Caravan ?– Caravan Label: Verve Forecast ?– FTS-3066 Format: Vinyl, LP, Album  Country: US Released: 1969 Genre: Rock Style: Folk Rock, Prog Rock, Classic Rock

TracklistHide Credits?

A1 Place Of My Own 4:00 A2 Ride 3:40 A3 Policeman 2:40 A4 Love Song With Flute 4:06 A5 Cecil Rons 4:05 B1 Magic Man 4:00 B2 Grandma's Lawn 3:20 B3 Where But For Caravan Would I? Written-By – Brian Hopper 8:55

Credits?

• Design [Sleeve Design] – Keith Davis (3)
• Drums – Richard Coughlan
• Guitar, Bass, Vocals – Pye Hastings, Richard Sinclair
• Organ, Piano, Vocals – David Sinclair
• Producer – Tony Cox
• Written-By – David Sinclair, Julian Hastings*, Richard Coughlan, Richard Sinclair

review

[-]by Lindsay Planer

For their first album, Caravan was surprisingly strong. While steeped in the same British psychedelia that informed bands such as Love Children, Pink Floyd, and Tomorrow, Caravan relates a freedom of spirit and mischief along the lines of Giles, Giles & Fripp or Gong. The band's roots can be traced to a British blue-eyed soul combo called the Wilde Flowers. Among the luminaries to have passed through thisCaravan precursor were Robert Wyatt, Kevin Ayers, and Hugh Hopper and Brian Hopper (pre-Soft Machine, naturally). By the spring of 1968, Caravan had settled nicely into a quartet consisting of Pye Hastings (guitar/bass/vocals), Richard Coughlan (drums), David Sinclair (organ/vocals), and Richard Sinclair (bass/guitar/vocals). Inspired by the notoriety and acclaim that Soft Machine encountered during the burgeoning days of London's underground scene, Caravan began a residency at the Middle Earth club. Additionally, the band was shopping a homemade demo tape around to local record companies. Before long, entrepreneur Tony Cox worked out a deal for them to record on the newly founded U.K. division of the Verve label. Caravan's self-titled debut is equally as inventive and infinitely more subtle than the Soft Machine's Volume One or Pink Floyd's Piper at the Gates of Dawn. Two of the album's best tunes -- the ethereal "Place of My Own" was backed with the dreamlike "Magic Man" -- were issued as the band's first single. Those tracks accurately exemplify the subtle complexities thatCaravan would hone to great effect on later recordings. The same can also be said for album cuts such as "Love Song With Flute" and the extended nine-minute "Where but for Caravan Would I?" The latter title aptly exemplifies Caravan's decidedly less than turgid attitude toward themselves -- a refreshing contrast from the temperamental and serious Art School approach adopted by Pink Floyd and the Moody Blues. 

Be sure to add me to your favorites list! Check out my other items!;Check me out on YouTube

Kevin's Live Music Video Vault!

Combined payment/shipping discount: Pay standard USPS Media Mail rate for first item, and then pay only $1.00 for each additional LP/CD within 3 days.   

DO YOU HAVE MUSIC YOU WOULD LIKE TO SELL?

LET ME SELL YOUR RECORDS, CDS, DVDS!!  I AM AN OFFICIAL EBAY TRADING ASSISTANT!  

See my info at this link  (LONG ISLAND, NEW YORK ONLY, PLEASE)

http://ebaytradingassistant.com

J The Psychedelic Artwork J J is not for sale!!  Just for fun!!   J   I always rate my records down one level than I feel they should be, due to opinion differences.  Please note that I can not possibly play test every LP.  If there are any problems, please let me know, as my return policy is fair.  CDs are rated NM if opened but played no more than once.                                                                     J   J J   J  

Caravan - A Place Of My Own 1968

by Ahmad Al-Qassed•3 years ago•27,898 views

"Place of My Own" is The first track from the 1968 album "Caravan" byCaravan. Pye Hastings guitar vocals, Richard Coughlin ...

