Bill Haley and His COMETS Rockin' Around The World LP Early Australian Festival
  A$   41
  $   26

 


A$ 41 Sold For
Mar 19, 2015 Sold Date
Mar 12, 2015 Start Date
A$   37 Start price
2   Number Of Bids
  Australia Country Of Seller
eBay Auctioned at
 
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Description

Bill Haley and His COMETS~Rockin' Around The World LP~Early Australian Festival~in great condition ( for its age). Plays great as well..with a few pops & clicks.

  

Rockin' Around the World

 

From Wikipedia, the free encyclopedia Jump to: navigation, search Rockin' Around the World Studio album by Bill Haley and His Comets Released March 17, 1958 Recorded November 8–21, 1957, New York Genre Rock and Roll Label Decca Records, Decca 8692 Producer Milt Gabler Bill Haley and His Comets chronology Rockin' the Oldies
(1957) Rockin' Around the World
(1958) Rockin' the Joint
(1958)

Rockin' Around the World was the sixth album of rock and roll music by Bill Haley and His Comets. Released in March 1958 on the Decca Records label, Decca 8692, the album was produced by Milt Gabler, who produced all of Haley's recordings for Decca. It was the second of three "themed" albums that Haley produced for the label. This album featured versions of well-known folk songs from around the world, rearranged in rock and roll style, including new lyrics, by Haley and his songwriting partners, Milt Gabler, Rusty Keefer, and Catherine Cafra. It is not known how much, if any, input Haley himself had into the writing process.

Examples of the new arrangements include "Come Rock with Me," based upon the melody of "’O sole mio", which was later again adapted by Elvis Presley as "It's Now or Never", and "Piccadilly Rock," which was based upon the melody of "London Bridge is Falling Down". Most of the melodies were in the public domain, with the exception of "Rockin' Matilda," based upon "Waltzing Matilda", which was still in copyright and thus credited to its original writers. Haley's steel guitar player, Billy Williamson, performs lead vocals on one track, "Jamaica D.J."

No hit singles resulted from this album, although Haley later re-recorded one track, "Vive la Rock and Roll", which incorporated the melody of "Frère Jacques", in a duet with Catarina Valente for the 1959 German movie Hier bin ich - hier bleib' ich (Here I Am, Here I Stay) released by Central Cinema Company Film (CCC).

Contents

 [hide] 
  • 1 Track listing
  • 2 Personnel
  • 3 References
  • 4 External links

Track listing[edit]

All songs written by Bill Haley, Milt Gabler, Rusty Keefer, and Catherine Cafra except where noted.

  1. Pretty Alouette (Traditional)
  2. Me Rock-a-Hula
  3. Wooden Shoe Rock
  4. Vive la Rock and Roll
  5. Come Rock With Me (Arranged with new lyrics by Bill Haley, Milt Gabler, Rusty Keefer, Catherine Cafra)
  6. Jamaica D.J.
  7. Piccadilly Rock
  8. Rockin' Matilda (Andrew Banjo Paterson, Marie Cowan)
  9. Rockin' Rollin' Schnitzelbank (Traditional)
  10. Rockin' Rita
  11. Oriental Rock
  12. El Rocko

Personnel[edit]

  • Bill Haley – rhythm guitar, vocals on all but 6
  • Franny Beecher – lead guitar
  • Billy Williamson – steel guitar, vocals on 6
  • Johnny Grande – piano
  • Al Rex – bass
  • Ralph Jones – drums
  • Rudy Pompilli - tenor saxophone
  • Joe Olivier - second guitar [1]

 

  ( ask about a special price on combined postage and that includes records from my other ebay address~"mazdamusic")

 

 

~VG+ 

Hi...The free combo postage within Oz is on 3 or more auctions ( and that includes auctions at my other site~ mazdamusic) ~and if you place a bid on the 3 or more you like....I'm happy to close those auctions off early...and send you the invoice...with no postage fee. ( And thankyou very kindly for asking....you're the first that has!!) All the best...Bruce

