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Before the Dawn [LP] by Kate Bush.

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Tracks:
Lily
Hounds of Love
Joanni
Top of the City
Never Be Mine
Running Up That Hill
King of the Mountain
Astronomer's Call
And Dream of Sheep
Under Ice
Waking the Witch
Watching Them Without Her
Watching You Without Me
Little Light
Jig of Life
Hello Earth
Morning Fog, The
Prelude
Prologue
Architect's Dream, An
Painter's Link, The
Sunset
Aerial Tal
Somewhere In Between
Nocturn
Aerial
Among Angels
Cloudbusting

Performer Notes: If Kate Bush had stumbled onto the stage at London's Apollo Hammersmith theater on August 26, 2014, sang "Knees Up, Mother Brown" for 15 minutes, and then wandered off, most folks in attendance would have still felt they'd witnessed something remarkable. After all, it was the first time the gifted and reclusive artist had performed on-stage since 1979, and the fact she was greeting her audience at all seemed just short of impossible. Given the craft and ambition of Bush's body of recorded work, it came as no surprise that she had something quite grand in mind for her audience when she made her unexpected return to public performance with a run of 22 shows that stretched from August to October 2014. Bush's elaborate show included costume changes, actors, dancers, puppets, magicians, film projections, and a loose narrative that turned the concert into a three-act stage production. Before the Dawn is a live album recorded during two nights of Bush's show ("Before the Dawn" was also the name she gave the event), and in many respects it plays more like the original cast album of some eccentric West End spectacular than a typical concert souvenir. While Act One (the first disc of the three-CD edition) is song-oriented and features a couple of Bush's bigger hits ("Running Up That Hill" and "Hounds of Love"), Acts Two and Three are devoted to a pair of extended suites. "The Ninth Wave" is drawn from the second half of 1985's Hounds of Love album, and "A Sky of Honey" features material from 2005's Aerial and 2011's 50 Words for Snow. While the music in Acts Two and Three is often strikingly beautiful and the performances are superb, they also seem to be one part of a larger stage performance. You can't help but wish you could see what was happening as well as hearing it, especially the long passages where instrumental work and other vocalists dominate the soundscape. But even with just the audio, Before the Dawn is something quite remarkable. Bush's vocals are splendid, and if she has a bit less control on-stage than in the studio, there's a frisson that more than compensates, and this is a striking expression of her own glorious and playfully mad vision of the collision of humanity and nature. Her accompanists match the rigor and precision of Bush's carefully crafted studio creations (especially the percussion of Omar Hakim and Mino Cinelu, the guitar work of David Rhodes, and Bush's own piano), and while the clarity and spaciousness of the mix make it hard to believe this is a fully live recording, the liner notes insist it is. Kate Bush is too much of a visionary to come back to the stage with any old show, and Before the Dawn is an album just as special as she is, a remarkable and expansive creative statement full of wonder and magic that rivals the best of her LPs. ~ Mark Deming

Professional Reviews: Mojo (Publisher) - 4 stars out of 5 -- "BEFORE THE DAWN is glorious and confounding -- in other words, pure Kate."

Pitchfork (Website) - "Bush's voice has gained in power rather than faded with age. It's deeper now, and some of the songs' keys shift to match, but it's alive and incalculably moving, still capable of agile whoops and tender eroticism, and possesses a newfound authority."

Format: Vinyl (1 Disc)

Country: USA

Studio/Live: Live

Release Date: 2 December, 2016

Label: Concord

Dimensions: 37.5 x 34.3 x 5.1 centimeters (1.34 kg)

Performer Notes: If Kate Bush had stumbled onto the stage at London's Apollo Hammersmith theater on August 26, 2014, sang "Knees Up, Mother Brown" for 15 minutes, and then wandered off, most folks in attendance would have still felt they'd witnessed something remarkable. After all, it was the first time the gifted and reclusive artist had performed on-stage since 1979, and the fact she was greeting her audience at all seemed just short of impossible. Given the craft and ambition of Bush's body of recorded work, it came as no surprise that she had something quite grand in mind for her audience when she made her unexpected return to public performance with a run of 22 shows that stretched from August to October 2014. Bush's elaborate show included costume changes, actors, dancers, puppets, magicians, film projections, and a loose narrative that turned the concert into a three-act stage production. Before the Dawn is a live album recorded during two nights of Bush's show ("Before the Dawn" was also the name she gave the event), and in many respects it plays more like the original cast album of some eccentric West End spectacular than a typical concert souvenir. While Act One (the first disc of the three-CD edition) is song-oriented and features a couple of Bush's bigger hits ("Running Up That Hill" and "Hounds of Love"), Acts Two and Three are devoted to a pair of extended suites. "The Ninth Wave" is drawn from the second half of 1985's Hounds of Love album, and "A Sky of Honey" features material from 2005's Aerial and 2011's 50 Words for Snow. While the music in Acts Two and Three is often strikingly beautiful and the performances are superb, they also seem to be one part of a larger stage performance. You can't help but wish you could see what was happening as well as hearing it, especially the long passages where instrumental work and other vocalists dominate the soundscape. But even with just the audio, Before the Dawn is something quite remarkable. Bush's vocals are splendid, and if she has a bit less control on-stage than in the studio, there's a frisson that more than compensates, and this is a striking expression of her own glorious and playfully mad vision of the collision of humanity and nature. Her accompanists match the rigor and precision of Bush's carefully crafted studio creations (especially the percussion of Omar Hakim and Mino Cinelu, the guitar work of David Rhodes, and Bush's own piano), and while the clarity and spaciousness of the mix make it hard to believe this is a fully live recording, the liner notes insist it is. Kate Bush is too much of a visionary to come back to the stage with any old show, and Before the Dawn is an album just as special as she is, a remarkable and expansive creative statement full of wonder and magic that rivals the best of her LPs. ~ Mark Deming Professional Reviews: Mojo (Publisher) - 4 stars out of 5 -- "BEFORE THE DAWN is glorious and confounding -- in other words, pure Kate."

Pitchfork (Website) - "Bush's voice has gained in power rather than faded with age. It's deeper now, and some of the songs' keys shift to match, but it's alive and incalculably moving, still capable of agile whoops and tender eroticism, and possesses a newfound authority." Format: Vinyl (1 Disc) Country: USA Studio/Live: Live Release Date: 2 December, 2016 Label: Concord Dimensions: 37.5 x 34.3 x 5.1 centimeters (1.34 kg)

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