TRANSLATE

Caravan "1968"

by cocri11•2 years ago•3,700

                                                      J   J   DISC (VINYL) GRADES   SS  Sealed at factory and never opened. Disc is assumed to be undamaged and mint, but this cannot be proven until the album is actually opened and the disc examined. (STILL SEALED) M  Perfection, no flaws, defects, marks or otherwise indications of being handled or played. Any scuffs, hairline scratches or other marks disqualify discs from this category.  (MINT) NM or M-  The vinyl is virtually flawless, bright and shiny. A very minor, barely visible scuff or two may be permitted, but no scratches. The disc plays with no audible noise. The label is bright, clean and unmarked. (NEAR MINT or MINT MINUS)  EX or VG++  Disc plays near perfectly, but has minor paper scuffs that do not interfere with the sound quality. There is possibly a hairline scratch or two but nothing that is obvious or affects play. Vinyl is bright and shiny; label is clean and unmarked. (EXCELLENT or VERY GOOD ++) VG+  Some visible surface wear, very minor scratches and scuffs, but minimal impact on the sound quality. Vinyl still have good luster; labels are clean. (VERY GOOD PLUS) VG  Vinyl has noticeable scratches or scuffs that cause minor surface noise, but do not overpower the music. There are no skips.  Vinyl appears somewhat dull and grayish. Labels may have small tears, tape marks, writing, etc.   (VERY GOOD) G  Well-played, dull, grayish vinyl with deeper scratches and wear causing distracting surface noise (hisses, pops, cracks and other nasties). The record will still play through without any skips. Labels may be significantly defaced or damaged. (GOOD) F and P  Unless the record is particularly rare, I would not try to sell a record in this condition. There will be major noise, surface damage, deep scratches, and skips. Attempting to listen to these discs will be painful. These discs are basically trash unless a collector desires one to fill a space in a collection until a better one comes along. (FAIR) (POOR)   ALBUM COVER GRADES   SS  Album is still in the factory-applied shrink-wrapping. (STILL SEALED) M  Absolutely perfect; no corner dings, marks, tears, dents, impressions from the disc, or other flaws. Cover should appear as if a record has never been inside. (MINT) NM or M-  Very minor signs of wear or cover impressions. Artwork is as close to perfection as possible. (NEAR MINT or MINT MINUS)  EX or VG++  Minor disc impression and slight corner creases, no wrinkles, puckers, seam splits or writing on the cover. Artwork is clean and unworn and there is no ink wear. (EXCELLENT or VERY GOOD ++) VG+  Cover is clean but has minor writing or marks and shows slight wear. There may be just the start of ring wear. There is slight discoloration due to aging or staining, minor seam wear, but no splits or tears. Corners have small creases or fraying. (VERY GOOD PLUS) VG  Covers are worn and used. Seams may be starting to split or may have been unobtrusively repaired with clear tape. There is moderate ringwear, but the artwork is still attractive. There is yellowing or discoloration and there is larger writing, labels, or marks. Corners have damage or creases. (VERY GOOD) G  Several (but not all of the following flaws will apply: Seam splits, large marker writing, major seam splits, significant ring wear, damaged corners, tears, cuts, gouges, masking or duct tape seam repairs, or other flaws and damage. Again, probably only useful to fill a collection niche until something better can be found. (GOOD) F and P  Trash, useable only to keep the record off the floor. (FAIR) (POOR)

 

All my eBay items for sale:  

http://www.ebay.com/sch/m.html?_sop=1&_from=&_nkw=&_dmd=2&_armrs=1&_ssn=psychedelic-kevin&_ipg=96&rt=nc

My YouTube Feature - Kevin's Live Music Video Vault http://www.youtube.com/playlist?list=PL9CE07D64936CE306

My kids newspaper project on Facebook 

http://www.facebook.com/pages/The-Wiki-Weekly/266866373375558?ref=hl

Check out my VidLP creations on YouTube:

