several companies with respect to construction and printing of these covers (i.e. Coburn & Ivy Hill) so naturally one would have expected there to be obvious difference in how both of them provided a finished product, and there were. What we state here was always suspected, and in 1998 it was confirmed. Realists always thought that realistically there could never have been only 1 or 2 legitimate covers as a sample of any production run with NO FLAPS. Statistics show around 79,000 MONO & ONLY 2,202 STEREO VERSION 1 albums were ever produced (which included all of the "AD BACK", "BLANK BACK" and "COLUMN BACK" (or "Titles On Back") LPs. Actually data indicates that it was also possible that between 5,000 to 10,000 additional VERSION 1s (in MONO) may also had found there way into their overall sales. When one considers the way that Vee Jay was being run in 1964, nothing would surprise us. With legal issues hanging over their heads, in 1964 as attested to by our eye witness who actually worked at Vee Jay, there was always a sense of urgency to move all products out the door as soon as possible, regardless of their specific characteristics. Initial VERSION 1 covers were assembled by Vee Jay in December 1963 and early January 1964. But like everything else that went on there, imagine what the quality control must have been like. It was always thought that since the"COLUMN BACK" covers were so rarely spotted, could any really exist? And of course we know they do, since we have one. Even though these facts have come to light, there are still those who remain attached to their original ideas of ultra conservatives who refuse to alter their thinking even when faced with concrete facts. One thing will never change. There are many other authenticity tests, and this cover (in our possession at the time of this description) PASSES ALL OF THEM including the all important, 100% CONCLUSIVE "HONEY" test. So with that said, is it even worth discussing anything else? Of course it is, but we must now consider that if any cover's FLAPS are either 1/4" or if there are NO FLAPS, AS LONG AS ALL OTHER TESTS ARE PASSED, the cover must be considered authentic. Obviously this demonstrates that the only rules at Vee Jay were that there were no rules at all.
SIDE NOTE .... Regarding the existence of these covers, until circa 1993 it was thought, because there had been so many counterfeits produced over the years, this caused all concerned to believe that there were no legitimate copies ever released. But when a real one turned up in 1993, there was quite a stir in the collector's market. Right around that time, a well know collector came across another authentic copy. This was verified by other well known experts and it confirms that indeed the album known today as the STEREO VERSION 1 "COLUMN BACK" or "TITLES ON BACK" really exists. In what quantity, no one will ever know for sure since precise production figures do not exist. However, an educated guess would tell anyone that there certainly had to have been quite a few more than the two mentioned here! Many are estimated to be in the hands of private collectors today, most of whom realize the value of such a rare LP. Logically no record company would EVER have had a production run of any product in quantities smaller than at least in the thousands.
TEST #4 – Read the "Trail Off Area". This area of the record on most if not all FAKES is always wider than legit copies. On all GENUINE copies, this area varies between 3/4” & 7/8” but on FAKES it is often anywhere from 1” to 1 1/4”. Most (but not all) legitimate albums normally had raised relief machine stamped logos in the "Trail Off" areas. Since all machine stamps are very hard to copy or duplicate, FAKES very often have no markings or only hand scratched ones. The most common machine stamps are from AUDIO MATRIX (AR) or the ARP logo. TEST #5 - Another trait of all FAKES is that they are pressed on much thinner vinyl. Always check for thickness by comparing an LP that in doubt to a known legitimate copy and you'll see the difference. TEST #6 - On the back of the jacket, "B" in "BEATLES" at the top right in FAKES has a noticeable ink irregularity in the lower left inner section of the letter. In the REAL covers, the "B" is printed clearly with no flaws. Check this feature against known legitimate covers. TEST #7 - On the back of the jacket, left of "MISERY", all the FAKES have a very noticeable ink irregularity in the north/south post line. Some refer to this as an INK BUMP. It is very easily spotted. TEST #8 - If the label's color band has NO color GREEN in its lower to middle left side, record is FAKE. TEST #9 - Matrix Numbers are 63-3402 & 63-3403 and some job numbers are 5702 and 5689 preceded by a small triangle. Pressing IDs / Stampings are either AUDIO MATRIX, ARP, MR. Hand etchings are 6-29-63, RA or A. All others or lack thereof are FAKES. TEST #10 - O
riginal covers
have somewhat
of a gloss to the paper stock used
on back (glossiness may
vary). But
if the paper used
appears to be a FLAT WHITE STOCK,
it's a FAKE.