 

also see the other Deep PURPLE album Fireball (album)~also being auctioned

From Wikipedia, the free encyclopedia Jump to: navigation, search Fireball Studio album by Deep Purple Released July 1971 (US and Canada), 15 September 1971 (UK and Europe) Recorded at De Lane Lea Studios and Olympic Studios in London, & The Hermitage, Welcombe, North Devon from September 1970 to June 1971[1] Genre Hard rock, heavy metal Length 40:30 (Original LP)
78:46 (1996 CD edition) Label Harvest Records (UK)
Warner Bros. (US) Producer Deep Purple Deep Purple chronology Deep Purple in Rock
(1970) Fireball
(1971) Machine Head
(1972) Alternative cover 25th anniversary CD slipcase Singles from Fireball
  1. "Fireball"
    Released: October 1971
Professional ratings Review scores Source Rating Allmusic [2] Sputnik Music [3]

Fireball is the fifth album by English Rock band Deep Purple, released in 1971 and the second with the classic Mk II line-up. It was recorded at various times between September 1970 and June 1971. It would become the first of the band's three UK No. 1 albums, though it didn't stay on the charts as long as its predecessor, Deep Purple in Rock.

Contents

 [hide] 
  • 1 Singles
  • 2 Releases and reissues
  • 3 Members' views on the album
  • 4 Later influences
  • 5 Track listing
    • 5.1 Original European release
    • 5.2 Original US/Canadian/Japanese release
  • 6 Personnel
  • 7 Charts
  • 8 Certifications
  • 9 References
  • 10 External links

Singles[edit]

The original UK version had "Demon's Eye" as its third track, but did not include "Strange Kind of Woman," which was instead released as a single there. It was vice versa on the American and Japanese releases. The boogie-inspired "Strange Kind of Woman" single reached No. 8 in the UK.

"Strange Kind of Woman" has been a staple of the live set up to the present day, and "Fireball" also made a few live appearances, mainly as an encore. "Strange Kind of Woman" and "The Mule" appear on the 1972 live album Made in Japan, with the latter morphing into an Ian Paice drum solo.

"Anyone's Daughter" was played on the 1993–1994 tours, while "Fools", "No One Came", "I'm Alone", "Demon's Eye" and "No No No" have all made periodic appearances in various tours since 1996.

Releases and reissues[edit]

The original vinyl release was in a gatefold sleeve, with a generic Harvest LP-bag and a lyric-insert.

In September 2010 a limited edition 24k gold CD was released by Audio Fidelity. The CD was mastered from the original master tapes by Steve Hoffman. The gold CD contained the original USA track listing with "Strange Kind of Woman" and does not have "Demon's Eye".

Members' views on the album[edit]

Most of the band doesn't consider the album a classic, but it is one of Ian Gillan's favourites. He stated in a 1974 interview: "The reason I liked that so much was because I thought, from a writing point of view, it was really the beginning of tremendous possibilities of expression. And some of the tracks on that album are really, really inventive."[4] However, Gillan also said that the inclusion of "Anyone's Daughter" on the album was "A good bit of fun, but a mistake."[5]

Blackmore, in particular, stated publicly that he was not overly pleased with Fireball. He said of the production: "Fireball...that was a bit of a disaster, because it was thrown together in the studio. Management pressure, we had no time. 'You gotta play here, here, there, then you've got to make an LP.' I told them, 'you want an LP, you've got to give us time.' But they didn't. I just threw ideas to the group that I thought up on the spur of the moment."[4]

Later influences[edit]

On 9 April 2011 episode of That Metal Show, guitar virtuoso Yngwie Malmsteen stated that his older sister had given him Fireball when he was eight years old, and "it changed everything" for him.

King Diamond also mentions Fireball as the first studio album he purchased as a teenager and an important influence in his future career.[6]

Track listing[edit]

All songs written by Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice.

Original European release[edit]

Side one No. Title Length 1. "Fireball"   3:25 2. "No No No"   6:54 3. "Demon's Eye"   5:19 4. "Anyone's Daughter"   4:43 Side two No. Title Length 5. "The Mule"   5:23 6. "Fools"   8:21 7. "No One Came"  

 

 

 

 Combined postage discounts...and that includes items purchased at " mazdamusic"

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

With my gradings, sing out if you prefer the goldmine index..but to line up the score out of 10..

10/10 would be mint

9/10 would be near mint

8.5/10 VG+

8/10 VG

7.5/10 VG-

7/10 Good

6/10 Fair

5/10 Poor

"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. = 10/10

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing. ( or NEAR MINT= 9/10)

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. ( 8/10 OR 8.5/10 IF VG+)

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc. (7/10)

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced. (6/10)

 

 

 


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