Kevin's Classic Live Video Album Productions (Vid-LP)

by Kevin Maguire

1. 45:18 1

   Vid-LP Pink Floyd - Dark Side of the Moon

   by Kevin Maguire 258 views

2. 49:53 2

   Vid-LP Fleetwood Mac - Rumours

   by Kevin Maguire 132 views

3. 42:17 3

   Vid-LP Rush - Rush (Debut Album) Mostly Video, Mostly Live

   by Kevin Maguire 73 views

4. 41:23 4

   Vid-LP Carole King - Tapestry

   by Kevin Maguire 7 views

5. 36:22 5

   Vid-LP Aerosmith Aerosmith (1st Album) - Mostly Live Concert Videos!

   by Kevin Maguire 210 views

6. 56:00 6

   Vid-LP Black Sabbath Black Sabbath

   by Kevin Maguire 29 views

7. 47:00 7

   Vid-LP Queen - Queen (1st album) Mostly live concert video footage

   by Kevin Maguire 69 views

8. 44:02 8

   Vid-LP Jethro Tull - Aqualung (1971)

   by Kevin Maguire 42 views

9. 40:56 9

   VidLP Santana - Abraxas (Live Video Classic Album)

   by Kevin Maguire 86 views

10. 41:56 10

    WATCHED VidLP The Rolling Stones - Sticky Fingers (Live Video Classic Album)