(SEE SECTION 14 BELOW FOR FURTHER DESCRIPTION OF "FLAP" TEST EXCEPTIONS).
9.) It is important to note, THE most "FAKED" LP was the STEREO VERSION 1 "Column Back" album. FAKES feature song titles on the outer jacket and record label: "P.S. I LOVE YOU" and "LOVE ME DO". However when you play a FAKE, these songs are normally NOT on the disc. Instead you'll probably hear "PLEASE, PLEASE ME" and "ASK ME WHY". (There are exceptions that have turned up playing "P.S. I LOVE YOU" & "LOVE ME DO", but in most cases, these usually turn out to be FAKES). Also note that although the outer jacket illustrates the word "STEREOPHONIC" at the top of the Front cover in GRAY on a WHITE background, you won't EVER find the word "STEREO" anywhere on the record label and the recording is in MONO as well.
10.) Contrary to popular belief there were NEVER any "REISSUES" of VERSION 1 or VERSION 2 LPs. And if you have seen any version of this LP with a stock photo on the front with DARK BROWN border, or cover has YELLOW haze to it, it's FAKE! Keep in mind that Vee Jay NEVER sealed these albums so if you have one that is sealed, there is good chance that it is a FAKE! (Only retail stores or dealers SEALED copies of these records).
11.) Recently it's come to our attention that some sellers feel they know all there is to know about this LP by posting bogus info. For example, some state that unless "MICROGROOVE" appears on the label, the record is FAKE. NOT TRUE! There are certain variations that do NOT have either "LONG PLAYING" or "MICROGROOVE" on the label, and yet they are all legit pressings. Also there are some who have stated that if you see the word "STEREO", it is not a legit pressing. NOT TRUE! We have NEVER seen the word "STEREO" on any fake label. But if it DOES appear on the label, it's authentic. And also there are some who've actually stated that any STEREO OUTER JACKET offering the song titles "LOVE ME DO" and "P.S. LOVE YOU" is a FAKE! WHERE ARE THESE PEOPLE GETTING THEIR INFORMATION? Although rarely seen, all of the VERSION 1 STEREO COLUMN BACKS feature "LOVE ME DO" and "P.S. I LOVE YOU" and since there were ONLY 2,202 COPIES EVER PRESSED, if found it would be worth a small fortune in any condition.
12.) Jackets with RED, WHITE & BLUE DOTS located under the top back side paper overlap are FAKES. These dots were normally used during the printing process and are CLEARLY VISIBLE WITHOUT THE NEED TO SEPARATE THE PAPER FROM THE JACKET. Disturbing the paper is NEVER recommended since it does seriously devalue the jacket once separated. Therefore, if you don't see any DOTS thru the PAPER, the COVER is REAL, AS LONG AS ALL OTHER TESTS ARE PASSED. And usually a FAKE cover will be accompanied by a FAKE disc.
13.) If the record has a label with a RAINBOW color band without high resolution or gradual color change, it's FAKE. Some labels are plain BLACK with SILVER lettering with either a small [VJ] Brackets label or SILVER OVAL label. These have NO Color Band and are the exceptions. Color Bands MUST INCLUDE the color "GREEN" or record is a FAKE..
