Blood, Sweat & Tears – 3 - MFSL Ultradisc UHR Hybrid SACD
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Description
Blood, Sweat & Tears – 3 - MFSL Ultradisc UHR Hybrid SACD
Blood, Sweat & Tears – 3
Label: Mobile Fidelity Sound Lab – UDSACD 2013 Series: Original Master Recording – , Ultradisc UHR – Format: SACD, Hybrid, Album, Limited Edition, Reissue, Remastered Country: US Released: 2003 Genre: Rock Style: Blues Rock, Jazz-Rock, Classic RockTracklist
1 Hi-De-Ho 4:26 2 The Battle 2:41 3 Lucretia MacEvil 3:04 4 Lucretia's Reprise 2:35 5 Fire And Rain 4:03 6 Lonesome Suzie 4:36 7 Symphony For The Devil/Symphathy For The Devil 7:49 7.I Emergence-A. Fanfare 7.II Devil's Game-A. Labyrinth; B. Satan's Dance; C. The Demand 7.III Submergence-A. Contemplation; B. Return 8 He's A Runner 4:14 9 Somethin' Comin' On 4:33 10 40,000 Headmen 4:44Companies, etc.
- Phonographic Copyright (p) – Sony Music Entertainment Inc.
- Copyright (c) – Sony Music Entertainment Inc.
- Copyright (c) – Mobile Fidelity Sound Lab
- Licensed To – Mobile Fidelity Sound Lab
- Remastered At – Mobile Fidelity Sound Lab
Credits
- Alto Saxophone, Piano, Electric Piano, Musical Box, Vocals – Fred Lipsius
- Bass – Jim Fielder
- Drums, Percussion, Vocals – Bobby Colomby
- Engineer – Roy Halee
- Guitar, Harmonica – Steve Katz
- Lead Vocals – David Clayton-Thomas
- Organ, Piano, Electric Piano, Harpsichord, Celesta, Trombone, Flute, Horn [Baritone], Other [Kitchen Sink], Vocals, Alto Flute – Dick Halligan
- Producer – Bobby Colomby, Roy Halee
- Recorded By – Lou Waxman
- Trombone, Recorder, Bass Trombone – Jerry Hyman
- Trumpet, Flugelhorn – Chuck Winfield
- Trumpet, Flugelhorn, Trumpet [Piccolo] – Lew Soloff
Notes
Original album released in 1970.Mastered by Mobile Fidelity Sound Lab, Sebastopol, CA on the Gain 2 System.
Track 10: Themes used in this arrangement are variations of:
Bartók's - Ballad (from Hungarian Pleasant Songs)
Prokofiev's - Lieutenant Kijé Suite
Thelonious Monk - I Mean You
Fred Lewis - Étude For Lew And Zoloff.
About Mobile Fidelity...
Mobile Fidelity believes that mastering systems should be neutral and transparent. The essential idea is to unveil all the detailed musical information on the original master recording without adding deterioration, coloration or other sonic artifacts.
It is worth noting that Mobile Fidelity Sound Lab stands out as one of few record labels that independently invests in research and development of audio technology. With proprietary innovations such as GAIN 2, general music enthusiasts and audiophiles alike have reaped the benefit of a higher consumer audio standard without investing in costly new hardware. Mobile Fidelity is pleased to work with a variety of engineering legends and companies including Tim de Paravicini, Ed Meitner, Pass Labs, Lipinski Sound and Sony Electronics.
Our joint efforts to seek out the ultimate audio experience, has resulted in significant advances for the technology of music reproduction.
GAIN 2 Mastering Technology for Ultradisc UHR Hybrid SACD and Ultradisc II 24kt Gold CDs
For over twenty years, Mobile Fidelity Sound Lab has continually searched for the ultimate audio experience. During this search MFSL engineers and associates created The GAIN System, a proprietary mastering technology which brought warmth and ambience to the compact disc format. A few years ago - with higher resolution formats on the horizon - the vision of GAIN 2 began. As it stands today, GAIN 2 is one of the greatest technical advancements in analogue and digital technology in the last ten years. It consists of a series of critical modifications and new components to Mobile Fidelity's proprietary mastering chain.
We feel that GAIN 2 has come extremely close to meeting this goal. The key accomplishments of GAIN 2 System are 1) the ability to extract all the musical information as possible through the Ultra High bandwidth analogue tape playback system with proprietary custom tape playback heads, reproducer electronics and 2) transparently capturing and storing that information with the Direct Stream Digital recording system.
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