Borodin IN THE STEPPES OF CENTRAL ASIA Ansermet / SUISSE ROMANDE Speakers Corner
  $   35

 


$ 35 Sold For
Jan 31, 2026 Sold Date
Jan 21, 2026 Start Date
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Description

Prokofiev Classical Symphony Borodin In The Steppes Of Central Asia Glinka A Life For The Czar Ernest Ansermet conducting L'Orchestre De La Suisse Romande SPEAKERS CORNER RECORDS SXL 2292 MINT

Label:

Speakers Corner Records SXL 2292, Decca SXL.2292

Format:

Vinyl, LP, Stereo

Country:

Germany

Released:

2014

Genre:

Classical

Style:

Romantic
Tracklist:                                                       Prokofiev "Classical" Symphony In D Major, Op. 25 A1 – Allegro A2 – Larghetto A3 – Gavotta - Non Troppo Allegro A4 – Finale - Molto Vivace A5 Prokofiev March From "The Love Of Three Oranges" A6 Prokofiev Scherzo From "The Love Of Three Oranges"

B1 Glinka Kamarinskaïa - Fantasy B2 Borodin n The Steppes Of Central Asia B3 Glinka A Life For The Czar (Ivan Susanin) - Overture
  • Recorded At – Victoria Hall, Geneva
  • Mastered At – Decca Studios
  • Pressed By – Decca Record Co. Ltd., Pressing Plant, UK.
  • Printed By – St. James Press
  • Copyright © – The Decca Record Company Limited
  • Composed By – Borodin (tracks: B2), Glinka (tracks: B1, B3), Prokofiev (tracks: A1 to A6)
  • Conductor – Ernest Ansermet
  • Cover – Larusso
  • Engineer [Uncredited] – Roy Wallace
  • Mastered By – E
  • Orchestra – L'Orchestre De La Suisse Romande
  • Recorded February and March 1961 in Victoria Hall, Geneva Roy Wallace – Recording engineer Michael Bremner – Producer Remastered at Air Studios, London by Tony Hawkins and Ray Staff
Speakers Corner Records
180g Virgin Vinyl
High Quality Pressing
Pure Analogue
Audiophile Mastering
     Thankfully musical genres have been spared from being described with new buzz wordssuch as ”Kleinkunst“ which could be translated as ”Small Arts“. But music in small forms – maybe set down on just a few pages of manuscript paper – certainly exists. Prokofiev’s miniature, the Symphonie classique, combines several superlatives as regards both its musical notes and form: it is only 15 minutes long, contains a wealth of melodic ideas, and is the most performed of all Prokofiev’s symphonies.      This four-movement composition employs traditional forms such as the sonata form in the outer movements and the pre-Classical dances menuet and gavotte. The work’s carefree esprit, serenade-like humour, and courtly elegance is delightful throughout and culminates in a high-spirited sturm und drang Finale.      On the B side is Glinka’s Kamarinskaya Fantasia, only eight minutes long but captivating with its extremely closely-knit compositional style, and his Overture to A Life for the Tsar – a showpiece whose leitmotifs are truly forward-looking. Alongside these classical-romantic musical gems, Borodin’s In The Steppes of Central Asia acts as an ideal programmatic amalgamation of the Orient and the Occident, and fits perfectly into this choice of repertoire.


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