Buzzcocks - Love Bites LP UAG 30197 1st Press 1978 Punk
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Description
BobTheMusicMan – Vinyl, Music & Other Media auctions
Discogs information:
Buzzcocks ?– Love Bites
Label: United Artists Records ?– UAG 30197 Format: Vinyl, LP, Album, Embossed CoverCountry: UK Released: Sep 1978 Genre: Rock Style: New Wave, Punk
TracklistHide Credits
A1 Real World Written-By – P. Shelley* 3:29 A2 Ever Fallen In Love (With Someone You Shouldn't 've?) Written-By – P. Shelley* 2:40 A3 Operators Manual Written-By – P. Shelley* 3:30 A4 Nostalgia Written-By – P. Shelley* 2:51 A5 Just Lust Written-By – Dial*, Shelley* 2:57 A6 Sixteen Again Written-By – P. Shelley* 3:14 B1 Walking Distance Written-By – S. Garvey* 1:58 B2 Love Is Lies Written-By – S. Diggle* 3:10 B3 Nothing Left Written-By – P. Shelley* 4:23 B4 E.S.P. Written-By – P. Shelley* 4:39 B5 Late For The Train Written-By – Maher*, Shelley*, Diggle*, Garvey* 5:51Companies, etc.
- Recorded At – Olympic Studios
- Mixed At – Advision Studios
- Phonographic Copyright (p) – United Artists Records Ltd.
- Copyright (c) – United Artists Music And Records Group, Inc.
- Phonographic Copyright (p) – United Artists Music And Records Group, Inc.
- Marketed By – United Artists Records
- Published By – Virgin Music (Publishers) Ltd.
Credits
- Arranged By – Buzzcocks
- Artwork [Packaging] – Assorted Images, Malcomb Garrette*
- Drums [Premier Drums] – John Maher
- Electric Bass [Musicman Stingray Bass], Electric Bass [Fender Precision Bass] – Steve Garvey
- Electric Guitar [Gibson Les Paul Junior (TV)], Electric Guitar [Occasional Fender Telecaster Custom] –Steve Diggle
- Electric Guitar [Gibson Marauder] – Pete Shelley
- Engineer – Doug Bennett
- Management – New Hormones, Richard Boon
- Management [Agency] – Paul Charles
- Painting – Robin Utracik
- Performer – John Maher, Pete Shelley, Steve Diggle, Steve Garvey
- Photography By [Photo] – Chris Gabria
- Producer, Mixed By – Martin Rushent
Notes
This is the original first press release, which is embossed on the front - and rear side. On the frontside are embossed the words "Buzzcocks" and "Love", on the backside is embossed the word "Bites".Includes a 12"x12" insert with portraits and credits.
On Cover:
Appetent Images.
©?1978 United Artists Music and Records Group Inc.
® Trademarks used by United Artists Records Ltd. under authorisation.
Marketed by United Artists Records.
On Labels:
Virgin Music (Publishers) Ltd.
?1978 United Artists Records Ltd.
Made in England
A product of United Artists Records Ltd
On Insert:
Recorded at Olympic Studios, Barnes • Saturday 29 July - Sunday 6 August • Custom-built console
Mixed at Advision • Friday 11 August - Wednesday 16 August • Quad B Compumix
Paintings [...] courtesy The Worst.
Barcode and Other Identifiers
- Matrix / Runout (A-side label): UAG 30197A
- Matrix / Runout (B-side label): UAG 30197B
- Matrix / Runout (A-side runout machine stamp): UAG 30197 A-1U "S0'"
- Matrix / Runout (B-side runout machine stamp): UAG 30197 B-1U WHAT? ??
- Matrix / Runout (A-side runout etching): A SPIKEY SPECTACULAR
Our grading in condition section above.
Records graded to Record Collector guidelines, visually unless mentioned.
Mint (M)
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)
The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P)
The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)
The record is unplayable or might even be broken, and is only of use as a collection-filler
CD’s and CASSETTES
As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
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