CELTIC FROST - MORBID TALES - RARE 84 THRASH BLACK DEATH on Noise EX-/EX+

$

47

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CONDITIONS (VISUAL) (REC./COV.): .EX-/EX

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 Ultimate Guitar Tone of DOOOOOOM!!! - 100%     

Ahh, yesss, Celtic Frost! One of my very favorite bands from "back in the day", and this album reigns supreme like few others do. With its unique and disturbing vibe, this is Tom G. and friends at their heaviest and most uncompromisingly "kvlt". Before that term even came into play, even.

First of all, this is THE most evil, ugly, saturated wall of guitar noise EVAR. Few have even come close to even *trying* to clone it, the only person I kow of successfully doing so 100% being Trevor Peres (Obituary), and Sammy Duet of Goatwhore comes mighty close, too. It is what I model my personal guitar sound after when I play guitar, second only to "RIB"-era Slayer. It is Death personified, and the riffage that Tom spews out from start to finish is simply godhead, from the first charging riff of "Into The Crypts of Rays" to the last proto-speed metal riff in the title track.

His vocals are at their most guttural and distorted on this album, too--this is long before he got it into his head he could sing (he can't; sorry, Tom, but you just can't hang). Creepy occult lyrics left and right only add to the mysterious and sinister aura surrounding this album--it's like a template for Bathory, but with far better English and a slightly more artsy slant to the proceedings to set it apart from the average bands of that era.

Bassist Martin Ain (who actually wrote much of the lyrics due to his superior command of the language, if memory serves correctly) has a thick, bottomy tone that underpins that guitar onslaught perfectly, and Stephen Priestly is a master drummer, playing the right parts at the right times with impeccable timing and precision. The drums are a bit muffled for my taste, however, in the mix, but what else do you expect for 1984?

This album features some of the most overcovered tunes in metal history; "Into The Crypts of Rays", "Procreation Of The Wicked" (gotta love Tom's accent and how he makes that last word sound like "Pro-creation uv de WICK-ETT!"), and of course "Dethroned Emperor". It's not Tom's fault that those songs feature some of his most amazing riffing, whether it be "Crypts" and its merciless speedroar, "Procreation" with its groaning Sabbathy verse parts, or "Dethroned Emperor" and its fairly obvious ripoff of Diamond Head's "Am I Evil?". The rest of the album holds up and how as well, with the likes of "Morbid Tales" (proto-speed metal, as previously mentioned) and "Visions of Mortality", which builds from a doomy beginning to a thrash extravaganza that devastates all in its path.

If you don't own this classic album in some form, you just are not metal. There, I said it.

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THE RECORD IS LOCATED IN ITALY

My grading scale is :  M-, EX, VG+,VG, G

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COSTI SPEDIZIONE: SHIPPING

ITALIA : POSTA RACCOMANDATA - € 9,00 (EURO).

(  Per acquisti multipli fino a 3 lps il prezzo per la spedizione è  €9,00 )

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1 TO 3 LPs ____________  $ 20,00 (US Dollar)

4 TO 6 LPs ---------------------  $ 33,00 (US Dollar)

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Record Collector Magazine Grading System

MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.

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