    by PsychedelicKevin 14 views

biography

[-]by Bruce Eder Caravan was one of the more formidable progressive rock acts to come out of England in the 1960s, though they were never much more than a very successful cult band at home, and, apart from a brief moment in 1975, barely a cult band anywhere else in the world. They only ever charted one album in their first six years of activity, but they made a lot of noise in the English rock press, and their following has been sufficiently loyal and wide to keep their work in print for extended periods during the 1970s, the 1990s, and in the new century. Caravan grew out of the breakup of the Wilde Flowers, a Canterbury-based group formed in 1964 as an R&B-based outfit with a jazzy-edge. the Wilde Flowers had a lineup of Brian Hopper on guitar and saxophone, Richard Sinclair on rhythm guitar, Hugh Hopper playing bass, and Robert Wyatt on the drums. Kevin Ayers passed through the lineup as a singer, and Richard Sinclair was succeeded on rhythm guitar by Pye Hastings in 1965. Wyatt subsequently became the lead singer, succeeded byRichard Coughlan on drums. Hugh Hopper left and was replaced by Dave Lawrence then Richard Sinclair, and Dave Sinclair, Richard's cousin, came in on keyboards. Finally, in 1966, Wyatt and Ayersformed Soft Machine and the Wilde Flowers dissolved. In the wake of the earlier group's dissolution,Hastings, Richard Sinclair, Dave Sinclair, and Richard Coughlan formed Caravan in January of 1968. The group stood at first somewhat in the shadow of Soft Machine, which became an immediate favorite on the London club scene and in the press. This worked in Caravan's favor, however, as the press and club owners began taking a long look at them because of the members' previous connections. A gig at the Middle Earth Club in London led to their being spotted by a music publishing executive named Ian Ralfini, which resulted in a publishing deal with Robbins Music and then, by extension, a recording contract with MGM Records on their Verve Records imprint, which the American label was trying to establish in England. Their self-titled debut album Caravan was a hybrid of jazz and psychedelia, but also enough of a virtuoso effort to rate as a serious progressive rock album at a time when that genre wasn't yet fully established; along with the the Nice albums on Immediate and The Cheerful Insanity of Giles, Giles & Fripp, it planted the roots of progressive rock. The Caravan album never sold in serious numbers, and for much of 1968 and early 1969, the members were barely able to survive -- at one point they were literally living in tents. And then, to add insult to injury, the record disappeared as MGM's British operation shut down in late 1968. Out of that chaos, however, the group got a new manager inTerry King and, with the help of a fledgling producer named David Hitchcock (who'd seen the band in concert), a contract with England's Decca Records, which was a major label at the time. Their Decca debut album, If I Could Do It All Over Again, I'd Do It All Over You, released in early 1970, was a major step forward and, indeed, a milestone in their history, establishing the mix of humor and progressive sounds, including classical, jazz, and traditional English influences that would characterize the best of their work over the next six years. Moreover, with Decca's then-formidable distribution behind it, the album got into stores and was heard and even sold well on university campuses. Suddenly, Caravan was an up-and-coming success on the college concert circuit, even making an appearance on British television's Top of the Pops. With national exposure and a growing audience, the group was at a make-or-break moment in their history. They rose to the occasion with their second Decca LP, In the Land of Grey and Pink, which showed off a keen melodic sense, a subtly droll wit, and a seductively smooth mix of hard rock, folk, classical, and jazz, intermingled with elements of Tolkien-esque fantasy. The songs ranged from light, easy-to-absorb pieces such as "Golf Girl" to the quietly majestic "Nine Feet Underground," a 23-minute suite that filled the side of an LP. One of the hardest-rocking yet musically daring extended pieces to come out of the early progressive rock era, "Nine Feet Underground" didn't seem half as long as its 23 minutes and it was a dazzling showcase for Pye Hastings' searing lead guitar and Dave Sinclair's soaring organ and piano work. Although few observers realized it at the time, the suite's length pointed up a problem that the group faced fairly consistently -- in contrast to most progressive rock outfits of the era, Caravan was inventive enough to justify extending even the relatively simple songs in their repertory to running times of six or seven minutes, and they were also extremely prolific. Those two situations meant that they were frequently forced to leave perfectly good songs off their albums and to edit those that they did issue. Most listeners didn't find this out until a wave of Caravan reissues arrived in 2001 with their running times extended 10-25 minutes each by the presence of perfectly good, previously unissued songs and unedited masters of previously released songs. Keyboard player and singer Dave Sinclair left the group's lineup in 1971, joining his ex-Wilde Flowers bandmate Robert Wyatt in the latter's new group, Matching Mole, and he was succeeded by Stephen Miller of the jazz-based band Delivery, who lasted through one album, Waterloo Lily(1972), moving them in a much more bluesy direction. Friction between the members resulted in Miller's departure and the exit ofRichard Sinclair, who subsequently put together Hatfield and the North. When the smoke cleared, Caravan was back as a five-piece which included Geoff Richardson on the electric viola, which added a new and rich timbre to their overall sound. By the time they cut their next album, For Girls Who Grow Plump in the Night, Dave Sinclair was back on keyboards. The album was a success, as was its follow-up, Caravan & the New Symphonia, a live 1973 performance accompanied by a full orchestra, released the following year. The group was poised to try for a breakthrough in America and, toward that end, took on Miles Copeland as their manager. They ended up on a 50-date tour of the United States and Canada where the response was positive. They also released a new album, Cunning Stunts, that became their first chart LP, not only in England but also in America (albeit at number 124) and most of Europe as well. Unfortunately, Cunning Stunts, for all of its sales success, was an ending rather than a new beginning -- the group parted company with Decca Records after its release. They recorded Blind Dog at St. Dunstan's for the Copeland-owned BTM Records the following year, and Better by Far for the Arista label the year after that, but by that time, their moment seemed to have passed, and they seemed increasingly out-of-step with the burgeoning punk rock boom. Caravan ceased activity in the early '80s, following the release of The Album and Back to Front, both recorded for Kingdom Records, owned by their former manager Terry King.

Their history seemed to have ended, and then in 1990, the original quartet of Pye Hastings, Richard Sinclair, Dave Sinclair, and Richard Coughlan were reunited for what was supposed to be a one-off concert for a television special. The performance and the sales of an accompanying live album proved so encouraging that Caravan came together once more for a second career. The group has been back together in one lineup or another ever since, (mostly filled out by ex-members of Camel, among other latter-day personnel), with new recordings emerging steadily. Equally important, someone at English Decca (by then part of Polygram, which became part of MCA) took it upon themselves to raid the vaults in 1999-2000 and prepare vastly expanded reissues of the group's entire Verve/Decca catalogs. The result was the availability of more Caravan music and more of their classic '60s and '70s recordings than had been in print at any time in their history.