Billie Marten "Drop Cherries" Transparent Red Signed Assai Obi Ltd 122/150 New
  £   20
  $   27

 


£ 20 Sold For
Dec 11, 2023 Sold Date
Dec 4, 2023 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
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Description

Billie Marten "Drop Cherries"  Fiction Records BMDCH4 Transparent Red Vinyl LP, issued in a limited edition of 150 (this is number 122), with a signed Assai Obi, in 2023. The vinyl has never been played and is in mint condition. It has only been removed from its plastic sleeve once, to photograph for this listing.
Matrix/Run Out Side 1 : 4869604 A1  = MATT @ METROPOLIS = Matrix/Run Out Side 2 : 4869.604 B1 
Isabella Sophie Tweddle (born 27 May 1999), better known under the stage name Billie Marten, is a British singer-songwriter and musician from Ripon in North Yorkshire. She first came to prominence at the age of twelve when a video on YouTube of her singing garnered thousands of views.[citation needed] She released her first EP at the age of fifteen in 2014, and her second EP a year later. At the end of 2015, she was nominated for BBC's Sound of 2016 award. She has since released four full-length albums: Writing of Blues and Yellows, Feeding Seahorses by Hand, Flora Fauna, and Drop Cherries, all of which have received critical acclaim. Her style can be described as singer-songwriter and folk.
In January 2023, she announced her fourth studio album titled Drop Cherries. Marten explained that the title alludes to dropping everything to express your love for a person. The album was released on April 7, 2023.[21]
When aged 18, Marten was diagnosed with severe seasonal affective disorder (SAD), causing some depression and anxiety.[19]
Review in the Independent by Annabel Nugent "Billie Marten’s fourth album starts with a hum. A crystalline exhale that warbles across three minutes of softly strummed guitar and slowly swelling strings. The track itself is a demo, titled “New Idea” after the throwaway filename Marten had initially used to save it to her laptop. It’s a reset button and a palette cleanser. An invitation to unfurrow your brow and drop your shoulders. To listen. By the time her vocals roll in on “God Above”, you’re already caught in the slipstream of Drop Cherries – which, it quickly transpires, is no bad thing.
Since she was discovered as a Yorkshire schoolgirl on YouTube aged 12, Marten has made music rooted in English folk tradition. Her album before this, Flora Fauna (2021), took leave of that. Out went the bare-bones production and whispered words, replaced by noodling beats and left-field compositions. Now, on her fourth record and second since splitting from Sony, she does away with alt-rock experimentation and once again embraces the dulcet tones of her 2016 debut, this time in the name of love.
The 13 songs on Drop Cherries are vignettes of a relationship. Marten dials back her sound to paint tender, intimate moments using only strokes of orchestral watercolour. “Bend To Him” is a sumptuous, pure paean to the simple truth of loving someone. “I wash my sins in the water of his eyes/ And he hears me when I cry,” Marten croons against the song’s minimalist instrumental scaffolding, like draping a linen shirt over a washing line in the garden. It’s genuinely romantic. The production remains mostly grounded in folky naturalism, as on album highlight, the band-led “I Can’t Get My Head Around You” with its smattering of drums and Marten’s plain-spoken vulnerability.
Having an edge is hardly the point of an album like this, but a risk or two might have been welcome. “Imagine stamping blood-red cherries on to a clean, cream carpet and tell me that’s not how love feels,” Marten writes in the album’s accompanying press release. It’s a striking image, one that suggests a sense of physicality that is left unfulfilled in the music. Admittedly, though, one could argue: why would you want to disrupt such a flow?
Images of nature sprout across the record as Marten describes “two weeping willows throwing an arm to one another” and legs that “stick out like sycamore trees”. The album’s fruity title is, itself, a metaphor for loving someone. That sentiment is written all over this love-centred record: red and plump as a heart. Or a cherry."





 


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