14.) (RE: OUTER JACKET "FLAPS") It has been disclosed by the most knowledgeable experts, a number of WEST COAST COVERS have been found to have NO FLAPS, yet they pass ALL THE OTHER LEGITIMACY TESTS which include the all important 100% CONCLUSIVE "HONEY" TEST (listed above). Therefore with NO FLAPS present at all, the jacket MUST STILL PASS ALL OTHER TESTS for legitimacy in order to be considered AUTHENTIC. In 1964 Vee Jay was known to have thrown caution to the wind when it came to any resemblance of quality control. It has been stated by most experts that almost any STEREO disc might have accompanied any VERSION 1 cover. But passing the "HONEY" test is still THE MOST IMPORTANT test since once again, NO FAKE HAS PASSED THIS TEST - EVER! Always keep that in mind when examining the results of any other tests. Nothing else matters. And one final word about "FLAPS"; a well know collector, presently has 1 "MONO" cover, and another 2 "STEREO COVERS" none having any "FLAPS". These are small numbers, but we point out that where there is one or two, common sense would tell anyone, there had to have been more. As screwed up as Vee Jay would have been at that time, they never would have had any kind of production runs in single digit or such small quantities. Even for them it wouldn't have made sense.
15.) We have had people write in and ask"WHY DO PAUL'S HANDS NOT APPEAR ON THE FRONT COVER?" on certain versions of INTRODUCING ... THE BEATLES. This comment mainly applies to STEREO covers. His hands do not EVER appear on any version of this LP. They only appear on MONOS and on STEREOS that DON'T have the word "STEREOPHONIC" printed across the top of the front cover in GRAY on a WHITE BACKGROUND. Some STEREOS were housed in MONO covers with applied "STEREO" or "STEREOPHONIC" stickers. Only in these cases would you ever see "PAUL'S HANDS". These stickers were WHITE with BLACK ink.
We only hope that this sets the record straight on these very important but often misunderstood points. If anyone has any comments or feels that our information is lacking in any way, please come forward.
Please take a moment and look over all of our listings. SOMETHING FOR PROSPECTIVE BUYERS TO CONSIDER ... It is important to point out that when we sellers on ebay set a price for any item, many factors are considered, one of which is that the SELLER FEES can be up to 10% OF THE SELL PRICE. So, when you think that the price listed might be higher than anticipated, or what you think it should be, please keep these added costs in mind. Thank you for watching! A LITTLE BACKGROUND INFORMATION ... Where does our knowledge about "VEE JAY" RECORDS originate? Although there have been several very well done and well researched publications about the history of the "BEATLES", their recordings, and the companies who had the unique opportunity to have had an association with them, most if not all, have based their research solely upon THIRD PARTY INFORMATION and whatever existing info or documents remained available. Regarding our specific expertise with respect to "VEE JAY", our owner was fortunate enough to have had a relative who was personal friends of both Vivian Carter and also her husband Jimmy Bracken (original"VEE JAY" owners). Their friendship goes back even to their days in the early 1950s in Gary, Indiana. Since he had some previous experience at that time in the recording industry, they hired him to work at "VEE JAY". With his first hand knowledge of everything that went on there through December 1964, his insight and experiences with respect to daily operations along with the internal issues which he graciously passed on to us, have been invaluable as they originated from his personal experience. Production & Vendor issues were his areas of knowledge and expertise which he was personally involved with daily, right on through the "BEATLES" era. His first hand knowledge in addition to all his personal possessions and documents retained from his years there, have been and always will be considered priceless to us. He had stated on many occasions that 1964 was a stressful year for everyone there. Although he remained friends with the BRACKENS, it was no longer a place he felt he could continue to work. We are happy to have had the opportunity to pass on what is considered some of the greatest personal insight and experience ever obtained from an employee of a recording company of such historical significance.
ALL ITEMS ARE PROFESSIONALLY PACKAGED!
BUY WITH CONFIDENCE!
In the case of this particular LP, as stated throughout this auction, we have examined it thoroughly and can not find any feature that would dispute it's authenticity.
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